Citizen Kane
Directed by Orson Welles
1941
Welles was twenty-five and had never directed a feature before: he built a portrait of a man whose whole life nobody around him can add up, and changed everything.
★ 9.9
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1940s
1940 – 1949
Showing 567 works across all media from the 1940s
Casablanca
Directed by Michael Curtiz
1942
Proof that a studio picture thrown together in a hurry can outlive everything around it: eighty years on, the lines are still in the language and the romance still lands.
★ 9.7
The Third Man
Directed by Carol Reed
1949
Britain has never made a better one, and nothing else sounds like it: a ruined postwar Vienna, and a zither score by a musician Reed first heard playing for the crew.
★ 9.3
White Christmas
1942
Berlin's snowless Christmas song, the best-selling physical single ever pressed, and the sound of every soldier's homesickness.
★ 9.3
Bicycle Thieves
Directed by Vittorio De Sica
1948 · Italy
Italian neorealism starts with this, and it still guts people: De Sica cast a factory worker as his lead and found a whole society inside one stolen bicycle.
★ 9.1
1984
1949 · 328 pages
Winston Smith rewrites old newspapers so history agrees with the Party, then risks a diary and a love affair. Orwell built the machinery so exactly that reading it feels like being watched.
★ 9.1
Double Indemnity
Directed by Billy Wilder
1944
Film noir gets its blueprint here: Wilder and Chandler wrote dialogue nobody has matched for hardness, and set the pattern of the doomed man telling his own story.
★ 9.0
It's a Wonderful Life
Directed by Frank Capra
1946
A commercial failure that decades of Christmas television turned into a national ritual: it is far darker than its reputation, and the ending earns every tear it gets.
★ 9.0
The Stranger
1942 · 123 pages
Meursault buries his mother without crying, takes a lover, and shoots a man on a hot Algiers beach. At his trial the tears he never shed matter more than the killing.
★ 8.9
Nighthawks
1942 · Art Institute of Chicago, Chicago
Four people sit under fluorescent light behind a curved sheet of glass, and Hopper gave the diner no door in or out.
★ 8.9
Animal Farm
1945 · 128 pages
The animals drive out the farmer and run the place themselves, until the rules painted on the barn wall start changing. Orwell reduced the Russian Revolution to a fable no adult forgets.
★ 8.9
The Second Sex
1949 · 832 pages
One is not born a woman, Beauvoir argues, but becomes one. She works through biology, history, myth, marriage, and old age to prove it, and modern feminism begins in these pages.
★ 8.7
Death of a Salesman
1949 · 139 pages
Willy Loman, a traveling salesman worn down to nothing, argues with his grown sons and with people who are not in the room. Audiences have recognized their own fathers in him since 1949.
★ 8.7
A Streetcar Named Desire
1947 · 128 pages
Blanche DuBois arrives at her sister's New Orleans apartment with nothing left, and her brother-in-law Stanley sets about destroying what remains. No American play has staged desire and cruelty this nakedly.
★ 8.7