Seven Samurai
Directed by Akira Kurosawa
1954 · Japan
Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.
★ 9.9
Browse by time · decade
1950s
1950 – 1959
Showing 713 works across all media from the 1950s
Vertigo
Directed by Alfred Hitchcock
1958
Nobody has ever made obsession look this beautiful or this sick: a man falls for an image instead of a person, and Hitchcock follows him past every point it should stop.
★ 9.9
Kind of Blue
1959
Davis handed the players sketches on the day and most of what you hear is a first take. Two sessions, and it was done.
★ 9.8
Tokyo Story
Directed by Yasujiro Ozu
1953 · Japan
The quiet masterpiece of ordinary life: Ozu finds the ache of a whole century in parents visiting children who have no time for them, and it will find you too.
★ 9.8
Johnny B. GoodeChuck Berry
Johnny B. Goode
1958 · From Chuck Berry Is on Top
Chuck Berry's intro lick is rock's opening statement, a country boy's origin myth now drifting past the solar system.
★ 9.8
Singin' in the Rain
Directed by Gene Kelly and Stanley Donen
1952
Nothing else on film is this happy, and the subject is an industry in a panic: Hollywood's terror at the arrival of sound became two hours of pure delight.
★ 9.7
Heartbreak HotelElvis Presley
Heartbreak Hotel
1956
Elvis's first RCA single, all cavernous echo and empty rooms, the loneliest number one ever cut.
★ 9.6
Tutti-Frutti
1955 · From Here's Little Richard
A nonsense holler cleaned up just enough to press, and the moment rock and roll stopped asking permission.
★ 9.5
Hound Dog
1956
Leiber and Stoller wrote it for Big Mama Thornton; Elvis took it, sped it up, and set it on fire.
★ 9.5
Sunset Boulevard
Directed by Billy Wilder
1950
Hollywood has never been crueler about itself: Louis B. Mayer told Wilder he had disgraced the industry, which is the highest praise the film could possibly have received.
★ 9.5
Some Like it Hot
Directed by Billy Wilder
1959
American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.
★ 9.4
Rear Window
Directed by Alfred Hitchcock
1954
Suspense has never been constructed more purely, and the real subject is the audience: Hitchcock traps you in one room with a man who cannot stop watching his neighbors.
★ 9.3
So What
1959 · From Kind of Blue
Two chords and all the space in the world, Davis proving that less was the most radical idea in jazz.
★ 9.2
Collected Fictions
1951 · 576 pages
Borges invented a library holding every possible book and a man cursed with perfect memory. The stories run ten pages and leave the world looking like something someone made up.
★ 9.1
Lolita
1955 · 317 pages
Humbert Humbert explains how he became stepfather to a twelve-year-old girl and drove her across America. Nabokov gives the monster the most beautiful prose in English and dares you to enjoy it.
★ 9.1
North by Northwest
Directed by Alfred Hitchcock
1959
Every spy thriller since owes it something, James Bond most of all: Hitchcock chases an innocent man across America by crop duster and over Mount Rushmore, enjoying himself throughout.
★ 9.1
Rashomon
Directed by Akira Kurosawa
1950 · Japan
Kurosawa gave the language a word for irreconcilable testimony and opened Japanese cinema to the world: four accounts of one killing, none of which can be squared with another.
★ 9.1
What'd I SayRay Charles
What'd I Say
1959 · From What'd I Say
Twelve minutes left at a Pennsylvania dance, so Charles improvised it on his Wurlitzer and many stations banned it.
★ 9.0
Invisible Man
1952 · 581 pages
Thrown out of college, then used by a Harlem political movement, a nameless Black man ends up living in a cellar on stolen light. Ellison writes American rage with jazz timing.
★ 9.0
The Searchers
Directed by John Ford
1956
Other directors have been stealing from this western for seventy years: Ford put John Wayne's racism on screen without excusing it, and framed his story in a much-copied doorway.
★ 9.0
Waiting for Godot
1953 · 85 pages
Two tramps wait by a tree on a country road for a man who sends word each evening that he will come tomorrow. Beckett stripped drama to this and it never went back.
