
Auld Lang Syne
Burns said he took the song down from an old man; Stanley's 1910 disc is probably the first commercial recording.

Burns said he took the song down from an old man; Stanley's 1910 disc is probably the first commercial recording.

Queens kids who met on Craigslist and busked subway platforms, then made banjo and glockenspiel sound euphoric.

Bill Luther and Aimee Mayo's ballad for A Place in the Sun, and McGraw took it to country number one.

Babyface hummed a placeholder where the words should go, kept it, and watched the record debut at number one.

Written by all four members in 1989, David Crosby added backing vocals, and the debut album sold twenty million.

A 1982 song already cut by Lou Rawls and Gary Morris before Beaches made it Record of the Year.

Bacharach and Bayer Sager wrote it for Rod Stewart; four voices later it raised over three million for AIDS research.

Trombino set it as a 6/8 waltz for two sisters who ran Weezer's fan club; never a single, sung everywhere.
Lil Jon slowed crunk to a crawl, interpolated Michael Sterling's 1990 ballad, and rode Usher's hook to number three.

Taupin's first New York, gunfire outside the hotel window, a rose borrowed from Spanish Harlem, all cut in France.

A LinnDrum, five Boston teenagers, and a spoken bridge calling out Ronnie, Bobby, Ricky and Mike by name.

Puth turned a dance production into a piano ballad for Paul Walker; it spent twelve weeks atop the Hot 100.

An acoustic guitar riff opens it, then Max Martin and Shellback's synthesizers turn a birthday into a full night out.

Holland-Dozier-Holland's fifth straight number one for the group, Jamerson's bass driving it, Ross name-checking Flo and Mary mid-verse.
An uncleared Police sample handed Sting the royalties; Faith Evans and 112 turned mourning into eleven weeks at number one.

Harmonica played by Morissette herself, Ballard's warm production, and a rare Jagged Little Pill song that is simply grateful.

Moretti woke to hear Casablancas inventing the melody in the bathroom, and it became the warmest song on Is This It.

Released two days after Shakur's death, Daz Dillinger's loop of DeBarge's A Dream carrying a farewell to lost friends.

A round about snow that the band never once played together, its voices stacked from first takes in production.

King wrote it during the Tapestry sessions; Taylor cut it with Joni Mitchell behind him for his only number one.

Seven weeks at UK number one for a debut single, and a chorus that puts her friends before any suitor.
Townshend woke in a Soho doorway after drinking with two Sex Pistols, and Keith Moon's last album took the title.

Hynde cut it weeks after Honeyman-Scott's death, with Rockpile's Bremner on guitar and a Sam Cooke chant behind her.

An airsickness bag, a film producer's request, and a single cut live at a club over two Austin nights.

Gorham and Robertson's twin leads on a track the band nearly left off Jailbreak; Kentucky radio saved it.

Cocker slowed a Beatles album track to gospel tempo, with Jimmy Page on guitar and Tommy Eyre's organ intro.
A-Plus flipped Billy Cobham's Heather into a beat he made in high school, and Oakland never sounded calmer.
Mills cut the piano at Criteria on the instrument heard on "Layla," and John Paul Jones arranged the strings.

Starr sang it at dawn after ten takes, having first made them cut the line about thrown tomatoes.

An Average White Band loop, Q-Tip and Phife trading lines, and a Queens rooftop that Linden Boulevard still remembers.
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.

Withers bought a small piano, ran his fingers up the keys, and found the coal-town kinship he missed.

Garfunkel's voice climbing a gospel staircase, the last verse arriving like the cavalry.
Seven minutes, four of them just na-na-na, and somehow nobody has ever wanted it to end sooner.