Seven Samurai
Directed by Akira Kurosawa
1954 · Japan
Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.
★ 9.9
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1954
Showing 55 works across all media from 1954
Rear Window
Directed by Alfred Hitchcock
1954
Suspense has never been constructed more purely, and the real subject is the audience: Hitchcock traps you in one room with a man who cannot stop watching his neighbors.
★ 9.3
The Lord of the Rings
1954 · 1178 pages
Frodo the hobbit inherits a ring that could rule the world and carries it across a continent to destroy it. Tolkien invented its languages first, and modern fantasy still works inside his world.
★ 8.9
On the Waterfront
Directed by Elia Kazan
1954
Screen acting changed with Brando in the back of that taxi: Kazan made the film to justify naming names, which gives the whole thing an uncomfortable heat.
★ 8.9
(We're Gonna) Rock Around the Clock
1954
Cut in leftover studio minutes with Sammy Davis Jr. waiting outside, it flopped until Blackboard Jungle put it under the credits.
★ 8.8
The Collected Poems
1954 · 583 pages
Stevens sold insurance in Hartford and wrote sumptuous poems about what the imagination makes once God is gone. Read "The Emperor of Ice-Cream" aloud and the sound arrives before the sense.
★ 8.6
That's Alright MamaElvis Presley
That's Alright Mama
1954 · From The Sun Sessions
Presley started clowning through an Arthur Crudup blues on a break; Sam Phillips heard it and rolled tape.
★ 8.6
I Got a Woman
1954 · From Ray Charles
Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.
★ 8.4
La Strada
Directed by Federico Fellini
1954 · Italy
It took the very first competitive foreign language Academy Award, and Giulietta Masina is the reason: her face does more with one shrug than most performances manage in full.
★ 7.9
Lord of the Flies
1954 · 192 pages
English schoolboys are marooned on an island without adults, hold a vote, and are soon hunting each other. Golding tells it so plainly that you believe every step of the descent.
★ 7.8
Hoochie Coochie Man
1954 · From The Anthology: 1947-1972
Dixon wrote it, Little Walter blew the harmonica, and that stop-time riff spread through blues and rock alike.
★ 7.7
Earth Angel
1954
Cut as a demo in Ted Brinson's garage, pillows on the drums, then three weeks atop the R&B chart.
★ 7.5
Three Flags
1954 · Whitney Museum of American Art, New York City
Johns chose things the mind already knows, so that nobody would look past the wax surface. Three flags stacked, each smaller than the last.
★ 7.4
The Art of Eating
1954 · 784 pages
Fisher wrote about oysters, wartime rationing, and eating alone, and made food a way of writing about hunger of every kind. The poet W.H. Auden said nobody in America wrote better prose.
★ 7.0
Shake, Rattle & Roll
1954
Jesse Stone wrote it under a pen name, Atlantic cut it in February 1954, and Turner topped the R&B chart.
★ 6.9
Lucky Jim
1954 · 264 pages
Jim Dixon loathes lecturing in medieval history, his professor's madrigal weekends, and the colleague trapping him with fake suicide threats. His drunken Merrie England lecture is the great set piece of English comedy.
★ 6.3
The Sound of Waves
1954 · 182 pages
Shinji fishes off a Japanese island and loves Hatsue, the pearl diver whose father owns the boats. Mishima set the Greek romance Daphnis and Chloe in postwar Japan and left the darkness out.
★ 6.2