
Line of Fire
González singing about taking responsibility over Winterkorn's organ, the track AMC used to send Breaking Bad off.

González singing about taking responsibility over Winterkorn's organ, the track AMC used to send Breaking Bad off.

Written out of a breakup and a Shakti Gawain self-help book, then re-released in Britain three times until it stuck.

Written at sixteen on a road trip, produced by Ben Keith, from a debut that took two years to break.

Written for Gloria Estefan until Mottola heard the demo; Carey thought it schmaltzy and took it to number one.

Hollis and Friese-Greene wrote it for Talk Talk in 1984, and Nellee Hooper's production hands Stefani a stadium chorus.

Boyd called it a song about fear, and Scott Litt's production pulls the band down to acoustic guitar.

Jon Lord's Hammond organ on the 1982 original, a heartbreak song Coverdale wrote in Portugal, later a number one.
Premier's beat under Guru facing a gun charge, cut at D&D Studios and delivered as a sermon on perseverance.

Four chords, F, C, A minor, G, looping unchanged while Petty and Jeff Lynne make uplift sound effortless.

Chuck D aimed it at corporations that profit off Black neighborhoods without reinvesting, and Pete Rock's remix outgrew the original.
John Paul Jones scored the strings, Scott Litt named Queen as the model, and the lyric hands kids the wheel.

Simon first cut it alone for a UK-only album, then Hal Blaine and Carol Kaye turned withdrawal electric.

Written for the Charlie's Angels soundtrack, eleven straight weeks at number one, and Michelle Williams's first single with the group.

A Tim Pope video with no lip-syncing, BBC wildlife footage, and Talk Talk's only American top forty.

Number twelve on the Hot 100, the band's last pop top twenty, and a bass line hip hop still raids.

Cut at Wondaland with Big Boi guesting, a horn-driven groove Monae wrote about staying level under praise and criticism.

Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.

Gibson wrote it on her first trip home from forestry school, and Lloyd Maines knew it belonged to his daughter.

David Grisman's mandolin threading Hunter's London lyrics, a benediction the Dead tucked onto the B-side of "Truckin'".

Ne-Yo pitched it as country, written with Shania Twain in mind; Beyoncé turned it into ten weeks at number one.