Smells Like Teen Spirit
1991 · From Nevermind
Four chords, a mumble nobody could decipher, and the riff that ended one decade of rock and started another.
★ 9.9
Browse by time · decade
1990s
1990 – 1999
Showing 1,536 works across all media from the 1990s
Schindler's List
Directed by Steven Spielberg
1993
More people have understood the Holocaust through this film than through any other: Spielberg took no fee, shot it in black and white, and gave the last word to the survivors.
★ 9.7
Nevermind
1991
The baby on the cover was paid two hundred dollars. Four months after release it knocked Michael Jackson off the top of the chart.
★ 9.7
Goodfellas
Directed by Martin Scorsese
1990
Every gangster film of the last thirty years is arguing with this one: Scorsese made the life so intoxicating for an hour that the comedown lands like a physical event.
★ 9.6
Pulp Fiction
Directed by Quentin Tarantino
1994
Young filmmakers were allowed to sound different after this one: Tarantino let two hitmen argue about hamburgers for ten minutes, and an entire decade of American cinema followed.
★ 9.5
OK Computer
1997
Recorded in a fifteenth-century mansion the band rented from an actress, with one track narrated entirely by the computer voice on a Macintosh.
★ 9.4
Illmatic
1994
Ten tracks, under forty minutes, made by a twenty-year-old with the best producers in New York each giving him one beat.
★ 9.3
Ready to Die
1994
The opening traces his life from the delivery room to prison in about three minutes. Puffy made him rewrite half of it for radio.
★ 9.1
The Silence of the Lambs
Directed by Jonathan Demme
1991
Hopkins is on screen for a fraction of the film and won an Oscar anyway: Demme shot the interviews straight down the lens so Lecter looks directly at you.
★ 8.9
Automatic for the People
1992
They set out to make a loud record and ended up with a quiet one. John Paul Jones of Led Zeppelin wrote the string parts.
★ 8.9
The Shawshank Redemption
Directed by Frank Darabont
1994
It lost money in cinemas and has sat at the top of IMDb's ranking since 2008: a prison friendship, told patiently, that pays off better than almost anything.
★ 8.9
C.R.E.A.M.
1994 · From Enter the Wu-Tang (36 Chambers)
RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.
★ 8.9
Nuthin' But a G Thang
Dr. Dre and Snoop Dogg
1992 · From The Chronic
Dre built G-funk on a Leon Haywood sample, handed Snoop the mic, and gangsta rap reached number two.
★ 8.9
The Matrix
Directed by The Wachowskis
1999
Action filmmaking divides neatly into before and after this one: the Wachowskis fused Hong Kong wire work with a philosophy seminar's premise and everyone spent five years copying it.
★ 8.9
Enter the Wu-Tang (36 Chambers)
1993
RZA negotiated a deal letting every member sign solo elsewhere, then recorded the group in a basement on deliberately cheap, muddy equipment.
★ 8.9
The Chronic
1992
Dre had session players replay the funk records rather than sample them, which sidestepped clearance and made everything sound warmer and slower.
★ 8.8
Saving Private Ryan
Directed by Steven Spielberg
1998
War films look different since the first twenty minutes of this one: Spielberg put the camera in the surf at Omaha Beach and veterans left cinemas unable to speak.
★ 8.8
The Low End Theory
1991
Ron Carter, who played bass with Miles Davis, appears on one track and made them promise there would be no swearing on it.
★ 8.8
Fargo
Directed by Coen Brothers
1996
Marge Gunderson is the warmest character the Coens ever wrote, and the reason this one lasts: a kidnapping goes wrong in the snow and she is the only calm person in it.
★ 8.8
Toy Story
Directed by John Lasseter
1995
First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.
★ 8.7
Unforgiven
Directed by Clint Eastwood
1992
Eastwood spent thirty years building the myth this film takes apart: no western has been harder on the pleasure of violence, or on the men who deal it out.
★ 8.7
N.Y. State of Mind
1994 · From Illmatic
Premier built the beat on the spot; Nas nailed verse one in a take, muttering doubt into the intro.
★ 8.7
Aquemini
1998
Rosa Parks sued them over the song named after her, and the case ran for a decade. The record itself goes everywhere at once.
★ 8.7
Fight Club
Directed by David Fincher
1999
Twenty-five years of argument have still not settled what it is actually saying: Fincher made consumer despair look genuinely thrilling, which is either the joke or the problem.
★ 8.6
A Few Good Men · 1992
Life After Death
1997
It came out sixteen days after Biggie was shot dead in Los Angeles, a double album he had finished and titled beforehand.
★ 8.6
Dear Mama
1995
Pizarro built it from a Joe Sample loop and the Spinners' Sadie, and the Library of Congress later archived it.
★ 8.5
Juicy
1994 · From Ready to Die
Poke and Combs looped Mtume's Juicy Fruit, and Wallace told the rags to riches story that hip hop kept retelling.
★ 8.5
LA Confidential
Directed by Curtis Hanson
1997
Modern film noir does not get better than this: three Los Angeles cops with nothing in common, and a plot so tightly wired people rewatch it to follow the connections.
