The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

Goodfellas

Directed by Martin Scorsese
1990

Every gangster film of the last thirty years is arguing with this one: Scorsese made the life so intoxicating for an hour that the comedown lands like a physical event.

★ 9.6

Raging Bull

Directed by Martin Scorsese
1980

Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.

★ 9.6

Amadeus

Directed by Milos Forman
1984

It sent a whole generation out to buy Mozart records: Salieri narrates his own jealousy from an asylum, and the music keeps making his case better than he can.

★ 7.8

The Pianist

Directed by Roman Polanski
2002

Polanski escaped the Krakow ghetto as a child and waited sixty years to film any of it: a pianist left alone in the ruins of Warsaw, and no heroism anywhere.

★ 7.4

Malcolm X

Directed by Spike Lee
1992

Denzel Washington disappears so completely that people forget they are watching a performance: Lee fought the studio for the length, the budget and the ending he wanted.

★ 6.9

Downfall

2004

Bruno Ganz plays Hitler as a man rather than a symbol, and Germany argued about the film for a year: the last twelve days in the bunker, filmed without comment or consolation.

★ 6.7

Moneyball

Directed by Bennett Miller
2011

A film about a spreadsheet that plays like a thriller: Sorkin and Zaillian turn Billy Beane's 2002 Oakland roster into an argument between a broke general manager and every scout in his building.

★ 6.7

Patton

1970

Coppola co-wrote it before The Godfather and George C. Scott refused the Oscar: a monologue in front of an enormous flag opens the most ambivalent film Hollywood ever made about a general.

★ 6.5

Catch Me if You Can

Directed by Steven Spielberg
2002

Spielberg's lightest film runs on charm and a great John Williams theme: a teenager talks his way into a pilot's uniform and a doctor's coat, with an FBI agent always one hotel behind.

★ 6.4

Serpico

Directed by Sidney Lumet
1973

Frank Serpico was a real New York cop who would not take an envelope: Lumet films departmental corruption as an ordinary daily fact, and Pacino plays stubbornness as an entire personality.

★ 6.3

Into the Wild

Directed by Sean Penn
2007

Sean Penn spent ten years persuading the family to let him film this: a graduate burns his savings and walks into the Alaskan interior, and the film neither mocks him nor canonizes him.

★ 6.3

Lincoln

Directed by Steven Spielberg
2012

Day-Lewis found a high, reedy voice for Lincoln because the historical accounts describe one: Spielberg and Tony Kushner build a whole film out of counting votes for the Thirteenth Amendment.

★ 6.0

Milk

Directed by Gus Van Sant
2008

Van Sant shot in the actual Castro Street storefront where Harvey Milk ran his campaigns: Sean Penn plays the first openly gay man elected to major office in California, and plays him delighted.

★ 5.7