Road to Morocco
Directed by David Butler
1942
Bob Hope and Bing Crosby keep telling the audience it is only a film, and a camel gets a line: the fourth wall came down here long before anyone named it.
★ 1.1
The Movies canon
Sourced and screened.
Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.
Browse all 731 films or filter by genre, director, place, and year.
Viva Las Vegas
Directed by George Sidney
1964
Elvis Presley made thirty-one films and only this one holds up: Ann-Margret matches him move for move, the studio got nervous about it, and the title song outlived everything.
★ 1.2
Mrs. Miniver
Directed by William Wyler
1942 · United Kingdom
Roosevelt had the vicar's closing speech printed on leaflets and dropped over occupied Europe: an English family absorbs the first year of the war, and America was watching very closely.
★ 1.4
The Informer
Directed by John Ford
1935
Dublin in 1922, shot entirely on a fogged soundstage: John Ford won his first directing Oscar for it, and a slow-witted man sells out a friend for twenty pounds.
★ 1.5
Will Penny
Directed by Tom Gries
1968
Charlton Heston called it his own best film and almost nobody saw it: an illiterate middle-aged cowhand with no property and no prospects, and the frontier offers him nothing.
★ 1.6
Love Story
Directed by Arthur Hiller
1970
The novel was written from the screenplay and not the other way around: a Harvard hockey player and a Radcliffe music student marry against his father, and one line became inescapable.
★ 1.6
Quo Vadis
Directed by Mervyn LeRoy
1951
Peter Ustinov plays Nero as a needy child with an empire, and steals the entire picture: MGM built ancient Rome at Cinecitta and the film rescued the studio's finances.
★ 1.7
You Can't Take it With You
Directed by Frank Capra
1938
A household where everyone does exactly as they like collides with a banking family: Frank Capra won his third directing Oscar in five years, and the argument is still the one America has.
★ 1.7
The Long, Hot Summer
Directed by Martin Ritt
1958
Paul Newman and Joanne Woodward fell in love making this and married before it opened: William Faulkner boiled down into one Mississippi town, and the heat is doing most of the acting.
★ 1.7
Grand Hotel
Directed by Edmund Goulding
1932
It took Best Picture without a single other nomination, which nothing else has managed: Greta Garbo says the line about wanting to be alone, and the one-building ensemble format begins here.
★ 1.8
Sergeant York
Directed by Howard Hawks
1941
Alvin York blocked a film about himself for two decades and gave in only to fund a Bible school: a Tennessee pacifist wins the Medal of Honor and Gary Cooper wins Best Actor.
★ 1.8
Silver Streak
Directed by Arthur Hiller
1976
Gene Wilder and Richard Pryor met on this and made three more together: a book editor takes a slow train from Los Angeles to Chicago and sees something through a window.
★ 1.9
Smokey and the Bandit
Directed by Hal Needham
1977
It was the second biggest film of 1977 behind Star Wars, which nobody remembers: Burt Reynolds runs beer across state lines in a black Trans Am and grins at the camera throughout.
★ 1.9
The Defiant Ones
Directed by Stanley Kramer
1958
Sidney Poitier and Tony Curtis are chained together at the wrist, which was the entire argument in 1958: two convicts break out of a crash in the South and cannot move separately.
★ 1.9
Hamburger Hill
Directed by John Irvin
1987
The least mythologizing Vietnam film anyone made: ten days in May 1969 taking one hill that the army abandoned immediately afterward, filmed as almost pure exhaustion and mud.
★ 2.0
A Grin Without a Cat
Directed by Chris Marker
1977
Chris Marker assembled hours of the global left arguing with itself between 1967 and 1977: a chorus of narrators reads his commentary, and none of them is given the last word.
★ 2.0
La Chienne
Directed by Jean Renoir
1931 · France
Jean Renoir was recording live street sound in 1931 when almost nobody could: a meek bank cashier who paints on Sundays falls for a woman he meets one night in Montmartre.
★ 2.0
How Green Was My Valley
Directed by John Ford
1941
John Ford built an entire Welsh mining village in the California hills and shot it like memory: a colliery family in a valley the pit is slowly ruining, narrated by the youngest son.
★ 2.1
Grumpy Old Men
Directed by Donald Petrie
1993
Walter Matthau and Jack Lemmon had been perfecting this act for twenty-five years and it still lands: two Minnesota neighbors have hated each other since one married the other's girl.
★ 2.2
Gigi
Directed by Vincente Minnelli
1958
It won all nine awards it was nominated for, the biggest clean sweep the Oscars had seen: Lerner and Loewe wrote it straight for the screen, and Paris in 1900 looks fabulously expensive.
★ 2.2
The Diary of Anne Frank
Directed by George Stevens
1959
George Stevens built the annex to the actual dimensions so the cast would feel it: two years in a few rooms above a warehouse, and nothing outside them is ever shown.
★ 2.3
North Dallas Forty
Directed by Ted Kotcheff
1979
The NFL refused all cooperation and players said it was the only accurate football film ever made: Nick Nolte plays a receiver held together by painkillers and stubbornness for one more season.
★ 2.3
Cry Freedom
Directed by Richard Attenborough
1987 · United Kingdom
Richard Attenborough got Steve Biko into cinemas while apartheid was still standing: Denzel Washington's first Oscar nomination, and a white newspaper editor learning what Black South Africans already knew.
★ 2.3
High Sierra
Directed by Raoul Walsh
1941
Ida Lupino had top billing and Bogart got the part after George Raft turned it down: John Huston co-wrote it, and an aging gunman takes one last job in the Sierra Nevada.
★ 2.4
Mutiny on the Bounty
Directed by Frank Lloyd
1935
Three of its actors were nominated for Best Actor in the same year, and the supporting categories were created the next: Charles Laughton's Captain Bligh remains the definition of a tyrant.
★ 2.5
The Way We Were
Directed by Sydney Pollack
1973
The blacklist plot was cut to almost nothing and Sydney Pollack called that his biggest regret: Barbra Streisand and Robert Redford are mismatched enough that the romance runs on friction alone.
★ 2.5
The Thomas Crown Affair
Directed by John McTiernan
1999
John McTiernan's remake is better than the original and knows how adult it is: a billionaire steals a Monet for entertainment, and the insurance investigator enjoys the chase as much as he does.
★ 2.5
On Her Majesty's Secret Service
Directed by Peter R. Hunt
1969
George Lazenby played Bond once and quit, and it took decades for anyone to admit how good this is: the ski chases are the best in the series, and Diana Rigg is extraordinary.
★ 2.6
The Italian Job
Directed by F. Gary Gray
2003
Three Mini Coopers through the Los Angeles storm drains and the Hollywood subway: a remake that keeps only the cars from the original, and stages the best getaway of its decade.
★ 2.6
The Longest Yard
Directed by Robert Aldrich
1974
Burt Reynolds played college football and you can see it in every collision: a disgraced quarterback in a Georgia prison is ordered to build a team out of the inmates.
★ 2.6
White Christmas
Directed by Michael Curtiz
1954
The first film shot in VistaVision, which was invented to compete with CinemaScope: Bing Crosby sings a song he had already made famous twelve years earlier, and it still works.
★ 2.6
Driving Miss Daisy
Directed by Bruce Beresford
1989
Jessica Tandy was eighty when she won Best Actress, the oldest ever: twenty-five years of an Atlanta employer and her chauffeur, played so lightly that people underrate what the film is doing.
★ 2.7
Oliver!
Directed by Carol Reed
1968
The last musical to hold Best Picture for thirty-four years, and the last G-rated winner: Carol Reed turns Dickens into an enormous street spectacle and the songs never let up.
★ 2.7
Cross of Iron
Directed by Sam Peckinpah
1977
Sam Peckinpah's only war film, told entirely from the German side of the Eastern Front: Orson Welles called it the finest anti-war film since All Quiet on the Western Front.
★ 2.7
A Man For All Seasons
Directed by Fred Zinnemann
1966
Paul Scofield had played it on stage and was not a film star, and he won anyway: Thomas More refuses to say one sentence, and the whole English state comes for him.
★ 2.7
Tsotsi
Directed by Gavin Hood
2005 · South Africa
South Africa's first Academy Award for a foreign language film: a Johannesburg gang member steals a car and finds a baby in the back, and the film gives him no easy way out.
★ 2.7
Tender Mercies
Directed by Bruce Beresford
1983
Robert Duvall wrote and sang his own songs, then took Best Actor for the quietest work of his life: a broken country singer stops drinking at a Texas motel and stays.
★ 2.8
Kiss of the Spider Woman
Directed by Hector Babenco
1985
William Hurt took Best Actor and the film became the first independent production nominated for Best Picture: two cellmates in a Brazilian prison, one political and one who describes old movies.
★ 2.8
El Cid
Directed by Anthony Mann
1961
Charlton Heston and Sophia Loren in the last great historical epic before the genre collapsed: real castles in Spain, thousands of extras on horseback, and Miklos Rozsa's score doing the heavy lifting.
★ 2.8
Reversal of Fortune
Directed by Barbet Schroeder
1990
Jeremy Irons plays Claus von Bulow as completely unreadable and was rewarded for it: the film is narrated by his wife from the coma she never woke from, and takes no position.
