
Yojimbo
Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.

Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.

Romeo and Juliet moved to two New York gangs, and the dancing spills out of the theater into real streets: nothing on film snaps like Robbins's choreography.

Nobody has filmed a game better: Newman's pool hustler wants to be great and cannot get out of his own way, and the smoke never leaves the room.

Freddie Francis lit it so the corners of every frame stay dark and you keep looking into them: a governess with two children in a huge house becomes certain they are being visited.

Stanley Kramer put real concentration camp footage into a Hollywood film in 1961 and made audiences sit with it: the trial is of judges, which makes the question about everybody.

Charlton Heston and Sophia Loren in the last great historical epic before the genre collapsed: real castles in Spain, thousands of extras on horseback, and Miklos Rozsa's score doing the heavy lifting.