★ 9.0
Things Fall Apart
1958 · 209 pages
Okonkwo is a wrestler and a hard man in an Igbo village, terrified of resembling his gentle, indebted father, when the missionaries arrive. Achebe builds a whole world before letting it come apart.
★ 8.9
The Lord of the Rings
1954 · 1178 pages
Frodo the hobbit inherits a ring that could rule the world and carries it across a continent to destroy it. Tolkien invented its languages first, and modern fantasy still works inside his world.
★ 8.9
On the Waterfront
Directed by Elia Kazan
1954
Screen acting changed with Brando in the back of that taxi: Kazan made the film to justify naming names, which gives the whole thing an uncomfortable heat.
★ 8.9
I Walk the Line
1956 · From Johnny Cash with His Hot and Blue Guitar
Cash slipped paper under his guitar strings for that snare tick, and hums to find each new key.
★ 8.8
(We're Gonna) Rock Around the Clock
1954
Cut in leftover studio minutes with Sammy Davis Jr. waiting outside, it flopped until Blackboard Jungle put it under the credits.
★ 8.8
12 Angry Men
Directed by Sidney Lumet
1957
Nothing beats it as a filmed argument, and it happens in a single room: eleven jurors want to go home, one will not, and the temperature keeps rising.
★ 8.7
Take Five
1959 · From Time Out
Morello kept soloing in five, so the quartet built him a tune in 5/4; Desmond wrote the theme.
★ 8.7
The Collected Poems
1954 · 583 pages
Stevens sold insurance in Hartford and wrote sumptuous poems about what the imagination makes once God is gone. Read "The Emperor of Ice-Cream" aloud and the sound arrives before the sense.
★ 8.6
Autumn Rhythm (Number 30)
1950 · Metropolitan Museum of Art, New York
Pollock worked on the floor and moved around the canvas instead of standing at an easel, laying black enamel across raw cotton in 1950.
★ 8.6
All About Eve
Directed by Joseph L. Mankiewicz
1950
The sharpest script ever written about ambition: an aging star takes in an adoring young fan, and theater people have been quoting the lines for three-quarters of a century.
★ 8.6
That's Alright MamaElvis Presley
That's Alright Mama
1954 · From The Sun Sessions
Presley started clowning through an Arthur Crudup blues on a break; Sam Phillips heard it and rolled tape.
★ 8.6
The 400 Blows
Directed by Francois Truffaut
1959 · France
The French New Wave announces itself: Truffaut put his own miserable childhood on screen at twenty-seven, and the last shot changed what an ending was allowed to do.
★ 8.6
Pather Panchali
Directed by Satyajit Ray
1955
Indian cinema arrived in the world with this: Ray shot it on weekends with a first-time crew and no money, and the children seeing a train is pure wonder.
★ 8.5
Ikiru
Directed by Akira Kurosawa
1952 · Japan
Kurosawa's answer to how a life should be spent: a bureaucrat gets one piece of terrible news and starts spending what is left deliberately, which will change how you see your job.
★ 8.5
Smoke Stack Lightning
1956 · From Moanin' in the Moonlight
One chord, no changes, Sumlin's guitar circling, and Wolf's howl answering the trains whose sparks named the song.
★ 8.5
Doctor Zhivago
1957 · 673 pages
Yuri Zhivago, a doctor who writes poetry, is carried through war and revolution and away from the women he loves. Pasternak lets history arrive like weather, and the Soviets banned it outright.
★ 8.4
The Leopard
1958 · 336 pages
Everything must change so that everything can stay the same, says the prince's nephew as Garibaldi's rebels land in Sicily. Lampedusa writes a class watching itself end with autumnal calm and beauty.
★ 8.4
The Night of the Hunter
Directed by Charles Laughton
1955
Charles Laughton never directed again after it failed, and critics have spent seventy years calling it a masterpiece: a preacher with tattooed knuckles and two children on a river.