★ 2.8
Where Eagles Dare
Directed by Brian G. Hutton
1968 · United Kingdom
Alistair MacLean wrote it as a screenplay first and a novel second: Richard Burton and Clint Eastwood go into an Alpine castle after a captured general, and the cable car fight is superb.
★ 2.8
Gates of Heaven
Directed by Errol Morris
1978
Herzog promised to eat his shoe if Errol Morris ever finished it, then did: two California pet cemeteries, and the people talking about their animals reveal everything about themselves.
★ 2.9
All the King's Men
Directed by Robert Rossen
1949
Robert Penn Warren's novel about Huey Long, filmed with real Californians pulled off the street as extras: a country lawyer discovers what he can do with a crowd.
★ 2.9
On Golden Pond
Directed by Mark Rydell
1981
Henry Fonda won his only competitive Oscar at seventy-six and died four months later: he and Jane Fonda play an estranged father and daughter, which was not much of a stretch for either.
★ 2.9
Of Mice and Men
Directed by Gary Sinise
1992
Gary Sinise directed it and played George opposite John Malkovich, the best casting the book has ever had: two migrant workers and one plan they will not stop describing.
★ 2.9
Mr. Deeds Goes to Town
Directed by Frank Capra
1936
Frank Capra and Gary Cooper at the height of the New Deal: a tuba-playing greeting card poet inherits twenty million dollars and finds out what New York wants from him.
★ 2.9
A Letter to Three Wives
Directed by Joseph L. Mankiewicz
1949
Joseph Mankiewicz won for both writing and directing it: three women receive a single letter announcing that a woman they all know has left town with somebody's husband.
★ 2.9
The Gunfighter
Directed by Henry King
1950
Gregory Peck plays the fastest gun alive as an exhausted man who wants a quiet drink: every revisionist western owes the premise, and Zanuck blamed the mustache for the box office.
★ 3.0
The Big Country
Directed by William Wyler
1958
Jerome Moross wrote the score American westerns have been quoting ever since: a sea captain arrives in Texas and refuses to prove anything to anybody, which nobody there can forgive.
★ 3.0
Spaceballs
Directed by Mel Brooks
1987
George Lucas allowed it on condition that no merchandise be sold, so Mel Brooks put a merchandising joke in the film: Star Wars parodied by someone who clearly loves it.
★ 3.0
Funny Face
Directed by Stanley Donen
1957
Richard Avedon served as visual consultant and shot the photographs himself: Audrey Hepburn is a bookshop clerk turned Paris model, and the darkroom sequence is the most beautiful red ever filmed.
★ 3.0
Hamlet
Directed by Laurence Olivier
1948 · United Kingdom
The first film made outside America to be named Best Picture: Laurence Olivier cut half the play, shot it in high-contrast monochrome, and moves the camera through Elsinore like a ghost.
★ 3.0
Three Amigos
Directed by John Landis
1986
Steve Martin, Chevy Chase and Martin Short play silent film stars mistaken for real gunfighters: a Mexican village hires them in earnest, and the singing bush is exactly as stupid as it sounds.
★ 3.0
Out of Africa
Directed by Sydney Pollack
1985
The flight over the Rift Valley is why anyone remembers it: Meryl Streep built Karen Blixen's Danish accent from recordings, and the film takes its time in a way nothing does now.
★ 3.1
Rush Hour
Directed by Brett Ratner
1998
Jackie Chan had been a superstar everywhere except America and this finally fixed that: he does all his own stunts, and Chris Tucker talks at a frequency nobody else reaches.
★ 3.1
White Men Can't Jump
Directed by Ron Shelton
1992
Nobody has ever written trash talk this well: Wesley Snipes and Woody Harrelson hustle Los Angeles playground courts, and the insults are more athletic than the basketball.
★ 3.1
An Affair to Remember
Directed by Leo McCarey
1957
Sleepless in Seattle sent an entire generation back to it: Cary Grant and Deborah Kerr agree to meet on the Empire State Building observation deck in six months, and then wait.
★ 3.1
The Spy Who Loved Me
Directed by Lewis Gilbert
1977
The ski jump off the cliff opening a parachute painted like a Union Jack is the single best Bond stunt: Roger Moore's finest hour, with Jaws and an underwater Lotus.
★ 3.1
The Lost Boys
Directed by Joel Schumacher
1987
Vampires got young, good-looking and sold on a soundtrack here: Joel Schumacher put them on a California boardwalk in 1987, and the horror genre never went back to castles.
★ 3.1
Marnie
Directed by Alfred Hitchcock
1964
The Hitchcock film scholars argue about most, and the production that ruined his working relationship with Tippi Hedren: a compulsive thief is caught by someone who decides to keep her.
★ 3.2
Silverado
Directed by Lawrence Kasdan
1985
Lawrence Kasdan set out to prove the western was not dead and assembled half of Hollywood: four men ride into a town run by the wrong sheriff, and the pleasures are entirely traditional.
★ 3.2
Pretty in Pink
Directed by Howard Deutch
1986
Molly Ringwald's prom dress is stitched together from two others, an image the whole film runs on: Howard Deutch directs a John Hughes script about who gets to sit where.
★ 3.2
The NeverEnding Story
Directed by Wolfgang Petersen
1984
Michael Ende hated the adaptation enough to sue: a bullied boy steals a book from a shop and reads himself into a world being eaten by nothing, and the puppetry is extraordinary.
★ 3.2
The Seven Year Itch
Directed by Billy Wilder
1955
The subway grate photograph is more famous than the film: Billy Wilder strands a Manhattan husband alone for the summer, Marilyn Monroe moves in upstairs, and the fantasies start immediately.
★ 3.2
Chariots of Fire
Directed by Hugh Hudson
1981 · United Kingdom
The Vangelis theme is so famous that people forget the film underneath is about religion: two runners at the 1924 Olympics, one running for God and one against English antisemitism.
★ 3.3
Eight Men Out
Directed by John Sayles
1988
The 1919 World Series fix filmed as a labor dispute rather than a scandal: John Sayles shows eight underpaid White Sox taking money from gamblers, and an owner who pays them nothing.
★ 3.3
The Big Red One
Directed by Samuel Fuller
1980
Samuel Fuller fought in the division he is filming and waited thirty-five years to tell it: a squad from North Africa to Sicily to Normandy, filmed as a job that does not end.
★ 3.3
March of the Penguins
Directed by Luc Jacquet
2005
The American release swapped the French version's talking penguins for Morgan Freeman narrating, and it became a phenomenon: a colony walks seventy miles inland to breed in the Antarctic winter.
★ 3.3
The Bad News Bears
Directed by Michael Ritchie
1976
The children swear constantly, the coach drinks in the dugout, and nobody learns very much: Walter Matthau took a Little League team and made the least sentimental sports film ever released.
★ 3.3
Scent of a Woman
Directed by Martin Brest
1992
Al Pacino spent months learning to hold his eyes unfocused and never once looks at anything: a blind retired colonel hires a prep school student for one enormous weekend in New York.
★ 3.3
Henry V (1944)
Directed by Laurence Olivier
1944 · United Kingdom
Made during the war and dedicated to the commandos and airborne troops of Britain: Laurence Olivier opens inside the Globe and then simply walks the film out into the real world.
★ 3.4
The Naked Spur
Directed by Anthony Mann
1953
Five people and a mountain, and no town or fort anywhere in it: Anthony Mann pushed James Stewart into playing a bounty hunter with nothing likable left, shot entirely outdoors.
★ 3.4
The Miracle Worker
Directed by Arthur Penn
1962
The dining room fight took five days to shoot: Anne Bancroft and Patty Duke both took Oscars, and neither Helen Keller nor her teacher gives an inch anywhere in it.
★ 3.4
Taxi to the Dark Side
Directed by Alex Gibney
2007
Alex Gibney's father was a naval interrogator and told him to make it: an Afghan taxi driver died in American custody at Bagram, and the film follows the policy up the chain.
★ 3.4
Marty
Directed by Delbert Mann
1955
It holds both Best Picture and the Palme d'Or, which only three other films manage: a Bronx butcher who has given up on meeting anybody meets somebody, and it runs ninety-three minutes.
★ 3.4
The Endless Summer
Directed by Bruce Brown
1966
Bruce Brown could not get a distributor so he rented cinemas himself, starting in Wichita in January snow: two surfers follow summer around the world, and the narration is unhurried and dry.
★ 3.4
Love Actually
Directed by Richard Curtis
2003 · United Kingdom
Nine storylines, two hours, and half the country reruns it every December while the other half writes essays about why it is bad: Richard Curtis knew exactly what he was doing.
★ 3.5
Zoolander
Directed by Ben Stiller
2001
The World Trade Center had to be digitally erased from the skyline two weeks before release: an idiot male model, and Ben Stiller commits to the stupidity absolutely and without apology.
★ 3.5
Napoleon Dynamite
Directed by Jared Hess
2004
It cost under half a million and grossed a hundred times that: an Idaho teenager, his brother's internet girlfriend, and a deadpan rhythm nobody has successfully copied.
