
8.5
Fellini could not think of a film to make, so he made one about that: the result is a circus of memory and fantasy that every artist since has borrowed from.

Fellini could not think of a film to make, so he made one about that: the result is a circus of memory and fantasy that every artist since has borrowed from.

Kurosawa spends the entire first hour inside one house and it is unbearable: a rich man learns the kidnappers took the wrong child and still want his money.

Godard put Brigitte Bardot and Fritz Lang together in a story about a marriage falling apart on a Capri terrace: the most beautiful thing he ever shot.

Captivity has never looked like this much fun: Sturges rebuilt a real 1944 breakout from a German camp into tunnel engineering, forged papers and men who refuse to sit still.

Alfred Hitchcock threw live gulls at Tippi Hedren for five days and gave the film no conventional score: only electronic shrieks, a quiet California town, and crows gathering on a schoolyard jungle gym.

The Bond film that leans on people rather than hardware: Terence Young works a courier scheme through Istanbul and the Orient Express, and stages a train compartment fight in near silence.