
Psycho
The film that invented modern horror: Hitchcock broke an unspoken rule about how a story is meant to behave, and every thriller since has been working in the space he opened.

The film that invented modern horror: Hitchcock broke an unspoken rule about how a story is meant to behave, and every thriller since has been working in the space he opened.

It put the word paparazzi into every language on earth: Fellini drifts through seven Roman nights of parties and beautiful exhaustion, and the fountain at dawn became permanent.

A comedy that breaks your heart and stays funny while doing it: Wilder took the sourest possible subject, a man lending his bed to his bosses, and made it warm.

Modern film editing starts here, and partly by accident: Godard shortened an overlong picture by cutting inside his own shots, and the jump cut has been legal ever since.

It was booed off the screen at Cannes and won a prize at the same festival: Antonioni made drift and boredom into subjects, and cinema has been arguing since.

Kurosawa liked this remake of his own film enough to send Sturges a ceremonial sword: Seven Samurai relocated to the Mexican border, with Elmer Bernstein's theme doing half the work.

Kirk Douglas helped break the blacklist by putting Dalton Trumbo's real name on this film: a slave revolt against Rome staged at enormous scale, with Laurence Olivier and Charles Laughton circling the politics.

Viewers fainted at its first festival screenings and horror has been quietly borrowing from it ever since: a surgeon keeps trying to give his daughter a face, and her mask is unforgettable.