★ 8.4
The Catcher in the Rye
1951 · 240 pages
Holden Caulfield is thrown out of prep school and spends three days loose in New York, telling you about it. Salinger got the voice so exact that teenage fiction has echoed it since.
★ 8.4
I Got a Woman
1954 · From Ray Charles
Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.
★ 8.4
A Streetcar Named Desire
Directed by Elia Kazan
1951
Three of its four leads won Academy Awards and the fourth was Brando: this is where screen acting stopped being theatrical and started being something else entirely.
★ 8.4
Maybellene
1955 · From Chuck Berry Is on Top
Ida Red, a 1938 Bob Wills fiddle tune, turned into a car chase, with Johnnie Johnson's piano running underneath.
★ 8.4
The Tin Drum
1959 · 592 pages
Oskar decides on his third birthday to stop growing, keeps his tin drum, and screams glass to pieces while the Nazis take Danzig. Grass forced postwar Germany to look at itself through him.
★ 8.3
Paths of Glory
Directed by Stanley Kubrick
1957
France stayed uncomfortable enough to keep it out of cinemas for eighteen years: Kubrick tracked the camera down the trenches and staged an injustice that still makes people furious.
★ 8.3
Night
1955 · 120 pages
Wiesel was a religious teenager when his town was emptied and he arrived at Auschwitz with his father. He tells it in short flat sentences, and the flatness is unbearable.
★ 8.3
Jailhouse Rock
1957
Leiber and Stoller wrote it as a goof; Scotty Moore's solo nearly derails the take and Presley never blinks.
★ 8.3
The Seventh Seal
Directed by Ingmar Bergman
1957 · Sweden
No image from any film has been parodied more: a knight plays chess with Death on a beach, and Bergman is completely serious about the question underneath it.
★ 8.3
The Bridge on the River Kwai
Directed by David Lean
1957
Lean built an epic about the seduction of a job well done: a British colonel in a Japanese prison camp finds a strange satisfaction in building their bridge properly.
★ 8.2
Don't Be Cruel
1956
Blackwell gave Presley half the writing credit; the Jordanaires hum behind a vocal so relaxed it barely seems to try.
★ 8.2
That'll Be the DayBuddy Holly and the Crickets
That'll Be the Day
1957
Holly took the title from a John Wayne line and recut it in Clovis after Decca shelved the first version.
★ 8.2
Ugetsu
Directed by Kenji Mizoguchi
1953
Mizoguchi's ghost story is the one other directors mention when asked what changed them: two peasants chase money through a civil war, and the crossing through fog is unearthly.
★ 8.2
Mannish BoyMuddy Waters
Mannish Boy
1955 · From The Anthology: 1947-1972
Waters answered Bo Diddley's answer to his own song in 1955, holding one chord and a stop-time riff throughout.
★ 8.1
Folsom Prison Blues
1955 · From Johnny Cash with His Hot and Blue Guitar
A prison film in Germany gave Cash the song; he borrowed the melody from Gordon Jenkins and later paid up.
★ 8.1
Your Cheatin' Heart
1953 · From 40 Greatest Hits
A lyric dictated from a car seat, one last Nashville session, and six weeks at country number one.
★ 8.0
Number 11, 1952 (Blue Poles)
1952 · National Gallery of Australia, Canberra
Eight ragged dark blue poles lean across the poured web and give it a beat. Australia's purchase in 1973 caused a national row.
★ 8.0
Pedro Paramo
1955 · 144 pages
Looking for the father he never met, a man walks into a Mexican town where everyone he speaks to is dead. Voices drift free of their bodies, and magical realism follows.
★ 8.0
The Wages of Fear
Directed by Henri-Georges Clouzot
1953
Suspense does not get more physical than this: four desperate men drive truckloads of nitroglycerin over mountain roads, and every rut in the surface becomes an ordeal.
★ 7.9
Notes of a Native Son
1955 · 149 pages
Baldwin buries his father on his nineteenth birthday while Harlem riots, and winters as the only Black man in a Swiss village. He turns his own life into an argument about America.
★ 7.9