
Still Dre
Jay-Z wrote every line of it, Scott Storch played the piano figure, and Dre's seven-year album silence ended.

Jay-Z wrote every line of it, Scott Storch played the piano figure, and Dre's seven-year album silence ended.

Rodney Jerkins chopped the beat into stop-start halves, and a phone call full of suspicion became two Grammys.

Dre and Mel-Man built it on a David McCallum orchestral cut from 1967, arranged by Axelrod, and Nate Dogg closes.

Timbaland looped a flute from a 1957 Egyptian record, and Pimp C nearly turned the beat down for sounding pop.
Mannie Fresh's violin line over a bounce beat, Lil Wayne's chant at the close, and New Orleans bounce gone national.

Frusciante drew the sparse riff from The Cure's "Carnage Visors" on his first album back, and Kiedis indicts Hollywood.

Cut at Cheiron in Stockholm with a chorus that contradicts its verses; the coherent version got shelved.

Jill Scott's hook, re-sung by Badu at the label's request, and Questlove driving the outro into drum and bass.

Eminem wrote the verses as a reference for Snoop Dogg, by Dre's account, and Dre kept the guide vocal.

Frusciante's slide guitar on his first record back with the band, then sixteen weeks atop Billboard's modern rock chart.

Palm-muted C major at 150 beats a minute, Roger Manning's synth on top, and a boy-band parody video.

Hoppus was twenty-six and picked twenty-three purely for the rhyme; MCA made them drop the title "Peter Pan Complex".

Ayatollah looped the chorus of Aretha's 1965 Columbia single "One Step Ahead", and Mos Def narrates a romance collapsing.

Itaal Shur wrote it as "Room 17"; Rob Thomas rewrote the melody and Santana's guitar answers him line for line.

Neptunes production at its bounciest, with Kelis on the hook a month before her own debut single.

Five weeks at number one, reportedly the first chart-topper built entirely in Pro Tools, and Latin pop's door kicked open.

Camille Yarbrough's 1975 vocal over a lo-fi piano loop, and a Spike Jonze video reportedly shot for eight hundred dollars.

She'kspere started beatboxing the groove in a store, and Kandi Burruss turned a deadbeat boyfriend into a number one.

David Frank looped eight bars the night before the session; Aguilera re-sang her vocal softer and topped the Hot 100.

DJ Jazzy Jeff's scratches, the Jazzyfatnastees on the hook, and a live band swinging harder than any sampler.

Martie Seidel lifted the title from a Calgon commercial, then wrote the rest about her sister's new romance.

A piano bridge from session player Roger Joseph Manning Jr. lifts the band's most serious song out of its despair.

Wyclef built it on a Headhunters drum break, Santana's guitar answering the Product G&B, ten weeks at number one.

Frusciante back in the band and playing deliberately spare, while Flea's bass run opens Californication at a sprint.

Greg Camp studied the Billboard top fifty for parts, then Shrek used it as temp music and never replaced it.

Number three on the Hot 100, co-produced by Beyonce, the last single cut with Luckett and Roberson.

Five numbered steps, a half-step key lift for the final chorus, and eight weeks stuck behind Santana's Smooth.

Five weeks at number one, Rodney Jerkins's skittering beat, and an actress rebuilt overnight as a pop star.

An Arabic descant improvised by Cheb Mami without hearing Sting's lyric, and both halves came out about longing.

Six weeks atop country radio and Billboard's top single of 2000, all built on a hushed opening verse.

A loop lifted from Andrea True Connection, two siblings trading verses, and a master tape left under a bed.

Patrick's blackouts and a father's disappointment sit behind it, six minutes of guitar haze on Title of Record.

Jaguar Wright's hook over Philadelphia's finest, and lyrics so tied to The Best Man the film edited out a spoiler.

Re-recorded in a new key after Genie in a Bottle, it reached number one on January 15, 2000.

Mayo and Lindsey wrote it while falling for each other, and eight weeks at country number one followed.

Bruce Dukov's violin line, modelled on Wes Montgomery's Eleanor Rigby, over a track first built for Michael Jackson.

Ron Fair rebuilt an album track into a single, adding a bridge and a rap; four weeks at number one followed.