★ 3.5
Les Miserables
Directed by Tom Hooper
2012
Every note was sung live on set instead of lip-synced to a recording, which nobody had attempted at this scale: the camera sits inches from faces the entire time.
★ 3.5
Team America: World Police
Directed by Trey Parker
2004
The puppetry is entirely straight-faced and never winks: Trey Parker and Matt Stone spent a fortune on marionettes so they could aim a Jerry Bruckheimer parody at absolutely everyone.
★ 3.5
The Quiet American
Directed by Phillip Noyce
2002
Miramax delayed releasing it after September 11 because the politics looked unpatriotic: Graham Greene's novel about American certainty in 1952 Saigon, with Michael Caine giving his best late performance.
★ 3.5
Pat Garrett and Billy the Kid
Directed by Sam Peckinpah
1973
Bob Dylan wrote the score, appears in it, and gave the world Knockin on Heaven's Door: MGM cut Peckinpah's version to pieces, and the restoration is a great elegiac western.
★ 3.6
Big Trouble in Little China
Directed by John Carpenter
1986
It flopped completely and then found everybody on video: Kurt Russell's swaggering trucker is really the useless sidekick, and nothing in it is ever explained to anyone.
★ 3.6
The Year of Living Dangerously
Directed by Peter Weir
1982
Linda Hunt is the only person ever to win an Oscar for playing someone of another sex: Jakarta in 1965, and an Australian correspondent who understands almost nothing about it.
★ 3.6
Miracle
Directed by Gavin O'Connor
2004
They cast hockey players and taught them to act rather than the reverse: Kurt Russell plays Herb Brooks skating his young Olympic squad into the ground before Lake Placid in 1980.
★ 3.6
Wayne's World
Directed by Penelope Spheeris
1992
The car scene put Bohemian Rhapsody back in the American top ten seventeen years after its release: two men broadcast a public access show from a basement and address the camera constantly.
★ 3.6
Crazy Heart
Directed by Scott Cooper
2009
It was set for direct-to-video release until Jeff Bridges' performance changed the studio's mind: a country singer down to bowling alleys in the Southwest, and a reporter who wants his story.
★ 3.6
Rudy
Directed by David Anspaugh
1993
Notre Dame had not allowed a film crew on campus in fifty years: a kid with no size and no grades wants to dress for one game, and everybody tells him no.
★ 3.7
Shakespeare in Love
Directed by John Madden
1998 · United Kingdom
Tom Stoppard rewrote the script and you can hear him in every scene: a blocked Shakespeare finds his Juliet, and nothing else is this funny about how theater actually gets made.
★ 3.7
Harvey
Directed by Henry Koster
1950
James Stewart played it on Broadway and returned to the part for decades: an unfailingly pleasant man insists his closest friend is a six-foot-three invisible rabbit, and his family wants him committed.
★ 3.7
Like Water for Chocolate
Directed by Alfonso Arau
1992 · Mexico
Food is the only language anyone in it is allowed: a Mexican daughter forbidden to marry cooks her feelings into every dish, and everyone at the table has to eat them.
★ 3.7
The Full Monty
Directed by Peter Cattaneo
1997 · United Kingdom
Made in Sheffield for just over two million pounds and it outgrossed everything in Britain that year: six unemployed steelworkers decide to strip for money, and the comedy comes out of genuine desperation.
★ 3.7
Shine
Directed by Scott Hicks
1996
Geoffrey Rush learned the Rachmaninov himself so the hands would be right: the pianist David Helfgott, filmed across three ages, and a father who cannot let a prodigy leave home.
★ 3.8
The Shootist
Directed by Don Siegel
1976
John Wayne's last film has him playing a gunfighter running out of time, which he knew he was: Don Siegel shot it plainly, and the whole genre says goodbye at once.
★ 3.8
Spellbound
Directed by Jeffrey Blitz
2002
Eight children and one spelling bee, and it is unbearably tense: Jeffrey Blitz found that how American families prepare for it reveals everything about them, and the finals are agony.
★ 3.8
Strictly Ballroom
Directed by Baz Luhrmann
1992 · Australia
Baz Luhrmann's debut already has the whole style in place: competitive ballroom dancing filmed like grand opera, where a dancer using his own steps counts as a moral crisis.
★ 3.8
Sleuth
Directed by Joseph L. Mankiewicz
1972
Laurence Olivier and Michael Caine were both up for Best Actor, which has happened only a handful of times: a mystery writer invites his wife's lover to a country house full of games.
★ 3.8
Basic Instinct
Directed by Paul Verhoeven
1992
Paul Verhoeven made the decade's most notorious mainstream thriller and never once blinked: an interrogation scene everyone still knows, and a novelist who may be writing what happens next.
★ 3.9
The Sandlot
Directed by David Mickey Evans
1993
It has become the film American men quote at each other about being eleven: a new kid in 1962 learns baseball on a vacant lot, and the stakes are imaginary and total.
★ 3.9
National Lampoon's Christmas Vacation
Directed by Jeremiah Chechik
1989
Written by John Hughes, with Chevy Chase back as the same hapless father a third time: a man books two weeks off to build the perfect family Christmas out of things that break.
★ 3.9
The Outsiders
Directed by Francis Ford Coppola
1983
Coppola cast almost every young male star of the coming decade before any of them were famous: Tom Cruise, Patrick Swayze, Matt Dillon and Rob Lowe, filmed in Tulsa like a fever dream.
★ 3.9
Point Break
Directed by Kathryn Bigelow
1991
Kathryn Bigelow made the most physically committed action film anyone had attempted: an FBI agent infiltrates a crew of surfers who rob banks in president masks, and starts preferring their company.
★ 3.9
Wedding Crashers
Directed by David Dobkin
2005
Owen Wilson and Vince Vaughn talk across each other at speed and the rhythm carries the film: two divorce lawyers crash strangers' weddings as a hobby, with rules they have written down.
★ 3.9
The Mission
Directed by Roland Joffe
1986 · United Kingdom
Ennio Morricone said he recognized himself in this score technically and spiritually: Jesuits build a mission above the Iguazu falls in the 1750s, and Europe decides its fate from several thousand miles away.
★ 4.0
Fahrenheit 9/11
Directed by Michael Moore
2004
Disney refused to release it and it held the documentary box office record for five years: Michael Moore won at Cannes with an argument aimed squarely at an election five months away.
★ 4.0
La Vie en Rose
Directed by Olivier Dahan
2007 · France
Marion Cotillard ages from a young street singer to the end of Piaf's life and is unrecognizable throughout: the first Best Actress win for a performance given entirely in French.
★ 4.0
Last Tango in Paris
Directed by Bernardo Bertolucci
1972
Pauline Kael called the premiere a landmark comparable to the Rite of Spring, and the reputation has since collapsed: Maria Schneider was nineteen and was not told the scene had been changed.
★ 4.0
He Got Game
Directed by Spike Lee
1998
Spike Lee scored a basketball film with Aaron Copland and cast an NBA guard in the lead: a father is released from prison for a week to talk his son into a school.
★ 4.0
Wag the Dog
Directed by Barry Levinson
1997
It opened a month before the Lewinsky scandal broke and eight months before Bill Clinton bombed Sudan, and the title became shorthand: a spin doctor and a producer fabricate a war.
★ 4.0
Meet the Parents
Directed by Jay Roach
2000
De Niro spent thirty years teaching audiences to fear him and then rented that out to a comedy: a man meets his girlfriend's father, and every single thing he does makes it worse.
★ 4.0
Grease
Directed by Randal Kleiser
1978
It was the highest-grossing musical ever made for more than twenty years: John Travolta and Olivia Newton-John are both obviously too old for high school, and it has never mattered.
★ 4.0
48 Hrs
Directed by Walter Hill
1982
Eddie Murphy's first film role and he takes the whole thing over: Walter Hill built the interracial buddy-cop formula here, and the bar scene made a twenty-one-year-old a movie star overnight.
★ 4.0
The Color of Money
Directed by Martin Scorsese
1986
Paul Newman got his Oscar twenty-five years late, for playing the same character a second time: Scorsese films pool halls like boxing rings, and Tom Cruise is the new hustler.
★ 4.1
Cooley High
Directed by Michael Schultz
1975
The Black American Graffiti, and better: Chicago teenagers in 1964 with a wall-to-wall Motown soundtrack, and Michael Schultz films a few days of hanging around as if nothing mattered more.
★ 4.1
The Jerk
Directed by Carl Reiner
1979
Steve Martin's first starring role opens with him claiming to have been born a poor black child, and never stops that far from the line: pure stupidity performed with total commitment.
★ 4.1
Cinderella Man
Directed by Ron Howard
2005
James Braddock was a broken-handed longshoreman on relief when he got a fight nobody expected him to survive: Ron Howard films the Depression as the real opponent, and Paul Giamatti steals it.
★ 4.1
Chicago
Directed by Rob Marshall
2002
Bob Fosse spent years trying to film his own 1975 stage musical and never did: every number plays inside the head of a woman on trial, and the trial is staged as vaudeville.
★ 4.1
Norma Rae
Directed by Martin Ritt
1979
Sally Field took Best Actress and the union organizing is filmed as actual work: a North Carolina textile mill, a hired organizer from New York, and a millhand who starts asking questions.
