
It Takes a Nation of Millions to Hold Us Back
The producers used sirens, squeals and feedback as rhythm instruments, which is why it sounds less like music than like an emergency.

The producers used sirens, squeals and feedback as rhythm instruments, which is why it sounds less like music than like an emergency.

Dre and Yella built it in a Torrance studio on almost no money, and Compton stopped being invisible.
Structured as a mock trial with Dre presiding, and it drew a warning letter from an FBI assistant director.

The FBI wrote to their record label objecting to one of the songs, which did more for sales than any advertising could.

Nobody recommends this one lightly: Takahata put two children through the last months of the war in Japan, and being animated makes it harder to bear, not easier.

Children's films almost never dare to have no villain: Miyazaki made eighty minutes of pure safety out of two sisters and a forest spirit, and it became Ghibli's emblem.

Hollywood spent the next decade pitching films as Die Hard on a boat, a bus, a plane: McTiernan built the action machine everyone has been copying since 1988.

McPherson carries the whole Civil War in one volume, from the fights over slavery in the 1840s through Antietam to the surrender at Appomattox, and it reads like dispatches filed the same day.
Stevie Wonder's gear failed at the Mandela tribute, Chapman went on with a guitar, and the record went top ten.

Francis traced the lyric to a fish that followed him diving; Albini taped Deal's vocal in a bathroom.

A Gerhard Richter candle painting on the sleeve, a double album made on almost no money, and the last thing before they signed to a major.

A documentary that overturned a real murder conviction: Morris reconstructed the same killing over and over from contradictory testimony, and the case collapsed within a year of release.

Branch follows Martin Luther King from the Montgomery bus boycott to Birmingham, moving between black church basements, the Kennedy White House, and the FBI, and ten years become full American history.

Two men fall from an exploding jet and live, one sprouting a halo, the other hooves. The Ayatollah Khomeini's death sentence put Rushdie underground for nine years, and his Japanese translator was murdered.

Garrett and Ballard's demo won Quincy Jones over within hours, and the Andraé Crouch Choir carries Jackson home.

The press needs no censors, Herman and Chomsky argue: ownership, advertisers, official sources and the fear of blowback filter the news first. Every argument about media bias since has had to answer them.

Morricone wrote the theme that reduces grown men to tears: a Sicilian boy grows up in a village projection booth, and the subject underneath is what movies do to a life.

The Think break from a 1972 Lyn Collins single, and two Harlem kids made the party record of 1988.

KRS-One produced it himself over a Stanley Turrentine loop, from the first album made after Scott La Rock's murder.