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1940s

1940 – 1949

Showing 69 books from the 1940s

1984

1949 · 328 pages

Winston Smith rewrites old newspapers so history agrees with the Party, then risks a diary and a love affair. Orwell built the machinery so exactly that reading it feels like being watched.

★ 9.1

Animal Farm

1945 · 128 pages

The animals drive out the farmer and run the place themselves, until the rules painted on the barn wall start changing. Orwell reduced the Russian Revolution to a fable no adult forgets.

★ 8.9

A Streetcar Named Desire

1947 · 128 pages

Blanche DuBois arrives at her sister's New Orleans apartment with nothing left, and her brother-in-law Stanley sets about destroying what remains. No American play has staged desire and cruelty this nakedly.

★ 8.7

The Plague

1947 · 308 pages

Rats die in the streets of an Algerian port, the gates shut, and a doctor named Rieux keeps working. Camus meant the German occupation, and every epidemic since has proved him right.

★ 8.6

Hiroshima

1946 · 152 pages

Six people survived the bomb at Hiroshima and Hersey follows them through the year after: a clerk, a widow, two doctors, and two clergymen. He writes flatly and it is unbearable.

★ 8.0

Under the Volcano

1947 · 402 pages

Drinking himself to death in Mexico, a British ex-consul is visited by the wife who left him. Lowry gives them one Day of the Dead, written from inside the bottle.

★ 8.0

Native Son

1940 · 504 pages

Bigger Thomas drives for a rich white family in 1930s Chicago and kills their daughter in a panic his first night. Wright keeps you inside his head and will not soften him.

★ 7.2

The Myth of Sisyphus

1942 · 212 pages

The only serious philosophical question, Camus opens, is whether to kill yourself. His answer: the universe will never explain itself, so you live anyway, unreconciled, like Sisyphus happy pushing his rock uphill forever.

★ 7.2

Snow Country

1948 · 175 pages

At a hot spring in Japan's snow country, a wealthy Tokyo idler keeps visiting a geisha who loves him past anything he can give. Kawabata states almost nothing and it lands anyway.

★ 7.2

Brideshead Revisited

1945 · 432 pages

Charles Ryder, an officer billeted at a requisitioned country house, remembers the Catholic family who owned it: the ruined son he loved at Oxford, the sister he wanted later, and grace closing in.

★ 7.0

Cannery Row

1945 · 192 pages

Mack and his friends, unemployed and unhurried, decide to repay Doc the marine biologist with a party. Steinbeck writes a Monterey street of bums and grocers and whores as a functioning society.

★ 6.9

The Road to Serfdom

1944 · 283 pages

Hand economic decisions to planners and you lose political freedom too, because someone must decide whose purposes count. Hayek published it in 1944, and it became the founding text of the postwar right.

★ 6.9

Darkness at Noon

1940 · 288 pages

Arrested by the revolution he helped build, Rubashov confesses to crimes he never committed. The novel sold half a million copies in France and pulled a generation of Western leftists away from Moscow.

★ 6.8

Love in a Fallen City

1943 · 321 pages

Bai Liusu, a divorcee her Shanghai family treats as a disgrace, follows a rich bachelor to Hong Kong. Chang writes their courtship as cold accounting until the Japanese bombardment reaches the city.

★ 6.8

Cry, the Beloved Country

1948 · 320 pages

A Zulu parson goes to Johannesburg to find his son and learns the boy killed a white man who fought for black South Africans. Paton's fifteen million readers made apartheid a world scandal.

★ 6.7

The Street

1946 · 448 pages

Lutie Johnson believes what Benjamin Franklin promised about work and thrift, and rents an apartment on 116th Street to raise her son. The men who watch her climb the stairs have other plans.

★ 6.7

Fortress Besieged

1947 · 448 pages

Fang Hongjian returns to wartime China with a mail-order diploma and no plan. Qian gave Chinese its image of the besieged life: those outside the fortress want in, those inside want out.

