
All I Wanna Do Is Make Love to You
Mutt Lange's hitchhiker story gave Heart a number two the Wilsons openly disliked; Ann called its message hideous.

Mutt Lange's hitchhiker story gave Heart a number two the Wilsons openly disliked; Ann called its message hideous.

Fifty-five weeks on the Hot 100 without ever passing number sixteen, and Sheik got a Grammy nomination out of it.

Curnin called it an indictment of dishonest politicians, Rupert Hine produced it, and America took it to number four.

Popper wrote it about an unrequited crush, then watched it sit on the Hot 100 for forty-nine weeks.

StarGate and Ne-Yo tracked the ballad in three studios on two continents, and it vaulted from fifty-three to number one.
Flipside of Blue Suede Shoes, cut at Sun with both Perkins brothers, and later Ringo's turn on Beatles for Sale.

Two million US copies, a Stockholm session from 1995, and a vocal Nick Carter recorded once his voice settled.

Woolfson took the title from casino surveillance slang; Sirius became the music that introduced Michael Jordan's Bulls.

Judd Lander's harmonica, six weeks at number one in Britain, and Boy George singing about pleasing everybody.
Sly and Robbie cut it over the Bam Bam riddim, and Omarion, Pitbull and Jason Derulo all borrowed it later.
A slave trader's sales pitch set to strings and Newman's warmest melody; Bobby Darin later sang it straight.

Leonard wrote it as a film instrumental that Paramount passed on; Madonna added the words and kept her demo vocal.

Robert DeLeo worked it out as a bossa nova on nylon strings; Weiland nailed the Atlanta vocal in one take.

Elliot Straite, as Dr. Freeze, turned a letter to an ex-girlfriend into new jack swing at its sharpest.

Freddie Scott's "(You) Got What I Need" rebuilt on piano, with Markie singing the hook himself, flat and irresistible.

A trumpet loop, T-Boz half-whispering, and Left Eye objecting so strongly she threatened to tape her mouth shut.
Twenty minutes in a Las Vegas hotel washroom, by Ram's account, and Tony Williams sings heartbreak behind a smile.
A minor key, a Hohner Pianet solo, and a debut single Argent wrote to fit Blunstone's upper range.

Closing the Unplugged set at Sony Studios, a Lead Belly song, and a last verse Neil Young called unearthly.

RedOne produced it at Record Plant, Gaga's mum-mum-mum-mah hook nodding to Boney M, and 2009's best-selling single worldwide.

Tarplin brought the guitar figure first, Robinson and Moore wrote words to it, and Motown got its saddest smile.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.