★ 4.1
Good Morning, Vietnam
Directed by Barry Levinson
1987
Robin Williams was handed a microphone and the cameras simply ran: an armed forces disc jockey lands in Saigon in 1965, and everyone above him wants the broadcast back the way it was.
★ 4.1
Slap Shot
Directed by George Roy Hill
1977
Real minor-league players filled most of the roster and three of them became the Hanson Brothers: Paul Newman coaches a dying team that discovers the crowd will pay for violence.
★ 4.1
Yankee Doodle Dandy
Directed by Michael Curtiz
1942
James Cagney was known for gangsters and had started life as a hoofer: he plays George M. Cohan flat out, and improvised the dance down the White House staircase on the day.
★ 4.1
Leaving Las Vegas
Directed by Mike Figgis
1995
Mike Figgis shot it on 16mm for almost nothing and Nicolas Cage took the Oscar: a fired screenwriter drives to Las Vegas with no plan beyond drinking, and meets someone who asks nothing.
★ 4.1
The Awful Truth
Directed by Leo McCarey
1937
Cary Grant became Cary Grant in this film: Leo McCarey threw out the script daily and improvised on set, and a divorcing couple sabotage each other's new engagements out of pure spite.
★ 4.2
From Russia With Love
Directed by Terence Young
1963
The Bond film that leans on people rather than hardware: Terence Young works a courier scheme through Istanbul and the Orient Express, and stages a train compartment fight in near silence.
★ 4.2
Judgment at Nuremberg
Directed by Stanley Kramer
1961
Stanley Kramer put real concentration camp footage into a Hollywood film in 1961 and made audiences sit with it: the trial is of judges, which makes the question about everybody.
★ 4.2
20 Feet From Stardom
Directed by Morgan Neville
2013
The backing vocals everyone can sing were recorded by people nobody could name: Darlene Love, Merry Clayton and Lisa Fischer finally get the camera, and the singing is extraordinary.
★ 4.2
Miracle on 34th Street
Directed by George Seaton
1947
The studio released a Christmas film in May and hid the fact from its own advertising: Edmund Gwenn won an Oscar as a department store Santa who insists he is the real one.
★ 4.2
Little Big Man
Directed by Arthur Penn
1970
Made during Vietnam and aimed straight at it: a 121-year-old man narrates his life across the frontier, and Arthur Penn makes the cavalry the villains for once.
★ 4.2
The Odd Couple
Directed by Gene Saks
1968
Neil Simon's play handed American comedy a permanent shape: Jack Lemmon and Walter Matthau share an apartment badly, and the television series that followed ran for five years.
★ 4.2
Cyrano de Bergerac
Directed by Jean-Paul Rappeneau
1990 · France
Anthony Burgess translated the subtitles into rhyming couplets so English audiences would get the verse: Gerard Depardieu plays the nose and the poetry equally, and the swordfight is a poem too.
★ 4.2
Sabrina
Directed by Billy Wilder
1954
Humphrey Bogart hated making it and it barely shows: Billy Wilder puts Audrey Hepburn between two brothers on a Long Island estate and lets Paris do the transformation offscreen.
★ 4.2
8 Mile
Directed by Curtis Hanson
2002
Eminem plays a version of himself and the battle scenes used real crowds: Curtis Hanson films Detroit like a cold documentary, and the first Oscar for a rap song came out of it.
★ 4.3
Fatal Attraction
Directed by Adrian Lyne
1987
It became a national argument for months and put a phrase into the language: a married man has a weekend affair in Manhattan, and Glenn Close will not let it end there.
★ 4.3
The Goonies
Directed by Richard Donner
1985
Spielberg wrote the story and Richard Donner let the children shout constantly across each other's lines: a treasure map, a condemned neighborhood, and a set built so they discovered it in order.
★ 4.3
A Place in the Sun
Directed by George Stevens
1951
George Stevens shot the close-ups so tight that Montgomery Clift and Elizabeth Taylor barely fit the frame: a poor young man takes a job at his rich uncle's factory and starts climbing.
★ 4.3
The Hangover
Directed by Todd Phillips
2009
It withholds the night itself and works entirely on reconstruction: four men wake in a wrecked Las Vegas suite with the groom missing, and piece the evening back together from the evidence.
★ 4.3
Remember the Titans
Directed by Boaz Yakin
2000
Denzel Washington coaches the first integrated team at a Virginia high school in 1971: the history is tidied up considerably, and it still gets a room every single time.
★ 4.3
The Trip
Directed by Michael Winterbottom
2010 · United Kingdom
Two comedians play unpleasant versions of themselves and improvise the whole thing: Steve Coogan and Rob Brydon drive around northern England eating well and competing over Michael Caine impressions.
★ 4.3
A Beautiful Mind
Directed by Ron Howard
2001
Ron Howard took Best Picture for a mathematician's biography: Russell Crowe plays John Nash from Princeton prodigy to Cold War code work, and Jennifer Connelly matches him the whole way through.
★ 4.3
Elf
Directed by Jon Favreau
2003
The elf costume is real and so is the height difference: Jon Favreau used forced perspective rather than effects, and within five years it was a Christmas standard.
★ 4.3
Erin Brockovich
Directed by Steven Soderbergh
2000
Julia Roberts took the Oscar playing someone still alive and still angry about it: a legal clerk with no training assembles the case against a utility poisoning a California town.
★ 4.4
Friday
Directed by F. Gary Gray
1995
Ice Cube wrote it because he was tired of films that made his neighborhood look like a war zone: one Friday, one porch, and a comedy built out of nothing happening.
★ 4.4
Ray
Directed by Taylor Hackford
2004
Jamie Foxx wore prosthetics that sealed his eyes shut for up to fourteen hours a day: Ray Charles approved the performance himself, then died months before the film opened.
★ 4.4
The Natural
Directed by Barry Levinson
1984
Randy Newman's fanfare is the sound of American sport: Robert Redford plays a player who arrives too old and too late, and the film treats baseball as an outright myth.
★ 4.4
My Cousin Vinny
Directed by Jonathan Lynn
1992
Law schools use it to teach cross-examination, which no other comedy can claim: two students are arrested in rural Alabama and defended by a cousin who has never tried a case.
★ 4.4
The Perks of Being a Wallflower
Directed by Stephen Chbosky
2012
Stephen Chbosky wrote the novel, wrote the screenplay and directed it himself, which almost never works: a freshman is taken up by two seniors, and the tunnel scene earned its reputation.
★ 4.4
The Last King of Scotland
Directed by Kevin Macdonald
2006
Forest Whitaker learned Swahili and studied Idi Amin's speeches for months: the film watches him through a young Scottish doctor who mistakes charisma for something safe to be near.
★ 4.4
Hoosiers
Directed by David Anspaugh
1986
Indiana still argues about how close it is to what actually happened in 1954: Gene Hackman coaches a town of a few hundred people who care about nothing else at all.
★ 4.5
Encounters at the End of the World
Directed by Werner Herzog
2007
Herzog went to Antarctica announcing he would not film penguins, then made the saddest scene about one anyway: he is really there to interview the people who chose the place.
★ 4.5
American Splendor
Directed by Shari Springer Berman and Robert Pulcini
2003
The real Harvey Pekar appears in the film alongside the actor playing him, and they discuss it: a file clerk in Cleveland turned his ordinary life into comics, and stayed a file clerk.
★ 4.5
The Avengers
Directed by Joss Whedon
2012
Five years of separate films paid off in one: nobody had tried a shared universe at this scale, and the circling shot of the assembled team explains why every studio copied it.
★ 4.5
Roger and Me
Directed by Michael Moore
1989
Michael Moore invented a whole documentary style here, himself as the persistent nuisance: Flint, Michigan after General Motors leaves, filmed by someone who grew up in it.
★ 4.5
Dallas Buyers Club
Directed by Jean-Marc Vallee
2013
They shot it in twenty-five days for five million dollars and won two acting Oscars: a Texas electrician starts importing unapproved drugs for himself and ends up supplying half the city.
★ 4.5
Drugstore Cowboy
Directed by Gus Van Sant
1989
William Burroughs turns up as a defrocked priest and somehow that is not the oddest thing here: Van Sant films a crew robbing pharmacies in 1971 Portland with no lecture attached.
★ 4.5
Rope
Directed by Alfred Hitchcock
1948
Alfred Hitchcock disguised half the cuts so the film plays like one unbroken take: two students host a dinner party in the apartment where they have done something, and the camera never leaves.
★ 4.5
American Beauty
Directed by Sam Mendes
1999
Conrad Hall photographed suburbia like a crime scene and took the cinematography Oscar for it: Sam Mendes came from the theater and made the most contested Best Picture of its era.
★ 4.5
My Left Foot
Directed by Jim Sheridan
1989
Christy Brown wrote and painted with one foot, and nothing here makes him saintly: Jim Sheridan films a Dublin family that treats him as theirs, loudly and without any ceremony.
★ 4.6
Top Gun
Directed by Tony Scott
1986
Theaters in Los Angeles and Detroit let Navy recruiters set up tables in the lobby: Tony Scott shot fighter jets in golden light and sold an entire decade on aviator sunglasses.