★ 6.6

And Quiet Flows the Don

1940 · 624 pages

Grigory Melekhov loves his neighbor's wife and rides for the Reds, then the Whites, then neither, while war and revolution finish the Don Cossacks. Sholokhov wrote under Stalin and spared no side.

★ 6.5

Chess Story

1941 · 104 pages

Aboard a liner to Buenos Aires, the world chess champion meets a stranger who learned the game in Gestapo isolation from one stolen book. Zweig makes chess an instrument of torture.

★ 6.5

The Glass Bead Game

1943 · 558 pages

Centuries from now, scholars in the cloistered province of Castalia play a game fusing music, mathematics, and all learning. Joseph Knecht rises to master it, then asks what the world outside is owed.

★ 6.5

The Hero with a Thousand Faces

1949 · 432 pages

Campbell read the world's myths and found one story under them: a hero leaves home, survives an ordeal, returns changed. Hollywood took the pattern wholesale, from Star Wars to Disney's animated features.

★ 6.5

Embers

1942 · 213 pages

Two officers who trained together meet for dinner after forty-one years. The general has questions about a morning hunt and his dead wife, and the candles burn down while he circles them.

★ 6.5

The Naked and the Dead

1948 · 736 pages

America's novel of the Second World War, published when Mailer was twenty-five and just back from the Philippines. A reconnaissance platoon crosses a Japanese-held island while he tracks every man's fear.

★ 6.5

Gravity and Grace

1943 · 236 pages

Weil held that the soul falls by a law as fixed as gravity and that grace enters only a void, which is why affliction, stripping everything away, can open a person to God.

★ 6.5

Zorba the Greek

1946 · 368 pages

A bookish young Greek reopens a lignite mine on Crete and hires Alexis Zorba, an aging laborer who dances, plays the santuri, and treats his employer's reading as a substitute for living.

★ 6.5

The Historian's Craft

1949 · 197 pages

Bloch's son asked what the use of history was. He answered from hiding: history is the science of men in time, and evidence speaks only when questioned. The Gestapo shot him in 1944.

★ 6.4

The Tartar Steppe

1940 · 288 pages

Giovanni Drogo rides out to a frontier fortress and gives it his life, scanning an empty desert for the enemy who would justify it. Buzzati turned postponement into a form of terror.

★ 6.3

The Berlin Stories

1945 · 207 pages

Sally Bowles, the English cabaret singer who became the heart of Cabaret, sings badly in a Berlin nightclub while Isherwood's narrator calls himself a camera, shutter open, recording the city's slide into Nazism.

★ 6.2

The Tunnel

1948 · 138 pages

Writing from a prison cell, the painter Juan Pablo Castel explains why he killed the woman who understood his work. Sabato follows a jealous mind step by step until its logic feels ordinary.

★ 6.0

Human Action

1949 · 912 pages

Every economic law follows from one fact, Mises argues: people act to relieve uneasiness. Planners without market prices are blind, and three generations of the libertarian right have drawn their economics from him.

★ 5.8

The Fountainhead

1943 · 736 pages

Howard Roark would rather break rock in a quarry than compromise a design, and when his housing project is altered he dynamites it. American individualism has had no more seductive hero.

★ 5.7

The Gallery

1947 · 342 pages

Occupied Naples, 1944: soldiers and civilians trading cigarettes, sex, and rumor under the arcade. Burns writes Americans who understand nothing of the country they hold, and a bar where gay soldiers breathe.

★ 5.2

The Pursuit of Love

1945 · 214 pages

Uncle Matthew hunts his children across the Oxfordshire fields with bloodhounds. Linda Radlett escapes that house into two bad marriages and a French duke, in the funniest English novel of the interwar aristocracy.

★ 5.2

Mildred Pierce

1941 · 298 pages

Abandoned in Depression-era Glendale, Mildred bakes pies and builds a restaurant chain, spending every dollar on the gifted, glacial daughter who despises her for working. Cain needs no corpse to write noir.

★ 5.1

Thoughts on Design

1947 · 95 pages

Beauty and utility generate each other, Paul Rand argues, and the designer's job is fusing idea with image. He pulled European modernism into American advertising and made the trade take design seriously.

★ 4.5