
Spirited Away
The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

Lynch built a Hollywood that runs entirely on dream logic and trusted the audience to assemble it: the whole thing feels like a half-remembered dream, and people keep returning.

Everyone said the book could not be filmed: Jackson shot three films at once in New Zealand and delivered a Middle-earth so furnished you stop noticing it was invented.

Timbaland set a tumbi melody over tabla and left Elliott acres of empty space to fill.

It was recorded in about two weeks and released on the eleventh of September 2001. Kanye West sped the soul samples up to chipmunk pitch.

Built on the bones of Tom Petty's American Girl, which Petty confirmed without complaint, and recorded in Gordon Raphael's basement.

A stranger in an Antwerp waiting room talks about architecture, and over years of meetings tells how he was sent out of Prague on a train in 1939. The grief is never named.
Edwin Birdsong's Cola Bottle Baby, found in a record bin, vocoded into a mantra Kanye West later borrowed wholesale.
Ron Browz's beat, handed over before he knew its target, and a release date set on Jay-Z's birthday.
Dennis and Davis wrote it in three and a half hours, and Minogue committed after twenty seconds of the demo.

Albarn built it on a melodica and an Omnichord's first preset; Del cut his verses in half an hour.
Shinoda's piano figure under Bennington's chorus took nu metal to number two, and the RIAA finally certified it diamond.

A road trip with a narrator who keeps interrupting to tell you things the characters will never know: Cuaron slips a portrait of Mexico under a teenage sex comedy.
A Jackson 5 chop, an arena chant, and Jay-Z's first solo top ten, courtesy of a young Kanye West.

Two chords, one piano, and Keys writing and producing her own debut single straight to Song of the Year.

Daft Punk set out to make the music they had loved at ten years old, and had the whole album animated as a film.

The most exported French film of its generation: Jeunet saturated Paris into green and gold and sent a shy waitress out to quietly rearrange other people's lives.

Sub Pop pressed it as a one-off single in 2001; three years later Garden State made it a generational password.

Pixar built an entire energy economy out of children's nightmares: the joke is that the monsters are salaried professionals, and the film turns on one of them being frightened of a toddler.

In 1935 a thirteen-year-old girl watches her sister and the charwoman's son by a fountain, misreads what she sees, and accuses him of a crime. McEwan follows the wreckage through Dunkirk.

The film where Wes Anderson's dollhouse precision finally serves real grief: Gene Hackman plays a father who lies his way back into a house full of ruined prodigies.

Dre's instrumental sat titled Fragile for months before it was renamed Family Affair and took six weeks at number one.
I'm feeling pretty good. Pretty, pretty, pretty, pretty, pretty good.
A Bobby Bland soul record from 1974, rebuilt by Kanye West, and Jay-Z sounding untouchable and unloved at the top.

Ridley Scott stripped out almost everything a war film normally has: no arcs, barely any backstory, just eighteen hours in Mogadishu in 1993 rendered as continuous, disorienting noise and dust.

Ninety beats a minute, Dr. Dre and Scott Storch on the track, Gwen Stefani's hook, Eve at number two.

Capitol dropped the band, Trombino produced on credit, and the drum pattern came straight off Tom Petty's You Wreck Me.

Four feet of air between hi-hat and snare mic, and a drum machine sketch reborn as live New York rock.

Not planned for the Green Album until Ocasek fought for it, then Spike Jonze filmed the band among wild animals.

Panpipes, a charango, and Gloria Estefan rewriting Shakira's Spanish lyric in English; it hit number one in twenty-two countries.

A radio host's joke about the lineup changes, flipped into a Grammy winner Beyonce largely wrote on a flight.

McCullough gives the difficult, honest second president his full size: a marriage to Abigail conducted in letters across an ocean, and a friendship with Jefferson that broke and was repaired in old age.

The most relaxed heist film there is: Soderbergh assembles eleven movie stars, lets them amuse one another across two hours, and treats a Las Vegas vault as an excuse for the hangout.

Recorded at the same sessions as Kid A and held back eight months. The band spent years insisting it was not a collection of leftovers.

Capitol passed on the Clarity demo, then a dropped band self-funded Bleed American and made those wordless hooks stick.

There are only two people on it, Welch and David Rawlings, recorded live in an old Nashville studio with a single pair of microphones.

Four singers, one Rockwilder beat, and Missy Elliott turning a Labelle cover into 2001's best-selling single worldwide.

Bootsy Collins doubled in both channels, a Sly Stone sample, and Christopher Walken dancing through a Los Angeles hotel lobby.

Guerrillas storm a vice president's mansion somewhere in South America and hold the room for months. Among the hostages is a soprano who sings each morning, and everyone begins falling in love.

DeLonge wrote it after the band's manager complained the album had no feel-good song; a SeaWorld date supplied the rest.

It failed in theaters weeks after September 11 and became a cult object on DVD: Richard Kelly was twenty-six, and nobody has ever fully agreed on what happens in it.
To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.

A DeBarge interpolation from 1982, Jay E producing, and Nelly making must be the money a national catchphrase.

Timbaland built the beat at Manhattan Center Studios, and Ludacris turned deflecting nosy questions into pure comic swagger.
Mystikal barks the guest verse, Ludacris takes his first top ten, and 2003 antiwar marchers rewrote the chorus.

Denzel Washington took an Academy Award playing against everything audiences trusted him with: Antoine Fuqua shot in real Los Angeles neighborhoods, and a rookie narcotics officer gets one day to prove himself.

DeLonge's parents divorced when he was eighteen; Finn produced, and the wrecking-ball video was reshot after September 11.

Capitol dropped them, so they paid for it themselves; that opening riff bought the whole gamble back.

DiFiore's trumpet lick, chords borrowed from Sweet Jane, and McCrea deadpanning a want ad for the ideal woman.

Serj Tankian and Daron Malakian sing over each other constantly, one shouting while the other croons, often within the same bar.

Recorded in Memphis in about three days. Michel Gondry animated the video for Fell in Love with a Girl entirely out of Lego bricks.

Monahan woke from a dream of his late mother, and Paul Buckmaster's strings carry the whole ache.

By Ja Rule's account he fished the beat out of Gotti's garbage; Ashanti's hook carried it to number one.

Written for the comedy Loser, which cut the scene, and now the piano ballad people play at weddings.

Cut at Tree Sound in Georgia with Jimmy Jam and Terry Lewis producing, it won Usher his first Grammy.