
The Sound and the Fury
Four sections circle one Mississippi family's ruin, and the first belongs to a brother who cannot speak or keep time in order. Faulkner makes confusion itself carry the weight of grief.

Four sections circle one Mississippi family's ruin, and the first belongs to a brother who cannot speak or keep time in order. Faulkner makes confusion itself carry the weight of grief.

Thomas Sutpen arrives in Mississippi from nowhere with a band of slaves and a French architect and builds a dynasty that destroys itself. Two students retell it until it swallows them.

Scout Finch's father, a lawyer in a small Alabama town, defends a Black man accused of raping a white woman. The trial reaches you through a child who understands less than you do.

Addie Bundren dies and her family hauls the coffin across Mississippi through flood and fire. Fifteen voices tell it, and you laugh at people whose misery you can feel.

On a Georgia back road a grandmother who talked her family into a detour meets an escaped killer. O'Connor's stories stay funny until the violence arrives, which is how grace arrives too.

Pregnant and walking from Alabama, Lena Grove looks for the man who left her. Nearby a man who cannot say whether he is black or white is running out of room.

Four people in a Georgia mill town confide everything to John Singer, a deaf man who lip-reads them and answers little. McCullers fills the place with people who cannot reach each other.

Ignatius J. Reilly, obese and certain the modern age is beneath him, is pushed out of his mother's New Orleans house to find work. Toole wrote the funniest American novel of its century.

Back from the war, Hazel Motes preaches the Church Without Christ from the hood of a rat-colored car, insisting there was no Fall and nothing needing redemption. O'Connor makes blasphemy sound like faith.