
The Next Time I Fall
Two singers who never planned a duet took Bobby Caldwell's song to number one, David Foster producing.

Two singers who never planned a duet took Bobby Caldwell's song to number one, David Foster producing.

Davidson and Gorley's tailgate story carried Bryan to the top two Country Airplay spots at once, a chart first.

A 1797 Clementi sonatina rondo underneath, lyrics written in about twenty minutes, and Collins taking it to number one.

Espen Lind swapped a ukulele in for the guitar line, and Monahan's Burning Man daydream became Train's biggest hit.

American Idol turned her down twice, once with this very song, and MySpace made her a star instead.

Three Swedes wrote and produced it, and Dion turned her greatest-hits lead single into a final Hot 100 top ten.
Duritz dislikes writing to order, then handed Shrek 2 an Oscar-nominated rush of helpless, hurtling infatuation.

Jim Peterik of Survivor co-wrote it with Barnes and Carlisi, and it gave the band their first top ten.
Toni Wine and Carole Bayer Sager set lyrics to a Clementi sonatina rondo; Eric Stewart sang it to number two.

Josh Alexander played every instrument on it, and Billy Steinberg's melodic instincts date back to Like a Virgin.

Babyface wrote and produced it at the Music Grinder, and T-Boz makes a summer crush sound effortless.

Six names on the writing credit, three voices trading verses, and Danja's production holding a number three hit together.

Nikki Williams co-wrote it for herself and lost it; Pia Toscano's backing vocals still sit under Lovato's.

A leaked demo forced its own release, and an Annie Lennox sample gave Minaj eight weeks atop the rap chart.

Chapman, Lerner and Roboff built the hook; Hill cut it at Ocean Way and rode it to number seven.
Coverdale began it as a Tina Turner idea, Geffen told him to keep it, and it climbed to number two.

Voice, guitar, and a 1959 Phil Phillips hit slowed to a whisper; Juno carried it to a new audience.

Cut at Thomas Crown Studios in Virginia Beach, with a prelude fused to the front of the summer single.

Eighteen years after the O'Jays cut it in Philadelphia, Teddy Riley rebuilt it as hip-house for Heavy D.

Ganjo, EBow and a cardboard box in the credits; Billboard later named it the country song of the decade.
Tubular bells, autoharp and a muted guitar imitating pedal steel; Sebastian finished Boone's melody in half an hour.

Laura Marling's ukulele and Charlie Fink's deadpan flopped in 2007; a 2008 re-release carried the sunshine to number seven.

One of four songs on the demo that got Foreigner signed, and Gramm sang it at his audition.

Five weeks at number one, Rodney Jerkins's skittering beat, and an actress rebuilt overnight as a pop star.
Thirty pounds bought the song from Cat Stevens, and an ex-Ikette in London charted it before he released his own.

Monae and Miguel trade verses over a slow guitar figure, an android love story dressed as a fifties slow jam.

Charli offered it to Hilary Duff, whose team passed; a film soundtrack turned that chorus into a top-ten smash.

Kimberley Rew called it simple fun; the 1985 re-recording added horns and carried the band into the American top ten.

A demo on a 2005 EP that fans wore out live, then spent seventy-six weeks on the Hot 100.

Justin Hawkins in full falsetto, cut at Chapel Studios, on a riff Q placed among its 101 greatest guitar tracks.

Clivilles and Cole of C+C Music Factory built the disco lift; Carey's whistle register handles everything above it.

Duane heard Betts's song, told him to sing it himself, and traded solos on one of his last sessions.

Martie Seidel lifted the title from a Calgon commercial, then wrote the rest about her sister's new romance.

Tempchin wrote it on a poster back while sleeping on a club floor; Leadon's B-bender guitar does the rest.

Written with Janna Allen and kept as the demo take; by Hall's account Van Halen borrowed its synth for "Jump".

Written as a comedy number for a meerkat and a warthog until John objected, and it took the Oscar.
Beam slowed Gibbard's synth-pop into hushed acoustic guitar for a Sub Pop B-side, then Garden State put it everywhere.

Harmonica played by Morissette herself, Ballard's warm production, and a rare Jagged Little Pill song that is simply grateful.

A Lake Charles bellhop wrote it for a woman, and Khoury's tiny label carried the swooning triplets to number two.