God Bless the Child
A quarrel with her mother over money, by Holiday's own account, gave the song its title line and its steel.
A quarrel with her mother over money, by Holiday's own account, gave the song its title line and its steel.

Madonna and Stephen Bray built it on horns and handclaps; Fincher's Metropolis video cost a reported five million dollars.

Master Henry Gibson's congas drive it, the horns arrive like good news, and Britain sent it top twelve.

Harrison on acoustic guitar and harmonies, Lynne producing, and Petty answering the arsonist who burned his house down.

Ne-Yo pitched it as country, written with Shania Twain in mind; Beyoncé turned it into ten weeks at number one.

David Grisman's mandolin threading Hunter's London lyrics, a benediction the Dead tucked onto the B-side of "Truckin'".

Gibson wrote it on her first trip home from forestry school, and Lloyd Maines knew it belonged to his daughter.

Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.

Cut at Wondaland with Big Boi guesting, a horn-driven groove Monae wrote about staying level under praise and criticism.

Number twelve on the Hot 100, the band's last pop top twenty, and a bass line hip hop still raids.

A Tim Pope video with no lip-syncing, BBC wildlife footage, and Talk Talk's only American top forty.

Written for the Charlie's Angels soundtrack, eleven straight weeks at number one, and Michelle Williams's first single with the group.

Simon first cut it alone for a UK-only album, then Hal Blaine and Carol Kaye turned withdrawal electric.
John Paul Jones scored the strings, Scott Litt named Queen as the model, and the lyric hands kids the wheel.

Chuck D aimed it at corporations that profit off Black neighborhoods without reinvesting, and Pete Rock's remix outgrew the original.

Four chords, F, C, A minor, G, looping unchanged while Petty and Jeff Lynne make uplift sound effortless.
Premier's beat under Guru facing a gun charge, cut at D&D Studios and delivered as a sermon on perseverance.

Jon Lord's Hammond organ on the 1982 original, a heartbreak song Coverdale wrote in Portugal, later a number one.