★ 4.6
Dumb and Dumber
Directed by Farrelly Brothers
1994
Jim Carrey had three hits in a single year and this one has aged best: two men drive to Aspen to return a briefcase, understanding nothing about anything at any point.
★ 4.6
Escape from New York
Directed by John Carpenter
1981
John Carpenter turned Manhattan into a prison on a shoestring and it still looks right: Kurt Russell plays a convict given twenty-two hours to retrieve the president, and enjoys none of it.
★ 4.6
Tombstone
Directed by George P. Cosmatos
1993
Val Kilmer's Doc Holliday is the reason people keep rewatching it: the film lost its director a month into shooting and still produced the most quotable western since the sixties.
★ 4.6
Beverly Hills Cop
Directed by Martin Brest
1984
Sylvester Stallone rewrote the script into an action picture, then quit two weeks before shooting: Eddie Murphy came in days later, and nobody escaped that synthesizer theme for years.
★ 4.6
The Intouchables
Directed by Olivier Nakache and Eric Toledano
2011 · France
A French box office phenomenon built on two performances: a quadriplegic aristocrat hires a man from the projects precisely because he refuses to be careful around him, and Omar Sy took the Cesar.
★ 4.6
Philadelphia
Directed by Jonathan Demme
1993
The first major studio film to take AIDS seriously, aimed squarely at people who had not: a lawyer sues the firm that fired him, and Bruce Springsteen wrote the opening song.
★ 4.7
Born on the Fourth of July
Directed by Oliver Stone
1989
Ron Kovic wrote the book and then the screenplay with Oliver Stone, who had been to the same war: a Long Island boy enlists in 1967, and Tom Cruise abandons his own image.
★ 4.7
(500) Days of Summer
Directed by Marc Webb
2009
The split screen between what he expects and what happens is the best scene of its decade: a romantic comedy scrambled out of sequence that keeps insisting it is not a love story.
★ 4.7
American Hustle
Directed by David O. Russell
2013
David O. Russell rebuilt the real Abscam sting as a comedy of terrible hair: two con artists are pressed into working for the FBI, and everyone in it is lying about something.
★ 4.7
Inside Man
Directed by Spike Lee
2006
Spike Lee's biggest commercial hit is also his slyest: a rehearsed crew takes hostages inside a Wall Street bank, Denzel Washington negotiates, and Jodie Foster turns up representing somebody nobody can place.
★ 4.7
Sixteen Candles
Directed by John Hughes
1984
John Hughes cast Molly Ringwald off a headshot and wrote the script over one weekend: the first film that treated a teenage girl's ordinary bad day as worth ninety minutes of attention.
★ 4.7
First Blood
Directed by Ted Kotcheff
1982
Before the sequels turned him into a cartoon, Rambo was a homeless veteran the police would not leave alone: Ted Kotcheff shot the Pacific Northwest cold and wet, and Stallone barely speaks.
★ 4.7
Risky Business
Directed by Paul Brickman
1983
Tom Cruise became a movie star in one scene in his underwear: Tangerine Dream scores a suburban comedy that is much colder and stranger than its reputation suggests.
★ 4.7
The Karate Kid
Directed by John G. Avildsen
1984
The director of Rocky did it again with a smaller kid: Pat Morita turns a handyman into a mentor half of America can still quote, and the training is all chores.
★ 4.8
As Good as it Gets
Directed by James L. Brooks
1997
Jack Nicholson and Helen Hunt both won Academy Awards for a romantic comedy, which almost never happens: he plays a novelist nobody can stand, and the film does not soften him much.
★ 4.8
Moonstruck
Directed by Norman Jewison
1987
Cher and Olympia Dukakis both took Oscars from it, and the screenplay took a third: John Patrick Shanley wrote a Brooklyn Italian family who argue at operatic volume and mean every word.
★ 4.8
The Motorcycle Diaries
Directed by Walter Salles
2004
Before he was a poster, Ernesto Guevara was a medical student on a broken motorcycle: Walter Salles shot the actual route through South America, and the politics arrive as things seen.
★ 4.8
Swingers
Directed by Doug Liman
1996
Jon Favreau wrote it about his own bad year and they shot in real bars without permits: two hundred thousand dollars total, and the answering machine scene is unbearable in the best way.
★ 4.8
Get Carter
Directed by Mike Hodges
1971 · United Kingdom
Michael Caine plays a gangster with no charm whatsoever and it is his best performance: Newcastle in 1971 shot as a real place, and every British crime film since has borrowed the tone.
★ 4.8
A Christmas Story
Directed by Bob Clark
1983
American television runs it for twenty-four straight hours every Christmas: Jean Shepherd narrates his own childhood, and it is honest enough about children to stay genuinely funny.
★ 4.8
Rush
Directed by Ron Howard
2013
Ron Howard made the best racing film by making it about two men who need each other: James Hunt and Niki Lauda in 1976, and the engines were recorded from the actual cars.
★ 4.8
Gandhi
Directed by Richard Attenborough
1982
The funeral scene used around three hundred thousand extras, more than any film before or since: Richard Attenborough spent twenty years raising the money, and Ben Kingsley disappears completely.
★ 4.8
Bull Durham
Directed by Ron Shelton
1988
Ron Shelton played five years of minor league baseball and wrote what he actually saw: the mound conference about wedding presents is the funniest scene in any sports film.
★ 4.8
Hotel Rwanda
Directed by Terry George
2004
Don Cheadle plays a hotel manager who used bribes and telephone calls to shelter over a thousand people: the 1994 Rwandan genocide, seen mostly through the absence of anyone coming to help.
★ 4.9
Dr. No
Directed by Terence Young
1962
The Bond series begins here on a million dollars: Sean Connery walks into a casino and says the name, Ursula Andress comes out of the Caribbean, and nobody had met anyone like him.
★ 4.9
Midnight Run
Directed by Martin Brest
1988
De Niro is funnier here than in any comedy he tried to be funny in: a bounty hunter has to move an embezzling accountant coast to coast, and the accountant never stops talking.
★ 4.9
Kiss Me Deadly
Directed by Robert Aldrich
1955
Film noir's meanest specimen: Robert Aldrich turned Mickey Spillane's detective into a thug worse than the criminals he chases, and gave the genre an ending nobody in 1955 was ready for.
★ 4.9
Bullitt
Directed by Peter Yates
1968
The San Francisco car chase runs almost eleven minutes with no music at all, only engines: everything since has been a response to it, and Steve McQueen keeps his talking to a minimum.
★ 4.9
My Fair Lady
Directed by George Cukor
1964
Audrey Hepburn's singing was dubbed by Marni Nixon and Julie Andrews was passed over for the part she created on stage: the Cecil Beaton costumes remain the most beautiful ever filmed.
★ 4.9
Harry Potter and Deathly Hallows: Part 2
Directed by David Yates
2011
Ten years and eight films with the same three actors growing up on camera, which no other series has managed: David Yates closes it with the largest battle the series ever attempted.
★ 4.9
The King's Speech
Directed by Tom Hooper
2010
Made for eight million pounds and returned thirty times its budget: Colin Firth plays a duke who dreads a microphone, and Geoffrey Rush the unqualified Australian who will not defer to him.
★ 5.0
Star Trek
Directed by J.J. Abrams
2009
J. J. Abrams solved the reboot problem by making the new timeline canon rather than a replacement: the crew meets young, the casting is uncanny, and Star Trek became a summer action film.
★ 5.0
The Artist
Directed by Michel Hazanavicius
2011 · France
The first silent film to take Best Picture since 1929, made by a French director nobody in Hollywood knew: a star of the silents watches sound arrive and refuses to adapt.
★ 5.0
Mary and Max
Directed by Adam Elliot
2009
Adam Elliot spent five years making it, fifty-seven weeks of that shooting clay frame by frame: an eight-year-old in Melbourne writes to a middle-aged New Yorker, and they correspond for twenty years.
★ 5.0
Evil Dead II
Directed by Sam Raimi
1987
Sam Raimi rebuilt his own debut as a Three Stooges routine with blood: Bruce Campbell spends an entire sequence fighting his own hand, and the camera moves like something chasing him.
★ 5.0
The Taking of Pelham One Two Three
Directed by Joseph Sargent
1974
Tarantino took the color-coded aliases straight from this for Reservoir Dogs: four men hijack a subway car under Manhattan and Walter Matthau negotiates with them by radio, entirely deadpan.
★ 5.0
Swing Time
Directed by George Stevens
1936
Astaire and Rogers never danced better than in the last number here, which they shot until her feet bled: the plot is nonsense and the dancing is the argument for the whole genre.
★ 5.0
Bambi
Directed by David Hand
1942
Disney kept live fawns at the studio so the animators could watch them move: the backgrounds are painted like Chinese landscape scrolls, and the film trusts weather and silence where other cartoons talk.
★ 5.0
Anchorman
Directed by Adam McKay
2004
They shot so many alternate takes that the discarded material was assembled into a second feature: Will Ferrell and Adam McKay built a 1970s newsroom out of confident men saying stupid things.