★ 8.5
The Bends
1995
They were exhausted and sick of being the Creep band, and nearly fell apart making it. Nothing on it sounds anything like Creep.
★ 8.4
Blood Sugar Sex Magik
1991
Producer Rick Rubin moved the band into a Hollywood mansion they were convinced was haunted. Guitarist John Frusciante quit within a year of its release.
★ 8.3
Doggystyle
1993
Snoop was on trial for murder while promoting it. It was the first debut album in history to enter the chart at number one.
★ 8.3
Fear of a Black Planet
1990
Their production team piled so many samples into each track that the record could not legally be made today. Nothing since sounds this crowded.
★ 8.3
Maus
1991 · 300 pages
Spiegelman drew his father's survival of Auschwitz as a comic, Jews as mice and Nazis as cats, and drew himself failing to get along with the old man telling it.
★ 8.3
They Reminisce Over YouPete Rock
They Reminisce Over You
1992
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.
★ 8.3
Achtung Baby
1991
They went to Berlin just after the Wall came down, argued badly enough to nearly break up, and got the song One out of it.
★ 8.3
Terminator 2: Judgment Day
Directed by James Cameron
1991
Computer effects became believable overnight: Cameron spent more money than anyone ever had, put a liquid metal killer on screen, and every studio in town immediately started writing checks.
★ 8.2
Hallelujah
1994 · From Grace
Buckley learned it from John Cale's version and cut over twenty takes at Bearsville; the edit sounds like one breath.
★ 8.2
Beau Travail
Directed by Claire Denis
1999
Denis turned Melville's Billy Budd into something closer to dance than to drama: Foreign Legionnaires drilling in the Djibouti heat, all bodies and sun and things nobody will say.
★ 8.2
Losing My ReligionR.E.M.
Losing My Religion
1991 · From Out of Time
Buck wrote the riff while teaching himself mandolin in front of the television, and R.E.M. got their biggest American hit.
★ 8.2
California Love
1995
Roger Troutman's talk box over a Joe Cocker sample, and Shakur's first single after Death Row sprang him from prison.
★ 8.2
Groundhog Day
Directed by Harold Ramis
1993
The title became a phrase people use without knowing the film: a comedy about repeating one day turned into the most quietly serious argument about how to live.
★ 8.2
Jurassic Park
Directed by Steven Spielberg
1993
The moment the first dinosaur appears is the moment audiences stopped trusting their own eyes: Spielberg mixed puppets and computers so well that the seams still do not show.
★ 8.2
Enter Sandman
1991 · From Metallica (The Black Album)
Hammett built the riff after Soundgarden's Louder Than Love, and Bob Rock sent Hetfield back to write a child's nightmare.
★ 8.1
Dummy
1994
They recorded their own samples, pressed them onto vinyl, and scratched the records up so the finished album would crackle like something older.
★ 8.1
Heat
Directed by Michael Mann
1995
Police forces train on the shootout and every heist film since has copied it: Mann also got De Niro and Pacino into one diner booth for the first time.
★ 8.1
The Big Lebowski
Directed by Coen Brothers
1998
It underwhelmed in cinemas and then grew a festival, a religion and a vocabulary: the Coens built a Chandler plot around a man whose only ambition is getting his rug replaced.
★ 8.1
Close-Up
Directed by Abbas Kiarostami
1990
Kiarostami blurred documentary and fiction so completely that nobody has quite untangled it since: a man caught impersonating a director, with everyone involved playing themselves on camera.
★ 8.1
I Will Always Love You
1992 · From The Bodyguard (soundtrack)
Parton wrote it to leave Porter Wagoner; Houston opened a cappella and held the Hot 100 for fourteen weeks.
★ 8.1
Seven
Directed by David Fincher
1995
The studio wanted the ending changed and Fincher refused, and studios then spent a decade trying to reproduce the atmosphere: a procedural so bleak the rain never stops.
★ 8.1
Shook Ones Part II
1995 · From The Infamous...
Havoc built the beat in his Queensbridge bedroom from a slowed Herbie Hancock piano figure and a Daly-Wilson drum break.
★ 8.1
The Black Album
1991
The producer Bob Rock made them play together in one room instead of tracking separately, which took a year and nearly ended the band.
★ 8.0
Midnight Marauders
1993
A synthesized voice introduces the tracks like a museum tour guide, and the cover is a grid of about seventy other rappers' faces.
★ 8.0
Come as You Are
1991 · From Nevermind
A Small Clone chorus pedal gives the riff its underwater sound, and Cobain nearly withheld the single.
★ 8.0
Sabotage
1994 · From Ill Communication
Yauch's bass line started it, Ad-Rock turned a joke about their producer into a scream, and Jonze filmed the rest.
★ 8.0
Reasonable Doubt
1996
No label would sign him, so Jay-Z started his own with two friends and sold the CDs out of the trunk of a car.
★ 8.0
Karma PoliceRadiohead
Karma Police
1997 · From OK Computer
Named for a tour joke about people behaving badly, with Greenwood's piano circling and a delay unit eating the ending.
★ 8.0