Nighthawks
1942 · Art Institute of Chicago, Chicago
Four people sit under fluorescent light behind a curved sheet of glass, and Hopper gave the diner no door in or out.
★ 8.9
Browse by time · decade
1940s
1940 – 1949
Showing 17 artworks from the 1940s
Three Studies for Figures at the Base of a Crucifixion
1944 · Tate Modern, London
Three flayed creatures crane and scream on orange grounds. Shown as the war ended in 1945, they made Bacon's reputation overnight.
★ 8.0
Broadway Boogie Woogie
1943 · Museum of Modern Art, New York City
Mondrian broke his own grid into blinking squares after moving to New York, where he loved the traffic and the jazz.
★ 7.7
Composition with Yellow, Blue and Red
1942 · Tate Modern, London
Black lines, white ground, three primary colors and nothing else. Mondrian spent decades taking painting down to this and called it Neo-Plasticism.
★ 7.5
Self-portrait With Thorn Necklace and Hummingbird
1940 · Harry Ransom Center, Austin
A thorn necklace draws blood at her throat, a dead hummingbird hangs from it, and a monkey and a black cat watch from behind.
★ 7.2
Violet, Black, Orange, Yellow on White and Red
1949 · Guggenheim, New York City
Soft-edged bands of color stacked one above another, hovering slightly off the surface. Rothko wanted you to stand close and stay a while.
★ 7.1
Icarus
1947 · National Galleries of Scotland, Edinburgh
A black figure with a red dot for a heart falls through blue, cut from paper because Matisse could no longer stand at an easel.
★ 6.9
Bull's Head
1942 · Musee Picasso, Paris
A bicycle saddle and a set of handlebars, joined. Picasso joked that someone might one day turn it back into a bicycle.
★ 6.7
Freedom From Want
1943 · Norman Rockwell Museum, Stockbridge
Rockwell painted it as one of the Four Freedoms Roosevelt named, and it has been parodied more than almost any American picture.
★ 6.7
Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening
1944 · Museo Nacional Thyssen-Bornemisza, Madrid
A bee circles a pomegranate, and in the second before waking it has become two tigers and a bayonet coming at Gala's arm.
★ 6.7
Nude with Calla Lilies
1944 · Location unknown
An armful of calla lilies is nearly bigger than the woman kneeling behind it. Rivera came back to the flower and its sellers constantly.
★ 6.6
Europe After the Rain II
1942 · Wadsworth Atheneum, Hartford
Ernst made the eaten-away textures by pressing and lifting paint, working on it while fleeing occupied Europe for America.
★ 6.5
The Charnel House
1945 · Museum of Modern Art, New York City
Bodies lie heaped and bound under a kitchen table, in grey. Picasso left it unfinished, painted after the camps were opened.
★ 6.5
The Temptation of Saint Anthony (Dali)
1946 · Musees Royaux des Beaux-Arts de Belgique, Brussels
Elephants on impossibly long insect legs carry obelisks and naked women across the plain while the saint holds up a makeshift cross.
★ 6.3
Leda Atomica
1949 · Teatro-Museo Dali, Figueres
Nothing in the picture touches anything else. Dalí built it on the physics of the atom, where matter is mostly empty space.
★ 5.6
Figure in a Landscape
1945 · Tate Modern, London
Bacon started from a snapshot of a friend dozing in a park and then removed the head, the identity and the ease.
★ 5.2
The Elephants
1948 · Private collection
Two elephants carrying obelisks on legs far too spindly to hold them, which is the entire effect and it works.
★ 4.8