Guernica
1937 · Museo Reina Sofia, Madrid
A screaming horse, a mother with her dead child, all in grey. Picasso painted it in weeks after German bombers leveled a Basque town.
★ 9.9
The Art canon
Sourced and hung.
Every work chosen by hand and annotated for why it matters.
Browse all 704 works or filter by movement, subject, place, and artist.
Browse all 704 works or filter by movement, subject, place, and artist.
The Persistence of Memory
1931 · Museum of Modern Art, New York City
Dalí said the soft watches came to him from a camembert melting in the sun, and he painted them with hallucinatory precision.
★ 8.7
Mystery and Melancholy of a Street
1914 · Private collection
A girl rolls a hoop down an arcaded street toward a shadow coming around the corner, in light that belongs to no hour.
★ 8.3
Three Studies for Figures at the Base of a Crucifixion
1944 · Tate Modern, London
Three flayed creatures crane and scream on orange grounds. Shown as the war ended in 1945, they made Bacon's reputation overnight.
★ 8.0
The Treachery of Images (This is Not a Pipe)
1929 · LACMA, Los Angeles
The words under the pipe are correct, since a painting of a pipe is not a pipe, which is the whole and entire joke.
★ 7.9
Study After Velazquez's Portrait of Pope Innocent X
1953 · Des Moines Art Center, Des Moines
Bacon took Velázquez's composed pope and set him screaming behind a curtain of falling paint. He never saw the original in person.
★ 7.8
The Song of Love
1914 · Museum of Modern Art, New York City
A marble head, a red rubber glove and a green ball hang together on a wall, and a train goes by in the distance.
★ 7.8
The Two Fridas
1939 · Museo de Arte Moderno (Mexico City), Mexico City
Two versions of herself hold hands with one artery running between them, clamped shut. She painted it as her marriage to Rivera fell apart.
★ 7.7
The Weeping Woman
1937 · Tate Modern, London
Picasso pulled her out of the screaming mother in Guernica and gave her the face of Dora Maar, his lover and a photographer.
★ 7.5
The Son of Man
1964 · Private collection
Magritte called the floating apple a kind of self-portrait, about how much we want to see the thing that is being hidden.
★ 7.5
White Crucifixion
1938 · Art Institute of Chicago, Chicago
Christ wears a Jewish prayer shawl while a synagogue burns and refugees flee by boat. Chagall painted it in 1938, watching what was coming.
★ 7.2
Self-portrait With Thorn Necklace and Hummingbird
1940 · Harry Ransom Center, Austin
A thorn necklace draws blood at her throat, a dead hummingbird hangs from it, and a monkey and a black cat watch from behind.
★ 7.2
The Elephant Celebes
1921 · Tate Modern, London
Part boiler, part elephant, with a tusked hose coming out of its head. Ernst took the shape from a photograph of an African grain bin.
★ 7.2
Time Transfixed
1938 · Art Institute of Chicago, Chicago
A small steam locomotive comes out of a fireplace under the mantel clock, and the room around it is otherwise entirely ordinary.
★ 7.2
Golconde
1953 · The Menil Collection, Houston
Men in bowler hats hang in the sky over the rooftops at even intervals, neither falling nor floating, which is somehow the unsettling part.
★ 7.2
Carnival of Harlequin
1925 · Albright-Knox Art Gallery, Buffalo
A cat plays a guitar and an eye drifts past on a stalk. Miró said the hallucinations of hunger in his Paris studio fed the picture.
★ 7.1
The False Mirror
1928 · Museum of Modern Art, New York City
One enormous eye with a cloudy sky for an iris. Whether it is looking out or reflecting back is the question.
★ 6.9
Nude, Green Leaves and Bust
1932 · Tate Modern, London
Marie-Thérèse asleep beside a sculpture of her own head and a philodendron, from the year Picasso could seemingly do nothing wrong.
★ 6.9
The Human Condition
1933 · National Gallery of Art, Washington, District of Columbia
A canvas on an easel shows exactly the landscape it is standing in front of, and therefore hides it completely.
★ 6.9
The Tilled Field
1924 · Guggenheim, New York City
An eye and an ear sprout from a tree and a lizard wears a cap. Miró's Catalan farm has come apart into Surrealism.
★ 6.8