A Change is Gonna Come
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.
Smokey Robinson wrote it for his wife Claudette, then handed David Ruffin his first Temptations lead vocal.
Spector printed 3:05 on the label of a 3:45 record, and it became the century's most-played song on American radio.

Bruce Langhorne's giant Turkish frame drum gave Dylan the image, and the Byrds' cover turned it into folk rock.

Gaye co-wrote it and cut an early version; Reeves heard block parties in it and needed two takes.
Hilton Valentine's arpeggio, one take at De Lane Lea, and four and a half minutes when singles ran two.
Dave Davies took a razor blade to his little Elpico amp's speaker cone, and distortion arrived on British radio.

Claudette said she was going out, Dees answered that a pretty woman never needs money, and the riff followed.

Dylan set out to write an anthem on purpose, borrowing the cadence of Irish and Scottish ballads, and got one.

Starr's slip of the tongue supplied the title, and the opening chord is still argued over by musicologists.
Never a professional singer, Gilberto sang at the 1963 session because she spoke English; Record of the Year followed.
Howard wrote a waltz; Quincy Jones swung it into four for Basie, and Apollo crews played it in orbit.

Last song of a twelve-hour day, Lennon's throat gone, one usable take, and the Beatles' only million-selling cover.

A B-side until Murray the K's listeners voted it up, cut live at Bell Sound with Warwick barely raising her voice.
Ray Davies's publisher wanted to sue the Doors over the riff; Davies declined, and the snarl outlived the argument.

Two point one million American advance orders, and behind them a Paris hotel upright where McCartney wrote it.

Holland and Dozier said the Marvelettes turned it down; Ross sang lower over Mike Valvano's foot stomps to number one.

Wilson heard Be My Baby, resolved to answer it, and took the title phrase from his girlfriend Marilyn Rovell.

Gordy asked for another Where Did Our Love Go, and Holland-Dozier-Holland answered with footstomps, a sax break, and Ross cooing.

Shadow Morton's teenage melodrama, a motorcycle revving through the mix, and a BBC that refused to play it.