
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

Quincy Jones and Jackson remixed the whole record because the first version sounded thin, and Eddie Van Halen played his solo for free.
The record that proved hip hop could report and not just party, and the edge everyone's been close to since.

Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.

Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.

It flopped, then quietly redesigned the future: every rainy neon city of the last forty years is borrowing from Ridley Scott, and the mood still outlasts the plot.

Highest grossing film in the world for a decade, and it earns every cent: Spielberg shot at child height so the adults are legs and voices, and wrecks entire cinemas.

Pessoa invented an assistant bookkeeper in Lisbon and gave him hundreds of fragments on being alive in a rented room. Open the book anywhere and someone is already thinking your thoughts.
Bambaataa welded Kraftwerk's Trans-Europe Express to a Roland 808, and Tommy Boy paid Kraftwerk a dollar per record.

Bergman meant it as his farewell to cinema and made it the warmest thing he ever did: five hours in its full version, of Christmas light, ghosts, cruelty and childhood.

Gaye programmed the TR-808 himself in a Belgian studio, and it finally won him the first Grammys of his career.

He taped it alone on a four-track in his bedroom, carried the cassette around in his pocket, and it ended up released as it was.

The Runaways passed, so Jett recorded it twice herself; the second version spent seven weeks at number one.

Topper Headon cut the drums, piano and bass himself, and Strummer finished the lyrics in the studio bathroom.

Hoffman said the part permanently changed how he saw women, and what he learned is worked out here as farce: an unemployable actor becomes a soap opera star.

Nearly seven minutes, Rory Dodd's voice answering Tyler on the refrain, and Steinman's vampire love song became number one.

Spanish backing vocals translated by the tape operator's mother over the phone, and a jeans advert made it number one.