
Lose Yourself
Written between takes on a film set, delivered like a man with exactly one shot at everything.

Written between takes on a film set, delivered like a man with exactly one shot at everything.

Rubin handed Cash a Nine Inch Nails song, and Reznor watched the video and said it was no longer his.
Timbaland's beat under a hook Elliott had reversed, a Run-DMC sample, and ten weeks parked at number two.

Reprise rejected the album, Wilco streamed it free, and a sister Warner label put out these swooning strings instead.

A piano riff Martin nearly saved for the next album, rescued by their manager, then Record of the Year.

Storch's clavinet, Timbaland's beat, and a breakup Timberlake spent years declining to explain; the Grammy arrived anyway.

O'Rourke mixed this one song as an audition, won the whole album, and Wilco made it the opening track.

Coyne wrote it during Drozd's recovery, a plain statement about mortality that Oklahoma voted its official state rock song.

Chucky Thompson looped Phil Collins, and Nas rises from a murmur to a roar and back, verse after verse.

One out-of-tune Liverpool piano, an attempt at a Harrison song abandoned, and the chord run Martin kept instead.

Pitchfork's fifteenth-best song of the 2000s, the Dreijer siblings' synth pulse, later stripped to one acoustic guitar by Jose Gonzalez.

The Neptunes flipped Chuck Brown's "Bustin' Loose," and Nelly rode it to number one and the first male solo rap Grammy.

Coyne named his karate warrior after Boredoms drummer Yoshimi P-We, then cast the heroine's disease as pink robots.

Cody ChesnuTT's four-track bedroom original rebuilt by a live band, his guitar hook intact, Questlove pushing the tempo up.

Perry wrote it for herself, then refused Aguilera a retake; the demo vocal is what reached number two.

Bowser's beat interpolates Patti LaBelle, Kelly Rowland sings the hook, and it spent ten weeks at number one.

Five mics from The Source for The Fix, a Mike Dean beat, and Scarface drawing his Houston block affectionately.

Just Blaze built the beat for Memphis Bleek, chopped a Rose Royce vocal, and Cam'ron took it to number four.

Moretti woke to hear Casablancas inventing the melody in the bathroom, and it became the warmest song on Is This It.
Piano, bass and a single nagging guitar figure, with Daniel making aimlessness sound like the best available plan.

One week of writing after a nine-year relationship ended, and Godrich kept the arrangement to acoustic guitar and brushes.

DR Period built it on the Commodores' "Easy," and Cam'ron and Juelz Santana rode it to number three.

Jason Schwartzman still drummed for the band when they cut it; The O.C. later made it a UK top ten.

Carlton built that piano figure in about an hour and titled it Interlude; her label insisted on something catchier.

Nicks wrote it in Aspen weighing whether to quit music; the Chicks add three-part harmony and take it top ten.

Two chords written in a northeast Portland duplex, and Nate Query put the whole album on his credit card.

Levine says he and Valentine wrote it in about an hour, drawing on a troubled couple he knew.
Buckland gave up on a guitar part and played maracas instead, and Martin's slow crawl back still aches.

Martin wrote the verse in Amsterdam and the outro in Iceland; the closing track waits minutes before the guitars arrive.

Ganjo, EBow and a cardboard box in the credits; Billboard later named it the country song of the decade.

Crow and Jeff Trott wrote it on a plane out of rainy Portland; Liz Phair turned up to sing backup.

A Boogie Down Productions interpolation under the bridge, and Lopez answering the tabloids without once breaking her stride.

Seven weeks atop the country chart in 2002, and a bartender's story Jim Collins and Craig Wiseman wrote.

Crow's label blocked the radio rights, so Allison Moorer re-cut the female vocal; it still became Kid Rock's biggest hit.

Tina Turner's chorus rebuilt at Crackhouse Studios, and Ashanti became the first woman to hold the Hot 100's top two.

A debut-album cut that Branch wrote alone, produced by John Shanks, and her first trip into the top ten.

Brad Arnold and the band shot the video aboard the USS George Washington, then held Mainstream Rock seventeen weeks.

Twenty years old when Sha Sha arrived, Kweller later played this one through a nosebleed at Austin City Limits.

Five weeks atop the country chart for a song about the errands that keep pushing family aside.

R. Kelly wrote and produced it, Diddy guested, and B2K got their only week at number one.