
Aliens
Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.

Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.

The band were in a legal fight with their label while making it, and the title track opens with a clip from a 1962 British film.
Marr faked the strings on an Emulator, credited them to the Hated Salford Ensemble, and Britain waited six years.

Simon recorded with South African musicians in defiance of the cultural boycott and was condemned for it. Bakithi Kumalo's fretless bass runs through everything.

No singles and no videos, and it sold millions anyway. Bassist Cliff Burton was killed when the tour bus crashed in Sweden months later.

The Sledgehammer video was shot frame by frame with Gabriel lying under glass for sixteen hours. Youssou N'Dour sings the end of In Your Eyes.

Lynch invented his own genre here and the word Lynchian dates from it: a severed ear in a field leads into the underside of an ordinary American town.

Rubin had to talk Run-DMC into it; Tyler smashed through the video's wall and Aerosmith got a career back.

Gabriel wanted real brass, hired the Memphis Horns' Wayne Jackson, then knocked his old band Genesis off number one.
Bakithi Kumalo's fretless bass and a Nigerian pedal steel carry it, with the Everly Brothers singing behind Simon.

Youssou N'Dour improvising in Wolof, and a bassline so deep it had to move up the vinyl.

Kumalo cut one descending bass measure, Halee reversed the tape for the break, and Chevy Chase mimed it on MTV.

Oliver Stone served in Vietnam and made this to correct everyone else's version: no glamour, no clarity, and a platoon that splits between two sergeants and stays split.

By Eric B.'s account he paid Marley Marl to engineer it in Queensbridge; Rakim arrived rapping like nobody before.

The band laughed at Sambora's talk box until it opened the record. The last chorus climbs a minor third.

Jackson answered street harassers by demanding respect over a factory preset Jimmy Jam found on an Ensoniq Mirage.

Nothing else captures being twelve years old this exactly: four boys walk along a railway line for two days, and the narration knows precisely how much it mattered.

Froom's Hammond solo does the heavy lifting, and Finn wrote the rest as an exhortation to himself.