★ 5.0
Coming to America
Directed by John Landis
1988
Eddie Murphy and Arsenio Hall play four characters each under Rick Baker's makeup: an African prince goes to Queens specifically to be treated like nobody, and the barbershop scenes steal it.
★ 5.0
Batman
Directed by Tim Burton
1989
Fifty thousand people wrote to Warner Bros protesting the casting of a comedy actor as Batman: Burton and Michael Keaton made the character gothic, and Prince wrote the songs.
★ 5.1
Sin City
Directed by Robert Rodriguez and Frank Miller
2005
Rodriguez shot the whole thing on green screen and used Frank Miller's comic panels as storyboards: monochrome with single splashes of color, and Miller got a co-director credit for it.
★ 5.1
Training Day
Directed by Antoine Fuqua
2001
Denzel Washington took an Academy Award playing against everything audiences trusted him with: Antoine Fuqua shot in real Los Angeles neighborhoods, and a rookie narcotics officer gets one day to prove himself.
★ 5.1
About Schmidt
Directed by Alexander Payne
2002
Payne stripped Jack Nicholson of every trick he has: a retired insurance actuary drives a motorhome across Nebraska writing letters to a six-year-old in Tanzania he has never met.
★ 5.1
Caddyshack
Directed by Harold Ramis
1980
Bill Murray improvised nearly all of his part and the gopher was added after shooting finished: a country club comedy with no functioning plot and absolutely no need for one.
★ 5.1
My Own Private Idaho
Directed by Gus Van Sant
1991
River Phoenix wrote the campfire scene himself and nothing else in the film touches it: Van Sant runs Shakespeare's Henry plays through two street hustlers on the Pacific Northwest road.
★ 5.1
Sophie's Choice
Directed by Alan J. Pakula
1982
Meryl Streep learned Polish and German for it and delivers most of her performance in accented English she built from scratch: Brooklyn in 1947, and a survivor who will not talk about it.
★ 5.1
Snatch
Directed by Guy Ritchie
2000 · United Kingdom
Brad Pitt asked for a part and got one nobody can understand a word of: an unlicensed boxing promoter, a stolen diamond and several sets of London criminals converge at considerable speed.
★ 5.2
Beetlejuice
Directed by Tim Burton
1988
Michael Keaton appears for roughly seventeen minutes and the film belongs entirely to him: Tim Burton makes the afterlife a bureaucracy with waiting rooms, and the possessed dinner party is the peak.
★ 5.2
Pirates of the Caribbean
Directed by Gore Verbinski
2003
Disney executives thought Johnny Depp was ruining their film and considered replacing him: he built a pirate out of Keith Richards, and a theme park ride became a billion-dollar franchise.
★ 5.2
Margin Call
Directed by J.C. Chandor
2011
J.C. Chandor shot it in seventeen days on one office floor and got Jeremy Irons and Kevin Spacey anyway: an investment bank works out overnight that it is holding something worthless.
★ 5.2
Beasts of the Southern Wild
Directed by Benh Zeitlin
2012
Quvenzhane Wallis was five when she auditioned and became the youngest Best Actress nominee ever: a bayou community below the levee refuses to leave, filmed like a child's own mythology.
★ 5.2
Jerry Maguire
Directed by Cameron Crowe
1996
Cameron Crowe wrote a sports movie that is really about whether you can do a job decently: three catchphrases entered the language, and Tom Cruise has never been more likable.
★ 5.2
Avatar
Directed by James Cameron
2009
Cameron waited more than a decade for the technology to catch up to his script, then made the highest-grossing film ever released: whatever you make of the story, nothing had looked like this.
★ 5.2
Lock, Stock, and Two Smoking Barrels
Directed by Guy Ritchie
1998 · United Kingdom
Guy Ritchie raised the money out of favors and cast a professional footballer who had never acted: four London friends owe half a million pounds by Friday, and five plots collide getting it.
★ 5.2
Donnie Darko
Directed by Richard Kelly
2001
It failed in theaters weeks after September 11 and became a cult object on DVD: Richard Kelly was twenty-six, and nobody has ever fully agreed on what happens in it.
★ 5.2
The Constant Gardener
Directed by Fernando Meirelles
2005 · United Kingdom
Fernando Meirelles shot Kenya the way he shot Rio, handheld and saturated: a mild British diplomat starts pulling at what his wife was investigating, and Rachel Weisz took the Oscar for playing her.
★ 5.3
The English Patient
Directed by Anthony Minghella
1996
Minghella turned an unfilmable novel into the last great studio romance: a burned man in an Italian monastery remembers North Africa, and the desert photography is worth the length by itself.
★ 5.3
South Park: Bigger, Longer, and Uncut
Directed by Trey Parker
1999
It is a musical written by people who love musicals: Trey Parker and the composer Marc Shaiman took an Oscar nomination for a song nobody could print, and the censorship satire is exact.
★ 5.3
The Last Temptation of Christ
Directed by Martin Scorsese
1988
A Paris cinema showing it was firebombed and Scorsese needed years to get it financed: Christ imagined as someone who could refuse, with Peter Gabriel's score sounding like the actual Middle East.
★ 5.3
Dances With Wolves
Directed by Kevin Costner
1990
Costner directed it himself, shot a third of it in Lakota with subtitles, and everyone expected disaster: a Union officer posted to an empty frontier fort starts keeping company with his neighbors.
★ 5.3
Lethal Weapon
Directed by Richard Donner
1987
Shane Black sold the script at twenty-three and set the buddy-cop template for two decades: one cop is counting down to his pension, the other is a widower nobody trusts to be careful.
★ 5.3
Bridesmaids
Directed by Paul Feig
2011
Studios genuinely believed women would not carry a raunchy comedy, and this ended the argument in one weekend: Kristen Wiig and Annie Mumolo wrote it, and the real romance is between friends.
★ 5.3
Office Space
Directed by Mike Judge
1999
It died in theaters and then took over every office in America on video: Mike Judge got the cubicle exactly right, down to the stapler, the printer and the phrase about the memo.
★ 5.3
The Descendants
Directed by Alexander Payne
2011
Hawaii has never looked less consoling: George Clooney plays a landowner left in charge of two daughters and a vast family trust while his wife lies unconscious after a boating accident.
★ 5.3
Walk the Line
Directed by James Mangold
2005
Joaquin Phoenix and Reese Witherspoon sang everything themselves after months of training: Johnny Cash's early years, filmed with the music treated as the argument rather than the soundtrack.
★ 5.3
Empire of the Sun
Directed by Steven Spielberg
1987
Christian Bale was thirteen and carries the entire film: Spielberg follows an English boy separated from his parents in occupied Shanghai, and never lets the war become an adventure.
★ 5.4
Blue Jasmine
Directed by Woody Allen
2013
Cate Blanchett plays a Manhattan wife whose husband's fraud has taken everything, arriving in San Francisco with nothing but luggage and manner: Allen's harshest film, and she is unsparing in it.
★ 5.4
Terms of Endearment
Directed by James L. Brooks
1983
A mother and daughter argue on the telephone across three decades, and James L. Brooks makes it enormous: nobody else has moved this fluently between a joke and a gut punch.
★ 5.4
The Green Mile
Directed by Frank Darabont
1999
Darabont's second Stephen King prison film runs three hours and nobody notices: a death row guard in 1935 takes delivery of the largest, quietest inmate the block has ever held.
★ 5.4
Capote
Directed by Bennett Miller
2005
Philip Seymour Hoffman spent months on the voice and it never sounds like an impression: Truman Capote gets the book of his life out of two condemned men, and knows what that costs.
★ 5.4
Field of Dreams
Directed by Phil Alden Robinson
1989
They built the field on an Iowa farm and people still drive to see it: a man plows under his corn because a voice tells him to, and the last reel gets everyone.
★ 5.4
Trading Places
Directed by John Landis
1983
A regulation passed in 2010 is nicknamed after this film: two rich brothers bet a dollar on whether a broker and a hustler can swap lives, and Eddie Murphy runs away with it.
★ 5.4
Cast Away
Directed by Robert Zemeckis
2000
Production shut down a year so Tom Hanks could lose fifty pounds: for an hour there is barely a word spoken, and a volleyball becomes a genuinely moving character.
★ 5.4
Ip Man
Directed by Wilson Yip
2008
Donnie Yen plays Bruce Lee's future teacher and does his own fighting throughout: Wing Chun filmed at full speed with long takes, in a Foshan under Japanese occupation.
★ 5.4
Hugo
Directed by Martin Scorsese
2011
Scorsese made a children's film in 3D to argue for film preservation: an orphan living inside a Paris railway station keeps a broken automaton his father left him, and the station watches him.
★ 5.5
Kramer vs. Kramer
Directed by Robert Benton
1979
Meryl Streep rewrote her own courtroom speech because she thought the script had the mother wrong: a custody fight filmed at kitchen-table level, where the child is the only honest party.
★ 5.5
The Queen
Directed by Stephen Frears
2006
Helen Mirren plays a reigning monarch during the worst week of her reign and makes her sympathetic without softening her: the week after Diana died, reconstructed almost hour by hour.
