God Only KnowsThe Beach Boys
God Only Knows
1966 · From Pet Sounds
It opens by admitting doubt and spends the next two minutes refuting it; McCartney still calls it the greatest.
★ 9.7
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Bridge Over Troubled Water
1970
Garfunkel's voice climbing a gospel staircase, the last verse arriving like the cavalry.
★ 9.5
Stand By Me
1960
That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.
★ 9.4
In My Life
1965 · From Rubber Soul
Lennon's first draft listed bus stops in Liverpool; Martin's piano solo, taped at half speed, sounds baroque.
★ 9.0
My GirlThe Temptations
My Girl
1964
Smokey Robinson wrote it for his wife Claudette, then handed David Ruffin his first Temptations lead vocal.
★ 9.0
I Walk the Line
1956 · From Johnny Cash with His Hot and Blue Guitar
Cash slipped paper under his guitar strings for that snare tick, and hums to find each new key.
★ 8.8
Sweet Child O' Mine
1987 · From Appetite for Destruction
Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.
★ 8.7
Try a Little Tenderness
1966 · From Complete & Unbelievable: The Otis Redding Dictionary of Soul
A 1932 Tin Pan Alley ballad, rearranged by Isaac Hayes, until Redding and Al Jackson tear the roof off.
★ 8.6
A Love Supreme, Part 1: Acknowledgement
1965 · From A Love Supreme
Garrison's four notes, then Coltrane overdubbing the chant nineteen times, one December day at Van Gelder's.
★ 8.6
Let's Stay TogetherAl Green
Let's Stay Together
1971 · From Greatest Hits
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.
★ 8.6
I Got a Woman
1954 · From Ray Charles
Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.
★ 8.4
He Stopped Loving Her Today
1980
Jones thought nobody would play something so morbid; Sherrill spent eighteen months coaxing the vocal onto tape.
★ 8.3
SomethingThe Beatles
Something
1969 · From Abbey Road
Harrison lifted the opening line from James Taylor and wrote the first Beatles A-side that wasn't Lennon or McCartney.
★ 8.2
I Will Always Love You
1992 · From The Bodyguard (soundtrack)
Parton wrote it to leave Porter Wagoner; Houston opened a cappella and held the Hot 100 for fourteen weeks.
★ 8.1
A Hard Day's Night
1964 · From A Hard Day's Night
Starr's slip of the tongue supplied the title, and the opening chord is still argued over by musicologists.
★ 7.9
Wichita Lineman
1968
Webb sent it over unfinished, one verse short, and Campbell cut the loneliest three minutes in country music.
★ 7.9
When a Man Loves a WomanPercy Sledge
When a Man Loves a Woman
1966
Sledge gave the writing credits away to two bandmates, and Atlantic pressed the take with the out-of-tune horns.
★ 7.9
Reach Out, I'll Be There
1965
Holland-Dozier-Holland pitched Stubbs at the very top of his range, and Paul Riser opened it with piccolo and flute.
★ 7.8
Your SongElton John
Your Song
1970 · From Elton John
Taupin scribbled the lyric over breakfast at a kitchen table, and Buckmaster's strings turned it into John's first Top 10.
★ 7.8
You Send MeSam Cooke
You Send Me
1957 · From Sam Cooke
Cooke credited it to his brother L.C. to dodge his publisher, then carried it to number one on both charts.
★ 7.8
Wild HorsesThe Rolling Stones
Wild Horses
1971 · From Sticky Fingers
Cut at Muscle Shoals in December 1969, with Jim Dickinson on tack piano after Ian Stewart refused the minor chords.
★ 7.7
I Can't Help Myself (Sugar Pie Honey Bunch)
1965
Dozier lifted the title from his grandfather flirting in a beauty shop, and Stubbs sings it like a plea.
★ 7.7
Everlong
1997
Drums by Grohl, Hawkins not yet in the band, and Louise Post's backing vocals sung down a phone from Chicago.
★ 7.7
Fly Me to the MoonFrank Sinatra
Fly Me to the Moon
1964 · From It Might as Well Be Swing
Howard wrote a waltz; Quincy Jones swung it into four for Basie, and Apollo crews played it in orbit.
★ 7.7
Unchained Melody
1965
Written for a 1955 prison film, buried on a B-side, and Hatfield sang the whole thing alone.
★ 7.7
I'll Be There
1970
Hal Davis cut it at Hitsville West in June 1970, and Michael, eleven years old, made the ballad sound lived-in.
★ 7.7
Can't Help Falling in LoveElvis Presley
Can't Help Falling in Love
1961 · From Blue Hawaii
A 1784 French melody rewritten for Blue Hawaii, and the song Presley chose to close his shows for a decade.
★ 7.7
International Player's Anthem (I Choose You)
2006 · From Underground Kingz
A Willie Hutch loop left alone at the top, and Andre 3000's verse reportedly returned with the drums stripped off.
★ 7.6
Piece of My Heart
1968 · From Cheap Thrills
Erma Franklin had it first in 1967, then Joplin tore the same Ragovoy and Berns song wide open.
★ 7.6
Personal Jesus
1989 · From Violator
Priscilla Presley's memoir gave Gore the idea, Flood cut it in Milan, and Cash later called it evangelical.
