Abbey Road
1969
The last album they recorded together, with side two stitched out of songs nobody had finished. The cover shoot took about ten minutes.
★ 9.7
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1969
Showing 144 works across all media from 1969
Whole Lotta Love
1969 · From Led Zeppelin II
Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.
★ 9.7
Here Comes the Sun
1969 · From Abbey Road
Harrison wrote it in Clapton's garden while skipping a business meeting, and it sounds exactly like that relief.
★ 9.6
Gimme ShelterThe Rolling Stones
Gimme Shelter
1969 · From Let It Bleed
Merry Clayton's voice cracking on "murder" is the sound of the sixties ending, mid-take, in one syllable.
★ 9.4
I Want You Back
1969
A child singing about regret over the springiest bassline Motown ever cut, and selling it completely.
★ 9.1
Let It Bleed
1969
Merry Clayton was called in at midnight, heavily pregnant, to sing on Gimme Shelter. Her voice cracks on the third take and Jagger whoops.
★ 8.8
Come Together
1969 · From Abbey Road
Lennon started it as a campaign song for Timothy Leary, then Ringo muffled his drums with tea towels.
★ 8.7
Fortunate Son
1969 · From Chronicle: The 20 Greatest Hits
Twenty minutes of writing, and Fogerty had the sound of every draft board sending someone else's son.
★ 8.6
Led Zeppelin II
1969
Written and recorded in snatched hours in studios across two continents while touring. Willie Dixon later sued over the words to Whole Lotta Love.
★ 8.6
Led Zeppelin
1969
Guitarist Jimmy Page paid for the sessions himself and the record took about thirty-six hours of studio time. Nobody had heard drums recorded like that.
★ 8.6
The Wild Bunch
Directed by Sam Peckinpah
1969
Peckinpah showed at once what the new ratings system had licensed: slow motion, six cameras firing together, and a body count that made every western before it look polite.
★ 8.6
The Band
1969
They converted the pool house of a rented Hollywood home into a studio. Most of these songs about the American South were written by a Canadian.
★ 8.5
Slaughterhouse Five
1969 · 215 pages
Billy Pilgrim comes unstuck in time, between a Dresden meat locker during the firebombing and a zoo on another planet. Vonnegut was in that cellar, and writes "So it goes" after every death.
★ 8.4
My WayFrank Sinatra
My Way
1969 · From My Way
Anka typed the lyric overnight in New York asking what Sinatra would say, then handed him a life's summing-up.
★ 8.3
Suspicious MindsElvis Presley
Suspicious Minds
1969
Mark James flopped with it first, in the same Memphis studio; Moman then handed Presley his last American number one.
★ 8.2
SomethingThe Beatles
Something
1969 · From Abbey Road
Harrison lifted the opening line from James Taylor and wrote the first Beatles A-side that wasn't Lennon or McCartney.
★ 8.2
Space OddityDavid Bowie
Space Oddity
1969 · From David Bowie (Space Oddity)
Released five days before Apollo 11 launched, with a children's Stylophone buzzing under an astronaut who never comes home.
★ 8.2
You Can't Always Get What You Want
1969 · From Let It Bleed
A choral intro from the London Bach Choir, Al Kooper on French horn, and producer Jimmy Miller on drums.
★ 8.1
Proud Mary
1969 · From Chronicle: The 20 Greatest Hits
Fogerty came out of the National Guard and wrote it in two days, Beethoven's Fifth hiding in the intro.
★ 7.9
Thank You
1969 · From Greatest Hits
Larry Graham slapping and popping the bass line credited with inventing the technique, and a verse quoting their own hits.
★ 7.8
The Thrill Is Gone
1969 · From Completely Well
Bert de Coteaux's twelve-piece string section, overdubbed a week later, carried King's minor-key blues onto pop radio.
★ 7.8
Honky Tonk WomenThe Rolling Stones
Honky Tonk Women
1969
Producer Jimmy Miller opens it on cowbell, and the single arrived in Britain the day after Brian Jones died.
★ 7.8
The Boxer
1969
Over a hundred hours of work, and that cannon-shot snare is Hal Blaine playing beside a Columbia elevator shaft.
★ 7.7
I Wanna Be Your DogThe Stooges
I Wanna Be Your Dog
1969 · From The Stooges
Three chords, sleigh bells, and Cale leaning on a single piano note throughout. Punk starts here.
★ 7.7
Pinball WizardThe Who
Pinball Wizard
1969 · From Tommy
Townshend wrote it to flatter a pinball-obsessed critic, then called it the clumsiest thing he ever wrote.
★ 7.6
The Night They Drove Old Dixie Down
1969 · From The Band
Eight months on one lyric, Helm doing the library research, and a drummer from Arkansas singing the defeat.
★ 7.6
Stand!
1969
One track runs thirteen minutes and another uses a talk box to make the two singers argue through their instruments about race.
★ 7.4
Bad Moon Rising
1969 · From Chronicle: The 20 Greatest Hits
Fogerty wrote it after a hurricane scene in a 1941 film, then set the apocalypse to a cheerful rockabilly stomp.
★ 7.3
Butch Cassidy and the Sundance Kid
Directed by George Roy Hill
1969
Two men have never been better company on screen: Newman and Redford spend the film running out of frontier and enjoying each other far too much to panic.
★ 7.3
Dazed and ConfusedLed Zeppelin
Dazed and Confused
1969 · From Led Zeppelin
Jake Holmes wrote it in 1967, the Yardbirds absorbed it, Page cut it at Olympic with a violin bow.
★ 7.3
Down By The RiverNeil Young
Down By The River
1969 · From Everybody Knows This Is Nowhere
Young wrote it in bed with a 103-degree fever, and Crazy Horse stretched it to nine ragged minutes.
★ 7.2
Three Studies of Lucian Freud
1969 · Private collection
Freud sits on a wooden chair in three panels, wrenched out of shape and still unmistakably himself. Bacon painted his friend and rival.
★ 7.2
Midnight Cowboy
Directed by John Schlesinger
1969
The only X-rated film that ever took Best Picture: a Texas hustler and an ailing con man share a condemned New York apartment, and the friendship is the whole thing.
★ 7.2
Suite: Judy Blue EyesCrosby Stills and Nash
Suite: Judy Blue Eyes
1969
Stills nailed the seven-minute basic track in one take, then all three sang into a single microphone.
★ 7.2
Whipping PostThe Allman Brothers Band
Whipping Post
1969 · From The Allman Brothers Band
An ironing board cover, charcoal from spent matches, and Berry Oakley's bass counting the intro in eleven menacing beats.
★ 7.2
Cinnamon GirlNeil Young
Cinnamon Girl
1969 · From Everybody Knows This Is Nowhere
Written in Topanga during a 103-degree fever, double drop D tuning, and a solo that stays on one note.
★ 7.0
Crosby Stills and Nash
1969
The three of them first sang together in a living room and knew immediately. The house on the cover was demolished before they could reshoot it.
★ 7.0
Dusty in Memphis
1969
Springfield was so intimidated by the Memphis players that she could not sing in front of them. Her vocals were added later in New York.
★ 6.9