Crazy (Patsy Cline)
Willie Nelson wrote it; Cline, back after a car wreck bruised her ribs, nailed the vocal in one take.
Willie Nelson wrote it; Cline, back after a car wreck bruised her ribs, nailed the vocal in one take.

Seventeen years old, filling a Sunday when the booked singer's session collapsed, Jones cut the Hammond vamp that defined Stax.

A fan bet Dale he could not play on one string, so he sped up a Mediterranean folk tune.

A Don Gibson country weepie, Marty Paich's strings behind it, and five weeks at number one in 1962.

A bartender's scolding at Detroit's Apex Bar became the hook, and Motown's future Funk Brothers played the session.

Goffin and King built it for Little Eva; the Chiffons got the track, King's piano intro intact.

Darlene Love sang lead at Gold Star, Hal Blaine drummed, and the Crystals got the credit for a number one.

Gaudio wrote it in fifteen minutes by his account, and Valli's falsetto carried it to five weeks at number one.
His biographer says Jones grumbled about all the 'just becauses'; Jones denied it, then sat six weeks at country number one.
Owen Bradley produced the December 1961 session; Cline works through an inventory of keepsakes while Floyd Cramer's piano answers.
Top three in America across three decades, three different singers, and Eva Boyd invented the dance after the hit.
Brian Wilson chased Chuck Berry on the piano into a C-F-G pattern; a surfing friend supplied the beach names.