
Thank God It's Christmas
May and Taylor wrote it, Mercury sang it, and Queen waited until 2019 to give it a video.

May and Taylor wrote it, Mercury sang it, and Queen waited until 2019 to give it a video.
Written on New Year's Day in the Canary Islands, then finished at Cheiron by Denniz Pop and Max Martin.

Three Swedes wrote and produced it, and Dion turned her greatest-hits lead single into a final Hot 100 top ten.

Written after Cochrane's famine-relief trip to Africa, and reborn as a Pixar road anthem by Rascal Flatts.

Turned down for Whitney Houston and passed over by Belinda Carlisle, so the writers cut it themselves and reached number five.

Buble wrote it with Chang and Foster-Gillies while dating Luisana Lopilato, who plays his love interest in the supermarket video.

Critics heard the Kinks' Lola in the strum, and a Dancing on Ice slot lifted it to number fourteen.

Eight tracks at Fantasy Studios, every sound McFerrin's own voice, and the first a cappella number one ever.

Kane Beatz interpolated Modest Mouse's Float On, Atlantic made it the price of releasing Lasers, and Fiasco got his biggest hit.

Jason McGerr shaped the drums after the Purdie Shuffle, and Gibbard turned the 2007 California wildfires into something almost calm.

Chynna Phillips drew the words from AA's one-day-at-a-time, Glen Ballard produced, and it topped Billboard's 1990 year-end chart.

Written by all four members in 1989, David Crosby added backing vocals, and the debut album sold twenty million.
A father's blessing written for the kids Stewart missed while touring, and similar enough to Dylan's song that they share royalties.

A Red Rider demo called "Love Is a Highway", revived after Cochrane's World Vision trip to eastern Africa.

A song its writer said had no bridge and no hook, written in 45 minutes and sung to number three.

Justin Meldal-Johnsen co-produced at Sunset Sound, and Gonzalez turns unembarrassed optimism into a wall of synthesizers.

Written for Gloria Estefan until Mottola heard the demo; Carey thought it schmaltzy and took it to number one.

Sanders and Sillers wrote it in 1999; five weeks at country number one, and every graduation since has borrowed it.

Robin Clark, credited as additional lead singer, answers Kerr line for line while Iovine pushes everything skyward.

Jakob Dylan wrote it at a Los Angeles kitchen table, then watched it top all three Billboard rock airplay charts.

Cut in Venice Beach with Danielle Brisebois, then adopted by The Hills and every graduation slideshow since.

Duritz wrote it before dawn while a friend lay in hospital, and the band cut it almost entirely live.

Written at a soundcheck in an Edinburgh pub, open-D guitar and banjo climbing into a stomp that drew four Grammy nominations.
Written for Space Jam, Paul Riser's strings taped in Detroit, the Luv Club Choir massed behind the vocal.

James took the title from Revelation's New Jerusalem and floated it over organ, acoustic guitar and overdubbed bongos.

Boi-1da's beat, Resto's keyboards, and Eminem setting the Slim Shady mask aside; it debuted at number one.

Four chords, F, C, A minor, G, looping unchanged while Petty and Jeff Lynne make uplift sound effortless.

A piano ballad at first, then a synthesizer break, then guitars, angels and a starship headed skyward.

Four Alabama day-jobbers paid for their own sessions at a Nashville home studio, and Rolling Stone named it 2012's best.

Richard Carpenter recognized Paul Williams singing a bank commercial and asked whether a whole song existed underneath.

Granduciel spent two years second-guessing these sessions, and the song still turns on one yelp before the chorus.

Take four, June 1967 at EMI, with a trumpet added later onto the mono mix and nowhere else.

Alexander buried a celebrity taunt in the last verse to prove the press would ignore the politics; it worked.

Stan Vincent's song sat on a B-side until it broke out in Philadelphia and Detroit and climbed to number eight.

Goffin and King built it for Little Eva; the Chiffons got the track, King's piano intro intact.

A night walk at Caribou Ranch gave White the title, and the band their only Hot 100 number one.

A bass line Clayton stumbled on while decoding Visage's Fade to Grey, then Bono aimed the words at Poland's Solidarity.

Eno programmed the drum machine, Lanois played the Telecaster, and the Edge won the argument for his old delay-drenched sound.

A celesta played by the producer's wife, Jerry Allison slapping his knees for drums, and two minutes of pure lift.