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1979

Showing 112 works across all media from 1979

London Calling

1979 · From London Calling

Strummer borrowing the BBC's wartime call sign to announce the end of the world, and sounding thrilled about it.

★ 9.2

Alien

Directed by Ridley Scott
1979

Giger's creature is still the most frightening thing anyone has designed for a screen: Scott fused haunted house and space opera, and put a woman at the center of both.

★ 9.0

London Calling

1979

Their producer motivated the sessions by swinging ladders around the studio and pouring wine into the piano. The sleeve copies Elvis's first album.

★ 8.8

The Wall

1979

Roger Waters got the idea after spitting at a fan in Montreal and being appalled at himself. A school near the studio supplied the children's choir.

★ 8.8

Stalker

Directed by Andrei Tarkovsky
1979

Nothing else in cinema moves this slowly and holds this completely: Tarkovsky walks three men into a forbidden zone for nearly three hours, and almost nothing happens.

★ 8.3

Good Times

1979

Edwards' bassline turned up on Rapper's Delight within months; the settlement put Chic's names on rap's first pop hit.

★ 8.1

Highway to Hell

1979 · From Highway to Hell

Mutt Lange took over production, the band cut it in London in 1979, and America finally caught on.

★ 8.0

Poems

1979 · 352 pages

Bishop looks at a fish, a filling station, a moose in the road, and never tells you what to feel. In "One Art" she calls losing things an art you can master.

★ 7.8

My My, Hey Hey

1979 · From Rust Never Sleeps

Recorded live at San Francisco's Boarding House in 1978, and Devo's Mothersbaugh handed Young the phrase that titled the album.

★ 7.4

Hot Stuff

1979

Moroder's four-on-the-floor, Jeff Baxter's rock guitar solo bolted on, and the first female rock vocal Grammy.

★ 7.2

Godel, Escher, Bach

An Eternal Golden Braid
1979 · 824 pages

How does a self arise from parts that have none? Hofstadter answers by braiding Godel's proof that no system can prove all its truths with Escher's staircases and Bach's canons into strange loops.

★ 6.9

The Culture of Narcissism

American Life in An Age of Diminishing Expectations
1979 · 320 pages

Americans stopped building selves and started managing images, Lasch argued in 1979: competence and civic obligation traded away for therapy, celebrity, and a permanent hunger to be admired by strangers.

★ 6.9

Sophie's Choice

1979 · 562 pages

In a Brooklyn rooming house in 1947, a Southern writer falls in with Sophie, a Polish Catholic who survived Auschwitz, and her violent lover. The title is now English for an impossible decision.

★ 6.8
Train in VainThe Clash

Train in Vain

1979 · From London Calling

Mick Jones wrote it overnight for an NME flexi-disc that fell through, and the printed sleeves never listed it.

★ 6.7

The Postmodern Condition

A Report on Knowledge
1979 · 110 pages

Grand stories that once justified science, progress, and human emancipation have lost their credibility, Lyotard argues. His phrase for the condition, incredulity toward metanarratives, carried postmodernism from the arts into philosophy.

★ 6.6

Kindred

1979 · 287 pages

Dana, a Black writer in 1976 Los Angeles, is pulled to a Maryland plantation and made to keep alive the white boy who will father her line. Each return costs her more.

★ 6.4

Distinction

1979 · 640 pages

Taste is class in disguise, Bourdieu argues, and his survey of French preferences in music, food, and interiors proves it. The pure aesthetic judgment Kant called universal is a privilege of the comfortable.

★ 6.4