★ 7.6
I Never Loved a Man (The Way I Love You)
1967 · From I Never Loved a Man the Way I Loved You
Muscle Shoals, January 1967, Oldham on Wurlitzer, and a session that fell apart in an argument right after it.
★ 7.6
Enjoy the SilenceDepeche Mode
Enjoy the Silence
1990 · From Violator
Gore wrote it as a harmonium ballad; Wilder and Flood put a dance beat under it over his objections.
★ 7.6
Little Wing
1967
A glockenspiel, a Leslie speaker meant for organs, and Hendrix fading out after two minutes and twenty-five seconds.
★ 7.6
Midnight Train to Georgia
1973
Cissy Houston's version turned Weatherly's midnight plane to Houston into a train to Georgia.
★ 7.6
River Deep, Mountain High
1966 · From River Deep - Mountain High
Twenty-one musicians at Gold Star, Turner singing until she was drenched, and a US peak of eighty-eight that broke Spector.
★ 7.6
Can't Take My Eyes Off of You
1967
Two quiet verses, then Artie Schroeck's brass kicks the door in, and Valli's solo single stalled one place from number one.
★ 7.6
I've Been Loving You Too Long (to Stop Now)
1965 · From Otis Blue
Butler handed Redding a fragment in a Buffalo motel room; two weeks later Stax had the ultimate slow dance.
★ 7.6
In the Still of the Night
1956
February 1956, a New Haven church basement, and a song Parris had written on Army guard duty.
★ 7.5
Shout (The Isley Brothers)
1959
Ronald Isley improvised the call and response onstage extending Lonely Teardrops, and RCA packed the room with friends answering.
★ 7.5
Ain't Misbehavin'
1929
Waller sold every song in Hot Chocolates for five hundred dollars, then cut this one alone for Victor.
★ 7.5
Earth Angel
1954
Cut as a demo in Ted Brinson's garage, pillows on the drums, then three weeks atop the R&B chart.
★ 7.5
My Sweet LordGeorge Harrison
My Sweet Lord
1970
Harrison started it backstage in Copenhagen, gave it to Billy Preston first, then took the first ex-Beatle number one.
★ 7.4
Hold On, I'm Comin'
1966
A shout through a Stax restroom door became the title, and Booker T.'s band made it an R&B number one.
★ 7.4
Maybe I'm AmazedPaul McCartney
Maybe I'm Amazed
1970
Booked into Abbey Road as Billy Martin, McCartney played every instrument in a day and declined to release a single.
★ 7.4
Yellow
2000 · From Parachutes
Ken Nelson pointed at the stars outside Rockfield, and Martin sang the melody in his worst Neil Young impression.
★ 7.4
Teardrop
1998 · From Mezzanine
Mushroom sent the demo to Madonna, got outvoted, and Elizabeth Fraser sang it over harpsichord and a Les McCann loop.
★ 7.3
SuzanneLeonard Cohen
Suzanne
1967 · From Songs of Leonard Cohen
Cohen thought Simon's orchestration overblown, but the four-track master wouldn't let him strip it; Judy Collins recorded it first.
★ 7.3
In Your Eyes
1986 · From So
Youssou N'Dour improvising in Wolof, and a bassline so deep it had to move up the vinyl.
★ 7.3
Wonderwall
1995 · From (What's the Story) Morning Glory?
Owen Morris showed Bonehead the root notes for a Mellotron cello, and the track was largely done in a day.
★ 7.3
Maps
2004 · From Fever to Tell
Zinner's looped riff, twenty minutes of writing from Karen O, and a video where the tears are real.
★ 7.3
I Only Have Eyes for You
1959
Terry Johnson dreamed the arrangement, called the group to rehearse at 4 a.m., and Goldner drowned it in reverb.
★ 7.2
Time After Time
1984
Lauper lifted the title from a TV Guide film listing, and Rob Hyman's harmony makes the chorus ache.
★ 7.2
I Want it That Way
1999
Cut at Cheiron in Stockholm with a chorus that contradicts its verses; the coherent version got shelved.
★ 7.2
Livin' on a Prayer
1986 · From Slippery When Wet
The band laughed at Sambora's talk box until it opened the record. The last chorus climbs a minor third.
★ 7.1
(Your Love Keeps Lifting Me) Higher and Higher
1967
James Jamerson's bass, cut in Chicago with Funk Brothers moonlighting for cash, and Wilson sounding weightless above it.
★ 7.1
You Got Me
The Roots and Erykah Badu
1999 · From Things Fall Apart
Jill Scott's hook, re-sung by Badu at the label's request, and Questlove driving the outro into drum and bass.
★ 7.1
Not Fade AwayBuddy Holly and the Crickets
Not Fade Away
1957
Jerry Allison pounded the beat out on a cardboard box, and a B-side that never charted outlived nearly everything.
★ 7.1
Hold On, We're Going Home
2013 · From Nothing Was the Same
Drake wanted a record that weddings would still play in ten years, and Majid Jordan's synths delivered exactly that.
★ 7.1
Because the Night
1978 · From Easter
Springsteen abandoned the demo, Iovine passed Smith the cassette, and she wrote the verses waiting on a phone call.
★ 7.0
Lovely Day
1977
Withers holds the last note for eighteen seconds, Ray Parker Jr. plays guitar, and morning suddenly looks survivable.
★ 7.0