
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

Tarplin brought the guitar figure first, Robinson and Moore wrote words to it, and Motown got its saddest smile.

RedOne produced it at Record Plant, Gaga's mum-mum-mum-mah hook nodding to Boney M, and 2009's best-selling single worldwide.

Closing the Unplugged set at Sony Studios, a Lead Belly song, and a last verse Neil Young called unearthly.
A minor key, a Hohner Pianet solo, and a debut single Argent wrote to fit Blunstone's upper range.
Twenty minutes in a Las Vegas hotel washroom, by Ram's account, and Tony Williams sings heartbreak behind a smile.

A trumpet loop, T-Boz half-whispering, and Left Eye objecting so strongly she threatened to tape her mouth shut.

Freddie Scott's "(You) Got What I Need" rebuilt on piano, with Markie singing the hook himself, flat and irresistible.

Elliot Straite, as Dr. Freeze, turned a letter to an ex-girlfriend into new jack swing at its sharpest.

Robert DeLeo worked it out as a bossa nova on nylon strings; Weiland nailed the Atlanta vocal in one take.

Leonard wrote it as a film instrumental that Paramount passed on; Madonna added the words and kept her demo vocal.
A slave trader's sales pitch set to strings and Newman's warmest melody; Bobby Darin later sang it straight.
Sly and Robbie cut it over the Bam Bam riddim, and Omarion, Pitbull and Jason Derulo all borrowed it later.

Judd Lander's harmonica, six weeks at number one in Britain, and Boy George singing about pleasing everybody.

Woolfson took the title from casino surveillance slang; Sirius became the music that introduced Michael Jordan's Bulls.

Two million US copies, a Stockholm session from 1995, and a vocal Nick Carter recorded once his voice settled.
Flipside of Blue Suede Shoes, cut at Sun with both Perkins brothers, and later Ringo's turn on Beatles for Sale.

StarGate and Ne-Yo tracked the ballad in three studios on two continents, and it vaulted from fifty-three to number one.

Popper wrote it about an unrequited crush, then watched it sit on the Hot 100 for forty-nine weeks.

Curnin called it an indictment of dishonest politicians, Rupert Hine produced it, and America took it to number four.