
Only God Knows Why
The first ballad Kid Rock ever cut, its opening lines written, by his account, in a jail cell.

The first ballad Kid Rock ever cut, its opening lines written, by his account, in a jail cell.

Falco rapped Mozart's debts over a Bolland and Bolland production, and gave the Hot 100 its only German-language number one.

Kanye looped a 1978 Lenny Williams record, Miri Ben-Ari sawed the violin, and Twista outran both to number six.

Rick Rubin produced it, the video was shot at the Playboy Mansion, and Cuomo swears the longing was sincere.

Alex da Kid's beat, Hayley Williams on the hook, and a wish on a passing plane that went diamond.

Snippets leaked online, so Gaga rushed it to radio a week early, cheering the crowd that cheers her.

A Boogie Down Productions interpolation under the bridge, and Lopez answering the tabloids without once breaking her stride.

Timbaland and The-Dream produced it, Timberlake sings the hook, and Courtney Love cleared the Nirvana interpolation underneath.

Claude Kelly's ringleader conceit, a Dr. Luke stomp, and Spears back on top of the spectacle that swallowed her.

A Yellow Magic Orchestra synth loop from 1978, reportedly cleared for Mariah Carey first, carries Lopez to number one.

Rzeznik twisted tuning pegs until a second high E replaced the B string, and that open ring carries the song.

Cartoon-sized arms in a men's room, courtesy of Spike Jonze, and Tom Cruise dancing to it in Tropic Thunder.

Nile Rodgers brought the riff and the Borneo Horns; the band, down to three, answered its own bad press.

Frusciante back in the band and playing deliberately spare, while Flea's bass run opens Californication at a sprint.

Diplo and Afrojack made the beat for a mixtape; Busta Rhymes' double-time verse pushed it to diamond.

Two unfinished songs Mutt Lange stitched together, and a kid outside the arena hearing one guitar through the wall.

Boi-1da's beat was first meant for Kardinal Offishall; Kanye, by his account, rewrote his verse for two days after Eminem.

Cut with Joel Little in a small Auckland studio, the beat built before a word, that "Yeah" doing everything.
Taupin rewrote his Marilyn Monroe lyric for Diana, George Martin added strings hours after the funeral, and 33 million sold.

Jeff Trott's hook arrived first, the country arrangement went out, and Crow won a Grammy singing her own backlash.

Heine coined the word for Liszt's swooning fans, and Philippe Zdar gave these guitars their chrome shine.

Dropped without warning on a Saturday in August, an Outkast sample underneath, Minaj arriving to claim the rap crown.

Petty and Jeff Lynne wrote Eddie's rise and fall as one unbroken story; Johnny Depp played him on screen.

Rubin co-produced, the guitar hook lifted straight from My Sharona, and Penn and Teller hustle three-card monte in the video.

Michael Bivins raps their discovery story over Dallas Austin's new jack swing, with a doo-wop turn at the close.

T-Bone Burnett replaced the band's own drummer with session man Denny Fongheiser, and Duritz got the fame he wished for.

West and DJ Toomp sped up Michael Jackson's P.Y.T. into a Grammy-winning glide, T-Pain's hook floating over it.

Ferry lifted the title from his own art-school painting of a giant cigarette packet, Eno's VCS3 shrieking behind him.

Ninety beats a minute, Dr. Dre and Scott Storch on the track, Gwen Stefani's hook, Eve at number two.
A Bobby Bland soul record from 1974, rebuilt by Kanye West, and Jay-Z sounding untouchable and unloved at the top.
Nina Simone's 1965 Strange Fruit against TNGHT's blaring horns, a breakup rendered enormous; platinum without ever being a single.

The praying mantis in their house inspired the music, by the band's account; the words satirize rock-star excess.

Taupin lifted the phrase from a Janis Joplin tribute and pointed it at Marilyn Monroe; the chorus does the mourning.

DJ Toomp built the beat and bassline, West layered the strings, and Zach Galifianakis lip-synced it on a tractor.

Eminem wrote the verses as a reference for Snoop Dogg, by Dre's account, and Dre kept the guide vocal.

Gus Dudgeon overdubbed crowd noise from old concerts, and the fake live track topped the Hot 100.
A Jackson 5 chop, an arena chant, and Jay-Z's first solo top ten, courtesy of a young Kanye West.

Iovine wanted another "My Name Is," so Eminem wrote this hours before the album was due. It hit number four.

Frusciante drew the sparse riff from The Cure's "Carnage Visors" on his first album back, and Kiedis indicts Hollywood.

Rihanna sings the hook, Elton John plays piano, and West spent two years stacking fourteen singers behind the horns.

Michael refused to appear, so Fincher had five supermodels lip-sync while his Faith leather jacket burned onscreen.

Recorded live at San Francisco's Boarding House in 1978, and Devo's Mothersbaugh handed Young the phrase that titled the album.

Knopfler borrowed a pen in a New York appliance store to copy down a delivery man's complaints about MTV.

Swift plays her own tabloid caricature, a clicking pen for percussion, and she replaced herself at number one.

Herb Alpert's Rise looped into a strut, released five days before Wallace was killed, number one within weeks.

Dre and Mel-Man built it on a David McCallum orchestral cut from 1967, arranged by Axelrod, and Nate Dogg closes.

Kelly Price sang the hook uncredited over Stevie J's flip of I'm Coming Out, a posthumous number one.

Hit-Boy's beat, a Blades of Glory sample, and twelve straight encores of it one night in Paris.

Oakey thought it the weakest thing on Dare; it became Britain's best-selling single of 1981 and Christmas number one.

Sessions collapsed in Kingston, so the band regrouped at a French chateau and Taupin traded Oz for a Lincolnshire farm.

Twelve takes in April 1965, McCartney's counter-melody chasing the lead, and Lennon insisting years later the plea was real.

Cut at Trident in November 1971, never a single, and Ronson's riff draws the character as sharply as the words.

Jay-Z wrote every line of it, Scott Storch played the piano figure, and Dre's seven-year album silence ended.

Dre's beat was offered to D12 and Rakim before 50 Cent wrote to it and held number one nine weeks.

Poke and Combs looped Mtume's Juicy Fruit, and Wallace told the rags to riches story that hip hop kept retelling.

The 45 King looped Dido under four letters, and Eminem's fan character ended up in the Oxford dictionary.

Chuck Berry's intro lick is rock's opening statement, a country boy's origin myth now drifting past the solar system.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.