
Paper Planes
Gunshots and a cash register over a Clash loop, with Brixton kids singing a hook about immigrant stereotypes.

Gunshots and a cash register over a Clash loop, with Brixton kids singing a hook about immigrant stereotypes.

Cee-Lo cut the vocal in one take over a 1968 spaghetti western sample. Nine weeks at UK number one.
Cleopatra dragged into the present, two halves hinged on a midpoint beat switch, and John Mayer's uncredited closing solo.

Mushroom sent the demo to Madonna, got outvoted, and Elizabeth Fraser sang it over harpsichord and a Les McCann loop.

An arpeggio out of Chicago house, a sample from the Cassini Saturn probe, Lennox wanting only a home.

Moby nearly left it off Play; a reversed string sample from the Exodus score, cut in his Little Italy apartment.

Trevor Horn spent about three months producing it; Seal built the chorus from a world visibly changing.

M.I.A.'s second song ever, built on a Roland MC-505 and written for Elastica; dancehall never sounded so homemade.

Ratatat cut the beat before Cudi arrived, MGMT added vocals, and Steve Aoki's remix made a song about intoxication ubiquitous.

A darbuka drum, finger cymbals, and almost nothing else; the Neptunes' emptiest beat became Kelis's biggest hit.

Mishra cut it in his bedroom on an Atari ST, sampling a 1932 muted trumpet, and topped the UK chart.

A sitar, a slow groove and Pam Bricker's voice, carried to a wide audience by the Garden State soundtrack.

A 1966 Ventures instrumental on loop, twice a minor British hit, then a Mitsubishi advert made it inescapable.
Track three on The Antidote, cut-and-paste funk from the album Theo Keating built alone after his partner left.

Written for Gwen Stefani, who passed, then offered to Nicole Scherzinger before Snow Patrol reclaimed it with Jacknife Lee.