★ 5.5
The Ten Commandments
Directed by Cecil B. DeMille
1956
American television has run it every Easter for over fifty years: DeMille parted the Red Sea with gelatin, dumped water and a reversed film, and nobody has topped the sheer nerve of it.
★ 5.5
Dangerous Liaisons
Directed by Stephen Frears
1988
Glenn Close and John Malkovich play two aristocrats who ruin people for entertainment: Frears films eighteenth-century seduction as a campaign with objectives, and the wit stays lethal to the end.
★ 5.5
Silver Linings Playbook
Directed by David O. Russell
2012
A widow and a man just out of a state hospital strike a deal: David O. Russell keeps the camera close enough to be uncomfortable, and Jennifer Lawrence shot it at twenty-one.
★ 5.5
Reds
Directed by Warren Beatty
1981
Beatty tracked down dozens of surviving witnesses and cut their interviews straight into the film: the Russian Revolution seen through two American radicals who cannot stop arguing.
★ 5.5
127 Hours
Directed by Danny Boyle
2010
Boyle built a thriller around someone who cannot move: James Franco is pinned by a boulder in a Utah canyon, and the camera keeps finding movement in a space three feet wide.
★ 5.5
Thief
Directed by Michael Mann
1981
Michael Mann's first theatrical feature, with Tangerine Dream on the score and real ex-burglars advising: a safecracker who has planned his whole future on a diner napkin tries to buy his way out.
★ 5.5
Rain Man
Directed by Barry Levinson
1988
Hoffman spent a year with autistic men before shooting and the film changed what most people thought autism was: two brothers, one Buick, and a drive across America neither of them wanted.
★ 5.6
The Quiet Man
Directed by John Ford
1952
Ford spent twenty years trying to make it and shot Ireland in Technicolor so green it looks invented: an American boxer goes home to Mayo and runs straight into everyone else's customs.
★ 5.6
The Fighter
Directed by David O. Russell
2010
Christian Bale plays the older brother who threw away his own career and cannot stop coaching: Lowell, Massachusetts shot from inside the family, which is the hardest opponent in it.
★ 5.6
The Town
Directed by Ben Affleck
2010
Affleck filmed in the Charlestown blocks the story is about: bank crews in nun masks, and a robber who wants out of a neighborhood with no intention of releasing him.
★ 5.6
Ordinary People
Directed by Robert Redford
1980
Redford directed this before anyone thought he could, and it goes at what American families do not discuss: a Chicago suburb where everyone is fine, and a son in therapy who is not.
★ 5.6
Carlos
Directed by Olivier Assayas
2010
Nearly six hours across eight languages and a dozen countries: Olivier Assayas films a terrorist's whole career as a business, with clients, invoices, expense disputes and a payroll to meet.
★ 5.6
Big
Directed by Penny Marshall
1988
Penny Marshall became the first woman to direct a film that made a hundred million dollars: Tom Hanks plays a thirteen-year-old in an adult body and never once winks at the audience.
★ 5.6
Escape from Alcatraz
Directed by Don Siegel
1979
Shot on the actual island, in the actual cells: Don Siegel films a 1962 escape as pure method, spoons and paint and papier-mache heads, and explains nothing to anyone.
★ 5.6
Juno
Directed by Jason Reitman
2007
Diablo Cody won an Oscar for dialogue that no teenager has ever spoken, and it works anyway: a sixteen-year-old handles a pregnancy with more composure than every adult around her.
★ 5.6
Breaking Away
Directed by Peter Yates
1979
No sports film is sweeter, and the sport barely matters: an Indiana teenager pretends to be Italian because he loves bicycle racing, and the town's class divide does the rest.
★ 5.7
A Better Tomorrow
Directed by John Woo
1986 · Hong Kong
It made Chow Yun-fat a superstar and started an entire Hong Kong genre: two brothers on opposite sides of the law, and a gunman in a trenchcoat lighting a cigarette with money.
★ 5.7
The Secret in Their Eyes
Directed by Juan Jose Campanella
2009 · Argentina
The camera drops out of the sky into a packed football stadium and does not cut for five minutes: an Argentine investigator reopens a case he could never leave alone.
★ 5.7
Giant
Directed by George Stevens
1956
James Dean died before it was finished and his last scenes had to be dubbed: three hours of Texas oil money, filmed as a family argument that runs thirty years.
★ 5.7
Milk
Directed by Gus Van Sant
2008
Van Sant shot in the actual Castro Street storefront where Harvey Milk ran his campaigns: Sean Penn plays the first openly gay man elected to major office in California, and plays him delighted.
★ 5.7
Paper Moon
Directed by Peter Bogdanovich
1973
Tatum O'Neal was ten and is still the youngest winner of a competitive Academy Award: a Depression-era orphan running a Bible scam alongside someone who may be her father.
★ 5.7
True Romance
Directed by Tony Scott
1993
Tarantino sold this script to pay for Reservoir Dogs and Tony Scott shot it with real affection: a comic book clerk and a call girl leave Detroit with the wrong suitcase.
★ 5.7
Best in Show
Directed by Christopher Guest
2000
The mockumentary found its permanent subject here, the American hobbyist: five sets of owners take their dogs to a national championship, and each of them reveals far more than intended.
★ 5.7
The Interrupters
Directed by Steve James
2011
Steve James followed former gang members whose entire job is talking people out of retaliation: Chicago violence filmed as something interruptible, one conversation on one corner at a time.
★ 5.7
The Innocents
Directed by Jack Clayton
1961 · United Kingdom
Freddie Francis lit it so the corners of every frame stay dark and you keep looking into them: a governess with two children in a huge house becomes certain they are being visited.
★ 5.8
Eyes Without a Face (Les Yeux Sans Visage)
Directed by Georges Franju
1960 · France
Viewers fainted at its first festival screenings and horror has been quietly borrowing from it ever since: a surgeon keeps trying to give his daughter a face, and her mask is unforgettable.
★ 5.8
Withnail and I
Directed by Bruce Robinson
1987 · United Kingdom
Richard E. Grant does not drink and had to be taught to be convincing: two unemployed actors leave London for a cottage in 1969 with no money, no food and no plan whatsoever.
★ 5.8
The Mother and the Whore (La Maman et La Putain)
Directed by Jean Eustache
1973 · France
Nearly four hours of three people talking in Paris apartments, and nothing else defines what happened after 1968 so exactly: Eustache made it once and never made anything like it again.
★ 5.8
Los Olvidados
Directed by Luis Bunuel
1950
Mexico City pulled it after three days and demanded it be banned, then Cannes gave Bunuel the directing prize: street children filmed without a trace of sentimentality about them.
★ 5.8
A Bronx Tale
Directed by Robert De Niro
1993
Chazz Palminteri turned down large offers for his one-man play until someone would let him star: De Niro directed his first film out of it, about a boy with two fathers competing.
★ 5.8
The Lost Weekend
Directed by Billy Wilder
1945
Distillers reportedly offered to buy the negative and destroy it: Wilder filmed four days of a writer's drinking with none of the period's usual comedy, and Best Picture followed.
★ 5.8
Stalag 17
Directed by Billy Wilder
1953
Wilder made a POW comedy in 1953 and refused to soften the Americans in it: a barracks works out that somebody inside is trading information to the Germans, and starts looking around.
★ 5.8
Henry V (1989)
Directed by Kenneth Branagh
1989 · United Kingdom
Branagh was twenty-eight and directing himself in Shakespeare, which should have been a disaster: the long single take across the mud after Agincourt is the finest shot in eighties British cinema.
★ 5.8
Witness for the Prosecution
Directed by Billy Wilder
1957
The closing credits ask the audience not to reveal the ending, and audiences mostly obeyed: Wilder turns an Agatha Christie courtroom into a comedy about a barrister who is supposed to be resting.
★ 5.8
Woodstock
Directed by Michael Wadleigh
1970
Martin Scorsese and Thelma Schoonmaker were on the editing crew, cutting three days of festival into split-screen: half a million people, no violence, and a mud field that became a permanent reference.
★ 5.8
Rebecca
Directed by Alfred Hitchcock
1940
Alfred Hitchcock's only Best Picture, collected by his producer, and the heroine never gets a name: a young bride arrives at an English house where the first wife's housekeeper still rules.
★ 5.8
Scream
Directed by Wes Craven
1996
Wes Craven revived a dead genre by having the characters name its rules out loud: the opening twelve minutes tell you this film knows every slasher convention and intends to use them anyway.
★ 5.8
The Big Chill
Directed by Lawrence Kasdan
1983
The soundtrack went platinum six times over and defined how a generation wanted to remember itself: old college friends reassemble for a funeral and spend the weekend auditing what they became.
★ 5.9
Wall Street
Directed by Oliver Stone
1987
Oliver Stone meant it as an indictment and a generation took it as a recruitment ad: Gordon Gekko's speech about greed is the most misread scene in American film.
★ 5.9
Fast Times at Ridgemont High
Directed by Amy Heckerling
1982
Cameron Crowe enrolled in a California high school undercover for a year and wrote down what he heard: the result launched half a decade of careers and still sounds like actual teenagers.
★ 5.9
School of Rock
Directed by Richard Linklater
2003
Linklater cast children who could really play and let them: Jack Black gives the performance his whole career was building toward, teaching a class of ten-year-olds the history of rock.
