The Shawshank Redemption
Directed by Frank Darabont
1994
It lost money in cinemas and has sat at the top of IMDb's ranking since 2008: a prison friendship, told patiently, that pays off better than almost anything.
★ 8.9
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
Toy Story
Directed by John Lasseter
1995
First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.
★ 8.7
The Big Lebowski
Directed by Coen Brothers
1998
It underwhelmed in cinemas and then grew a festival, a religion and a vocabulary: the Coens built a Chandler plot around a man whose only ambition is getting his rug replaced.
★ 8.1
Toy Story 3
Directed by Lee Unkrich
2010
Pixar took a third film in a series somewhere nobody expected it to go: the toys end up far from a toy box, and the last act is genuinely harrowing.
★ 7.4
Butch Cassidy and the Sundance Kid
Directed by George Roy Hill
1969
Two men have never been better company on screen: Newman and Redford spend the film running out of frontier and enjoying each other far too much to panic.
★ 7.3
Midnight Cowboy
Directed by John Schlesinger
1969
The only X-rated film that ever took Best Picture: a Texas hustler and an ailing con man share a condemned New York apartment, and the friendship is the whole thing.
★ 7.2
Rio Bravo
Directed by Howard Hawks
1959
Hawks made it as an argument against High Noon: instead of a marshal begging for help, four flawed men hold a jail and enjoy each other's company doing it.
★ 7.0
Toy Story 2
Directed by John Lasseter and Ash Brannon
1999
Pixar scrapped the whole film and rebuilt it in nine months, and it came out better than expected: the song about being outgrown is what people remember.
★ 7.0
O Brother, Where Art Thou?
Directed by Coen Brothers
2000
Homer's Odyssey rerouted through Depression-era Mississippi: the soundtrack of gospel and bluegrass sold eight million copies and sent a mass audience back to music first recorded in the 1920s.
★ 6.8
Easy Rider
Directed by Dennis Hopper
1969
New Hollywood found its proof here: two bikers ride east on drug money, a four-hundred-thousand-dollar film outgrossed studio pictures, and the men who had run the studios for forty years lost the argument.
★ 6.5
Hot Fuzz
Directed by Edgar Wright
2007 · United Kingdom
Wright's parody is better constructed than most of the films it mocks: a London supercop is exiled to a picture-perfect village, and the final act is staged better than the real thing.
★ 6.4
Planes, Trains and Automobiles
Directed by John Hughes
1987
John Hughes wrote it in three days: two men try to get home for Thanksgiving, and John Candy turns what starts as a comic irritant into the most devastating performance of his career.
★ 6.2
The Man Who Would Be King
Directed by John Huston
1975
Huston tried to make this for twenty years and finally got Connery and Caine: two British soldiers walk into Kafiristan intending to be crowned as gods, and the joke gets serious slowly.
★ 6.1
The Blues Brothers
Directed by John Landis
1980
It held the record for cars destroyed on film and works as a music documentary besides: Aretha Franklin, Ray Charles, James Brown and Cab Calloway all get a full number.
★ 6.1
Harold and Maude
Directed by Hal Ashby
1971
It failed on release and then ran 115 straight weeks at a single Minnesota theater: a death-obsessed teenager falls for a seventy-nine-year-old, and Cat Stevens scores the whole thing.
★ 6.0
Withnail and I
Directed by Bruce Robinson
1987 · United Kingdom
Richard E. Grant does not drink and had to be taught to be convincing: two unemployed actors leave London for a cottage in 1969 with no money, no food and no plan whatsoever.
★ 5.8
Rain Man
Directed by Barry Levinson
1988
Hoffman spent a year with autistic men before shooting and the film changed what most people thought autism was: two brothers, one Buick, and a drive across America neither of them wanted.
★ 5.6
Bridesmaids
Directed by Paul Feig
2011
Studios genuinely believed women would not carry a raunchy comedy, and this ended the argument in one weekend: Kristen Wiig and Annie Mumolo wrote it, and the real romance is between friends.
★ 5.3
Lethal Weapon
Directed by Richard Donner
1987
Shane Black sold the script at twenty-three and set the buddy-cop template for two decades: one cop is counting down to his pension, the other is a widower nobody trusts to be careful.
★ 5.3
Midnight Run
Directed by Martin Brest
1988
De Niro is funnier here than in any comedy he tried to be funny in: a bounty hunter has to move an embezzling accountant coast to coast, and the accountant never stops talking.
★ 4.9