
Aliens
Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.

Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.

The band were in a legal fight with their label while making it, and the title track opens with a clip from a 1962 British film.
Marr faked the strings on an Emulator, credited them to the Hated Salford Ensemble, and Britain waited six years.

Simon recorded with South African musicians in defiance of the cultural boycott and was condemned for it. Bakithi Kumalo's fretless bass runs through everything.

No singles and no videos, and it sold millions anyway. Bassist Cliff Burton was killed when the tour bus crashed in Sweden months later.

The Sledgehammer video was shot frame by frame with Gabriel lying under glass for sixteen hours. Youssou N'Dour sings the end of In Your Eyes.

Lynch invented his own genre here and the word Lynchian dates from it: a severed ear in a field leads into the underside of an ordinary American town.

Rubin had to talk Run-DMC into it; Tyler smashed through the video's wall and Aerosmith got a career back.

Gabriel wanted real brass, hired the Memphis Horns' Wayne Jackson, then knocked his old band Genesis off number one.
Bakithi Kumalo's fretless bass and a Nigerian pedal steel carry it, with the Everly Brothers singing behind Simon.

Youssou N'Dour improvising in Wolof, and a bassline so deep it had to move up the vinyl.

Kumalo cut one descending bass measure, Halee reversed the tape for the break, and Chevy Chase mimed it on MTV.

Oliver Stone served in Vietnam and made this to correct everyone else's version: no glamour, no clarity, and a platoon that splits between two sergeants and stays split.

By Eric B.'s account he paid Marley Marl to engineer it in Queensbridge; Rakim arrived rapping like nobody before.

The band laughed at Sambora's talk box until it opened the record. The last chorus climbs a minor third.

Jackson answered street harassers by demanding respect over a factory preset Jimmy Jam found on an Ensoniq Mirage.

Nothing else captures being twelve years old this exactly: four boys walk along a railway line for two days, and the narration knows precisely how much it mattered.

Froom's Hammond solo does the heavy lifting, and Finn wrote the rest as an exhortation to himself.
Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.

Truancy has never looked this appealing: Ferris talks straight to the audience, takes a Ferrari and a parade, and the whole film is completely on his side.

Bandits waylay a bride bound for a leprous distiller, and the son conceived in the sorghum grows up under Japanese occupation. Mo Yan makes rural Shandong's violence gorgeous and unbearable at once.
James Brown horns looped, an answer to MC Shan's The Bridge, and hip hop's birthplace claimed for the Bronx.

Anne Murray turned it down, so Lauper took Steinberg and Kelly's gospel ballad and stripped it to almost nothing.

Conceived as a satire of party songs, it became the band's only top ten hit, the joke unnoticed.

Slayer's Kerry King plays the solo, the title bends Motorhead's, and Rubin welds rap to metal without apology.

A Bonnie Tyler chorus that went nowhere, rewritten by Desmond Child, and suddenly Bon Jovi's first number one.

Bells lifted from a Bob James record, nursery-rhyme characters conscripted, and Jam Master Jay finally getting his own showcase.

Chaka Khan's label blocked her from the duet, so Palmer sang it alone over Tony Thompson's drum intro.

Chaka Khan's backing vocals lift Winwood's first solo number one, and the Grammy for Record of the Year followed.

One synth riff, written years earlier on a Korg Polysix borrowed from Michaeli, went to number one in twenty-five countries.

Ngugi's schoolmasters caned children for speaking Gikuyu, or hung a plate around their necks reading I AM STUPID. Empire takes the mind through language, he argues, and he abandoned English for his fiction.

Hornsby wrote the words first in a Van Nuys garage; that piano figure later became the spine of Tupac's Changes.

Kerry King of Slayer plays the guitar solo. Rick Rubin built the beats out of Led Zeppelin and AC/DC drums played very loud.

Conceived as an acid rain protest, the melody rewritten before release; Stipe called it a general oppression song.

Leonard wrote it as a film instrumental that Paramount passed on; Madonna added the words and kept her demo vocal.

Aerosmith had not heard of Run-D.M.C. and were barely working when Rick Rubin got them into the studio to redo Walk This Way.