
My Favorite Things
Coltrane picked up the soprano saxophone Miles gave him and stretched a Rodgers and Hammerstein waltz past thirteen minutes.

Coltrane picked up the soprano saxophone Miles gave him and stretched a Rodgers and Hammerstein waltz past thirteen minutes.
Percy Mayfield mailed it in as an a cappella demo; Margie Hendrix answers Charles line for line.

Cline resisted the pop polish until Bradley's arrangement and the Jordanaires handed her a first country number one.
A 1784 French melody rewritten for Blue Hawaii, and the song Presley chose to close his shows for a decade.

Cut at RCA Studio B with Floyd Cramer on piano, and Orbison's voice climbing until the room falls away.

Marvin Gaye played the drums, Gladys Horton pleaded the lead, and Motown had its first Hot 100 number one.
Ernie Maresca offered it to Nino and the Ebb Tides first; buried as a B-side, it went to number two.
Dixon's title was blues code for adultery, cut by Wolf at Chess and reopened by the Doors in 1967.

Crook hit the A minor to G change onstage in Battle Creek; his homemade Musitron took the solo.

Bell Sound in 1961, the Del-Satins behind him, Ernie Maresca's co-write, and Dion's only American number one.

Doris Coley's lead flopped on Scepter in 1959; the label reissued it in 1961 and the tenderness finally landed.

Number four in 1961, with Luther Dixon and Willie Denson turning a mother's shrug into pure reassurance.