
I Want to Hold Your Hand
Handclaps, that leaping chord under "I can't hide," and five weeks later America belonged to them.

Handclaps, that leaping chord under "I can't hide," and five weeks later America belonged to them.

Hal Blaine's four-beat drum intro is the most imitated in pop, and Ronnie Spector owns everything after it.

Nine questions, no answers, and the song the civil rights movement adopted whole and never gave back.
Lennon and McCartney started it on a tour bus after a Newcastle show; Martin thought the sixth-chord ending corny.

Anita Carter cut it first, her sister June wrote it with Merle Kilgore, and Cash added the mariachi trumpets.

Ely shouted on tiptoe at a mic hung overhead, and the FBI spent thirty-one months failing to decode him.

Holland-Dozier-Holland over a gospel backbeat, Mike Terry's baritone sax break, and Reeves hollering the Vandellas to a Grammy nomination.

Seven sections in under three minutes, no chorus repeated, and a melody Orbison said arrived while half asleep.

Larry Levine stumbled onto that echo by accident, and LaLa Brooks sings a whole courtship in under three minutes.

Nonsense syllables meant to be replaced by real words, La La Brooks on lead, and Spector's Gold Star thunder.
Eighteen takes in one November session, a Lennon ballad sped up, and Martin calling their first number one.

Martin spliced McCartney's count-in from take nine onto take one, and rock and roll never had a better doorway.

Cut at Gold Star in 1963, a commercial flop, then Love sang it for Letterman nearly every December until 2014.
Three Wilson brothers on the first verse, singing harmonies worked out in the Hawthorne bedroom the song describes.

Ronnie sang it alone at Gold Star while the group toured, so Spector stacked Cher and the Blossoms behind her.

Feldman overheard a schoolgirl brushing off a boy, and the Angels' demo for the Shirelles went out as is.