
Single Ladies (Put a Ring on It)
Beyonce found Bob Fosse's Mexican Breakfast on YouTube; three Grammys and a decade of wedding receptions followed.

Beyonce found Bob Fosse's Mexican Breakfast on YouTube; three Grammys and a decade of wedding receptions followed.

Gunshots and a cash register over a Clash loop, with Brixton kids singing a hook about immigrant stereotypes.

RedOne produced it at Record Plant, Gaga's mum-mum-mum-mah hook nodding to Boney M, and 2009's best-selling single worldwide.

Auto-Tune, a TR-808, No I.D. co-producing, and Kid Cudi writing the hook: rap learned to sing from this.

Swift wrote it in twenty minutes on her bedroom floor, gave Romeo and Juliet a happy ending, banjo included.

Eno producing, Davide Rossi's looping strings, a deposed king narrating, and Coldplay's first number one in Britain and America.

Cut in Dot da Genius's home studio in East New York, using a Geto Boys favorite as its blueprint.

Vernon cut it alone in his father's Wisconsin hunting cabin over a winter, and the falsetto still sounds snowbound.

Taiko drums against an 808 heartbeat, Auto-Tune everywhere, and a version West scrapped and recut after the fan backlash.

Goldwasser wrote the music at nineteen in a dorm room, an exercise in stereotypical pop that outgrew itself.

The praying mantis in their house inspired the music, by the band's account; the words satirize rock-star excess.

A 6/4 groove where pop usually sits in 4/4, and Fridmann's production turns silvery synths into a slow strut.

Three months alone in his father's Wisconsin hunting cabin, and falsetto stacked until one voice becomes a choir.

A round about snow that the band never once played together, its voices stacked from first takes in production.

Pecknold rebuilt a piano soul demo with Phil Ek at Bear Creek, and the harmonies own the second half.

Twenty-two weeks crawling up the Hot 100 before number one, RedOne's synths announcing the pop decade ahead.

Koenig found the punctuation via a Columbia Facebook group, then wrote a song about not caring at all.

Recorded at Blackbird Studio in Nashville, it spent fifty-seven weeks on the Hot 100 and won Record of the Year.

Haines wrote it on piano in Buenos Aires as a ballad; the tempo went up and panic became a hook.

In his father's Wisconsin hunting cabin, Vernon shaped the melody wordlessly, then wrote his gambling losses into it.
Homesick for his brother Sean, Pecknold buried the vocals in reverb and block harmony that swells like Sacred Harp singing.

Billed as Santogold then, White aimed it at Lower East Side poseurs; Rolling Stone called it 2008's second best single.

A demo on a 2005 EP that fans wore out live, then spent seventy-six weeks on the Hot 100.

Four writers including Chris Brown, a reissue bonus track, and two weeks at number one on anxiety alone.

StarGate and Ne-Yo tracked the ballad in three studios on two continents, and it vaulted from fifty-three to number one.

A four-track cassette machine in the rehearsal space Earley half lived in, and a boy who runs with wolves.

Claude Kelly's ringleader conceit, a Dr. Luke stomp, and Spears back on top of the spectacle that swallowed her.

Gonzalez wrote it with his brother Yann, and Ken Thomas produced an album that worships John Hughes and eighties synths.

Los Da Mystro's synths and a title the radio had to clean up; The-Dream made desire sound weightless.

Three weeks at number one, built on synth loops Polow da Don pulled from a GarageBand pack.

Max Martin and Dr. Luke's pop machine at full tilt, a runaway-groom video, and 39 weeks on the Hot 100.

Eighty to number one in a single week, on a hook lifted from the Moldovan pop song behind Numa Numa.

Jim Jonsin built the beat from the Rocky II theme, and it leapt seventy places to number one, a chart record.

Sparks became the first American Idol alum past three million US sales, and the duet earned a Grammy nomination.

Cut at Starstruck in Nashville with John Shanks playing most of it, sunshine offered as an escape hatch.

A deliberate Euro-club record from Akon and Giorgio Tuinfort, with a video now past a billion views.

Under an hour, beat to finished verse, by Kardinal's account; the Junos named it Single of the Year.

Two days was all Petty and Lynne needed; Mayer's acoustic version, taped at the Nokia Theatre, became a single itself.