★ 5.9
Ocean's Eleven
Directed by Steven Soderbergh
2001
The most relaxed heist film there is: Soderbergh assembles eleven movie stars, lets them amuse one another across two hours, and treats a Las Vegas vault as an excuse for the hangout.
★ 5.9
Predator
Directed by John McTiernan
1987
The original creature suit was so bad they scrapped it mid-shoot and had Stan Winston build another: a commando squad in the jungle slowly works out that something is hunting them.
★ 5.9
Friday Night Lights
Directed by Peter Berg
2004
High-school football is the surface; the subject is a town with nothing else: Odessa, Texas in 1988, filmed handheld and close, where a losing season is a civic emergency.
★ 5.9
Gomorrah
Directed by Matteo Garrone
2008 · Italy
Garrone filmed the Camorra with no glamour, no arc and mostly non-actors from the neighborhood: five strands in a Naples housing block, and organized crime looks like a bad job.
★ 5.9
Gran Torino
Directed by Clint Eastwood
2008
Clint Eastwood cast Hmong non-actors from open auditions across the country and put his own screen history on trial: a widowed Korean War veteran hates his new neighbors and runs out of reasons.
★ 5.9
Carlito's Way
Directed by Brian De Palma
1993
De Palma's best film with Pacino, and it took people twenty years to notice: an ex-convict tries to go straight in 1975 New York, and the Grand Central chase is a masterclass.
★ 5.9
Mad Max
Directed by George Miller
1979 · Australia
Made in Australia for four hundred thousand dollars and held a record for return on investment: George Miller was an emergency room doctor, and the crashes look like things he had seen.
★ 5.9
The Naked Gun
Directed by David Zucker
1988
The Zucker team moved their television cop parody to the big screen and improved it: Leslie Nielsen anchors a squad room where three more gags are running behind every line.
★ 6.0
Life of Pi
Directed by Ang Lee
2012
The tiger is almost entirely digital and you will not be able to tell: Ang Lee made the most beautiful 3D film there is, about a boy sharing a lifeboat with a predator.
★ 6.0
Lincoln
Directed by Steven Spielberg
2012
Day-Lewis found a high, reedy voice for Lincoln because the historical accounts describe one: Spielberg and Tony Kushner build a whole film out of counting votes for the Thirteenth Amendment.
★ 6.0
Up in the Air
Directed by Jason Reitman
2009
Reitman cast people who had actually just been laid off and filmed them reacting for real: a man who fires strangers for a living has arranged his whole existence around not landing.
★ 6.0
Life is Beautiful
Directed by Roberto Benigni
1998 · Italy
Benigni argued that a comedian could make a film about the camps, and half the critics said he was wrong: a father convinces his small son the whole thing is an elaborate game.
★ 6.0
Three Kings
Directed by David O. Russell
1999
Russell shot it on bleached film stock so the desert looks radioactive: four American soldiers go looking for Kuwaiti gold in the days after the Gulf War stops, carrying a stolen map.
★ 6.0
Winter's Bone
Directed by Debra Granik
2010
Jennifer Lawrence was eighteen and unknown when Debra Granik cast her: a girl in the Ozarks has a week to find her father or lose the house, and nobody local will help.
★ 6.0
The Hunt for Red October
Directed by John McTiernan
1990
John McTiernan solves the language problem with a slow push in on the Russian political officer, and everyone speaks English from then on: submarine cat-and-mouse with almost no violence in it.
★ 6.0
Superbad
Directed by Greg Mottola
2007
Seth Rogen and Evan Goldberg began writing it at thirteen and it shows: one night, a catastrophic fake ID, and a friendship neither boy can say anything about directly.
★ 6.0
Dead Poets Society
Directed by Peter Weir
1989
Nobody who saw it at the right age has stopped quoting it: Robin Williams plays a teacher who tells boys at a 1959 boarding school that poetry is worth risking something for.
★ 6.0
American History X
Directed by Tony Kaye
1998
Edward Norton added thirty pounds of muscle for it and Tony Kaye tried to take his own name off the finished cut: a former neo-Nazi leaves prison and finds his brother following him.
★ 6.0
Nebraska
Directed by Alexander Payne
2013
Payne wanted monochrome and the studio fought him over it: an old man believes a sweepstakes letter and sets off walking toward Nebraska, and his son drives him rather than argue.
★ 6.0
An American in Paris
Directed by Vincente Minnelli
1951
It ends with a seventeen-minute ballet and no dialogue, staged against sets copied from French painters: Gene Kelly and Vincente Minnelli bet a whole musical on one uninterrupted dance.
★ 6.0
Harold and Maude
Directed by Hal Ashby
1971
It failed on release and then ran 115 straight weeks at a single Minnesota theater: a death-obsessed teenager falls for a seventy-nine-year-old, and Cat Stevens scores the whole thing.
★ 6.0
From Here to Eternity
Directed by Fred Zinnemann
1953
The kiss in the surf was scandalous enough to define the decade: Pearl Harbor sits at the end of it, and Sinatra took a role for almost nothing to save his career.
★ 6.1
Misery
Directed by Rob Reiner
1990
Kathy Bates turned a fan into the most frightening character of the decade: a novelist wakes up in the house of the reader who saved him, and she has opinions about his ending.
★ 6.1
The Blues Brothers
Directed by John Landis
1980
It held the record for cars destroyed on film and works as a music documentary besides: Aretha Franklin, Ray Charles, James Brown and Cab Calloway all get a full number.
★ 6.1
Lone Star
Directed by John Sayles
1996
Sayles moves between past and present without a cut, panning from one decade into another: a Texas border town excavates a forty-year-old murder and finds the whole town's history attached.
★ 6.1
Superman
Directed by Richard Donner
1978
Warner promised audiences they would believe a man could fly, and they did: Christopher Reeve plays both halves so completely that a pair of glasses becomes a plausible disguise.
★ 6.1
The Little Mermaid
Directed by Ron Clements and John Musker
1989
Disney's renaissance starts here: Howard Ashman and Alan Menken wrote the songs like Broadway numbers, and the studio remembered how to make an animated musical that adults would sit through.
★ 6.1
Sex, Lies and Videotape
Directed by Steven Soderbergh
1989
American independent film became a business the week Soderbergh took the Palme d'Or at twenty-six: he made it for a million dollars, and it is four people talking about what they want.
★ 6.1
Spartacus
Directed by Stanley Kubrick
1960
Kirk Douglas helped break the blacklist by putting Dalton Trumbo's real name on this film: a slave revolt against Rome staged at enormous scale, with Laurence Olivier and Charles Laughton circling the politics.
★ 6.1
Apollo 13
Directed by Ron Howard
1995
Ron Howard shot the weightless scenes in an aircraft flying parabolas, twenty-three seconds at a time: no effects, real floating, and engineers improvising with only what the crew already had aboard.
★ 6.1
Argo
Directed by Ben Affleck
2012
The CIA really did produce a fake science fiction movie to get six Americans out of Tehran, and kept it classified until 1997: Affleck plays the operation completely straight.
★ 6.1
Band of Outsiders
Directed by Jean-Luc Godard
1964 · France
Tarantino named his production company after this film: three young Parisians run through the Louvre in nine minutes and dance the Madison in a cafe, and Godard makes crime look like play.
★ 6.1
The Man Who Would Be King
Directed by John Huston
1975
Huston tried to make this for twenty years and finally got Connery and Caine: two British soldiers walk into Kafiristan intending to be crowned as gods, and the joke gets serious slowly.
★ 6.1
For a Few Dollars More
Directed by Sergio Leone
1965 · Italy
Leone found the shape of his westerns here: two bounty hunters circle each other for two hours, a musical pocket watch counts down the duel, and Morricone times the whole film.
★ 6.1
To Have and Have Not
Directed by Howard Hawks
1944
Hawks bet Hemingway he could film his worst book, and hired William Faulkner to help: Bacall was nineteen, met Bogart on set, and says the whistle line straight to him.
★ 6.2
In the Name of the Father
Directed by Jim Sheridan
1993
Daniel Day-Lewis plays a man convicted of a bombing he had nothing to do with: the Guildford Four case, filmed while the wound in Britain was still fresh.
★ 6.2
A Night at the Opera
Directed by Sam Wood
1935
The stateroom scene is the most crowded two minutes in comedy: MGM insisted the Marx Brothers carry a love plot, and they demolished it from the inside anyway.
★ 6.2
The Killing
Directed by Stanley Kubrick
1956
Kubrick was twenty-seven and this is where he became Kubrick: a racetrack robbery told out of order, doubling back to catch each man's hour, thirty years before that felt like a style.
★ 6.2
When We Were Kings
Directed by Leon Gast
1996
Leon Gast shot the footage in 1974 and could not finish the film for twenty-two years: Ali in Kinshasa, talking constantly, in the weeks before the biggest fight of his life.
★ 6.2
Gimme Shelter
Directed by Albert Maysles and David Maysles
1970
The sixties end on camera here: the Maysles followed the Rolling Stones to a free concert at Altamont, then sat Mick Jagger at an editing bench and made him watch what happened.
★ 6.2