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1990s

1990 – 1999

Showing 1,536 works across all media from the 1990s

Goodfellas

Directed by Martin Scorsese
1990

Every gangster film of the last thirty years is arguing with this one: Scorsese made the life so intoxicating for an hour that the comedown lands like a physical event.

★ 9.6

Fargo

Directed by Coen Brothers
1996

Marge Gunderson is the warmest character the Coens ever wrote, and the reason this one lasts: a kidnapping goes wrong in the snow and she is the only calm person in it.

★ 8.8

Toy Story

Directed by John Lasseter
1995

First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.

★ 8.7

Unforgiven

Directed by Clint Eastwood
1992

Eastwood spent thirty years building the myth this film takes apart: no western has been harder on the pleasure of violence, or on the men who deal it out.

★ 8.7

Fight Club

Directed by David Fincher
1999

Twenty-five years of argument have still not settled what it is actually saying: Fincher made consumer despair look genuinely thrilling, which is either the joke or the problem.

★ 8.6

LA Confidential

Directed by Curtis Hanson
1997

Modern film noir does not get better than this: three Los Angeles cops with nothing in common, and a plot so tightly wired people rewatch it to follow the connections.

★ 8.5

Maus

1991 · 300 pages

Spiegelman drew his father's survival of Auschwitz as a comic, Jews as mice and Nazis as cats, and drew himself failing to get along with the old man telling it.

★ 8.3

Achtung Baby

1991

They went to Berlin just after the Wall came down, argued badly enough to nearly break up, and got the song One out of it.

★ 8.3

Hallelujah

1994 · From Grace

Buckley learned it from John Cale's version and cut over twenty takes at Bearsville; the edit sounds like one breath.

★ 8.2

Beau Travail

Directed by Claire Denis
1999

Denis turned Melville's Billy Budd into something closer to dance than to drama: Foreign Legionnaires drilling in the Djibouti heat, all bodies and sun and things nobody will say.

★ 8.2
Losing My ReligionR.E.M.

Losing My Religion

1991 · From Out of Time

Buck wrote the riff while teaching himself mandolin in front of the television, and R.E.M. got their biggest American hit.

★ 8.2

Groundhog Day

Directed by Harold Ramis
1993

The title became a phrase people use without knowing the film: a comedy about repeating one day turned into the most quietly serious argument about how to live.

★ 8.2

Enter Sandman

1991 · From Metallica (The Black Album)

Hammett built the riff after Soundgarden's Louder Than Love, and Bob Rock sent Hetfield back to write a child's nightmare.

★ 8.1

Dummy

1994

They recorded their own samples, pressed them onto vinyl, and scratched the records up so the finished album would crackle like something older.

★ 8.1

Heat

Directed by Michael Mann
1995

Police forces train on the shootout and every heist film since has copied it: Mann also got De Niro and Pacino into one diner booth for the first time.

★ 8.1

The Big Lebowski

Directed by Coen Brothers
1998

It underwhelmed in cinemas and then grew a festival, a religion and a vocabulary: the Coens built a Chandler plot around a man whose only ambition is getting his rug replaced.

★ 8.1

Close-Up

Directed by Abbas Kiarostami
1990

Kiarostami blurred documentary and fiction so completely that nobody has quite untangled it since: a man caught impersonating a director, with everyone involved playing themselves on camera.

★ 8.1

One (U2)

1991 · From Achtung Baby

Berlin sessions nearly ended the band until the Edge played two chord sequences back to back and the song arrived.

★ 8.1

Seven

Directed by David Fincher
1995

The studio wanted the ending changed and Fincher refused, and studios then spent a decade trying to reproduce the atmosphere: a procedural so bleak the rain never stops.

★ 8.1
Karma PoliceRadiohead

Karma Police

1997 · From OK Computer

Named for a tour joke about people behaving badly, with Greenwood's piano circling and a delay unit eating the ending.

★ 8.0

Princess Mononoke

Directed by Hayao Miyazaki
1997 · Japan

It held the Japanese box office record until Titanic arrived: Miyazaki staged a war between an iron town and the forest gods and refused to name a villain.

★ 8.0

No Diggity

1996

Teddy Riley sang lead because none of his group liked it, then it ended Macarena's fourteen weeks on top.

★ 7.8

Vogue

1990 · From I'm Breathless

Pettibone built it as a B-side, Madonna lifted the dance from New York ballrooms, and Fincher filmed it monochrome.

★ 7.8

Boogie Nights

1997

Anderson was twenty-seven and announced himself completely: a San Fernando Valley porn crew who treat each other like family, filmed with far more warmth than the subject suggests.

★ 7.8

The Things They Carried

1990 · 256 pages

O'Brien lists what a platoon in Vietnam hauled around, down to the ounce, then tells war stories and takes them back. The invented ones carry the war more exactly than facts could.

★ 7.8

Doo-wop (That Thing)

1998 · From The Miseducation of Lauryn Hill

Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.

★ 7.8

Selected Stories

1996 · 412 pages

Munro set her stories in Ontario towns where a woman's life can turn on something said at a kitchen table. She fits more into forty pages than most novelists get into a novel.

★ 7.7

No Scrubs

1999 · From FanMail

Kandi Burruss started the lyric on an envelope in her car; She'kspere's beat then held number one for four weeks.

★ 7.7

American Pastoral

1997 · 423 pages

Seymour Levov has a glove factory, a beauty queen wife, and the whole postwar American promise, until his stuttering daughter plants a bomb in 1968. Roth takes a decent man apart.

★ 7.7

Live Forever

1994 · From Definitely Maybe

Gallagher wrote it in 1991, before Oasis had a record deal, pitching plain optimism against everything grunge was selling.

★ 7.7

Infinite Jest

1996 · 970 pages

Somewhere there is a film so entertaining that anyone who watches it stops eating. Wallace chases it through a tennis academy and a halfway house full of addicts he writes with real love.

★ 7.7

The Savage Detectives

1998 · 592 pages

Two young poets calling themselves visceral realists vanish into the Sonoran desert hunting a woman who published a single poem decades earlier. Forty voices over twenty years piece together where they went.

★ 7.7

Disgrace

1999 · 220 pages

David Lurie loses his professorship over an affair with a student and retreats to his daughter's farm in the new South Africa, where three men arrive. Coetzee offers no comfort and no absolution.

★ 7.7

Loser

1994 · From Mellow Gold

Six and a half hours in Stephenson's house, a slide guitar loop, and a hook mocking Beck's own rapping.

★ 7.6

Waterfalls

1995 · From CrazySexyCool

Organized Noize's horns, a million-dollar F. Gary Gray video, and the first number one record to confront AIDS.

★ 7.6

The Truman Show

Directed by Peter Weir
1998

Psychiatrists named a delusion after it: a man begins to suspect his whole town is a set and everyone in his life is paid, and 1998 had no idea.

★ 7.6

The Lion King

Directed by Roger Allers and Rob Minkoff
1994

Still the highest grossing hand-drawn film ever made: Disney sent a young cub into exile with a Shakespeare plot, and the opening sunrise raises the hair every time.

★ 7.5