Good Vibrations
1966 · From Smiley Smile
Brian Wilson's pocket symphony, months and a fortune spent chasing one shimmering theremin line into the sunlight.
★ 9.8
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1966
Showing 50 songs from 1966
Strawberry Fields Forever
1966 · From Magical Mystery Tour
Two takes in different keys and tempos spliced into one, a Mellotron haze over Lennon's Liverpool childhood.
★ 9.7
God Only KnowsThe Beach Boys
God Only Knows
1966 · From Pet Sounds
It opens by admitting doubt and spends the next two minutes refuting it; McCartney still calls it the greatest.
★ 9.7
Eleanor Rigby
1966 · From Revolver
No Beatle plays an instrument on it; George Martin's string octet does everything, sawing away at two solitary lives.
★ 8.9
Try a Little Tenderness
1966 · From Complete & Unbelievable: The Otis Redding Dictionary of Soul
A 1932 Tin Pan Alley ballad, rearranged by Isaac Hayes, until Redding and Al Jackson tear the roof off.
★ 8.6
Paint It, BlackThe Rolling Stones
Paint It, Black
1966 · From Aftermath
Jones's sitar made it the first number one to feature the instrument, and Decca added the comma by mistake.
★ 8.2
Wouldn't It Be NiceThe Beach Boys
Wouldn't It Be Nice
1966 · From Pet Sounds
Two accordions, a key change eight beats in, and 21 takes at Gold Star before Wilson sang about growing up.
★ 8.2
When a Man Loves a WomanPercy Sledge
When a Man Loves a Woman
1966
Sledge gave the writing credits away to two bandmates, and Atlantic pressed the take with the out-of-tune horns.
★ 7.9
It's a Man's Man's Man's World
1966 · From It's a Man's Man's Man's World
Betty Jean Newsome shares the credit and later claimed all of it; Sammy Lowe's strings carry Brown's most exposed vocal.
★ 7.7
Eight Miles High
1966 · From Fifth Dimension
Columbia rejected the RCA session on a technicality, so McGuinn recut his Coltrane-inspired twelve-string and radio banned it anyway.
★ 7.6
You Keep Me Hangin' On
1966
Dozier reportedly took the Morse code guitar figure from a radio news signal, and Ross demands her exit over it.
★ 7.6
You Can't Hurry LoveThe Supremes
You Can't Hurry Love
1966
The frame came from a Dorothy Love Coates gospel record, and Jamerson's bass did the rest.
★ 7.6
River Deep, Mountain High
1966 · From River Deep - Mountain High
Twenty-one musicians at Gold Star, Turner singing until she was drenched, and a US peak of eighty-eight that broke Spector.
★ 7.6
96 Tears
1966
A Vox Continental organ, a Michigan basement studio, a tiny local label, and somehow the number one record in America.
★ 7.5
The Good, the Bad, and the Ugly (Main theme)
1966
Alessandro Alessandroni whistled the two-note coyote howl, and Hugo Montenegro's cover of it reached number two in America.
★ 7.5
Wild Thing (The Troggs)
1966
Ten minutes at the end of somebody else's session, and an ocarina solo standing in for a hand whistle.
★ 7.5
Hey Joe
1966
Hendrix took Tim Rose's slow arrangement off a jukebox, Chandler hired the Breakaways, and Britain answered at number six.
★ 7.4
Hold On, I'm Comin'
1966
A shout through a Stax restroom door became the title, and Booker T.'s band made it an R&B number one.
★ 7.4
These Boots Are Made For Walkin'
1966
Chuck Berghofer's descending double bass, plus Sinatra talking Hazlewood into letting a woman sing lines written for a man.
★ 7.3
Sunny AfternoonThe Kinks
Sunny Afternoon
1966 · From Face to Face
A white upright piano, a bout of illness, and Britain's supertax reimagined as a lounging aristocrat pleading poverty.
★ 7.2