Star Wars Episode IV: A New Hope
Directed by George Lucas
1977
Modern Hollywood begins here: Lucas told the oldest story there is inside a universe that looked used and lived in, and the blockbuster has run the business ever since.
★ 9.5
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1977
Showing 138 works across all media from 1977
Stayin' Alive
1977 · From Saturday Night Fever Soundtrack
Barry Gibb's falsetto over a drum loop so metronomic that paramedics still use it to time chest compressions.
★ 9.4
I Feel LoveDonna Summer
I Feel Love
1977
Moroder's pulsing synth track, Summer floating above it, and the record Eno reportedly called the sound of the future.
★ 9.3
Rumours
1977
Two couples in the band were breaking up while they recorded, and kept writing songs about each other that the other had to sing.
★ 9.1
HeroesDavid Bowie
Heroes
1977 · From "Heroes"
Recorded beside the Berlin Wall, Fripp's feedback howling while Bowie sings himself hoarse over a single defiant day.
★ 9.1
Dreams (Fleetwood Mac)Fleetwood Mac
Dreams (Fleetwood Mac)
1977 · From Rumours
Nicks wrote it in a black velvet studio room at Sausalito's Record Plant; it remains the band's only US number one.
★ 8.9
Annie Hall
Directed by Woody Allen
1977
The romantic comedy has never recovered from it: Allen talks to the camera, walks into his own memories, drops subtitles over small talk, and breaks every rule the form had.
★ 8.8
Hotel CaliforniaThe Eagles
Hotel California
1977 · From Hotel California
Felder demoed it on a four-track in Malibu, and his Les Paul duels Walsh's Telecaster through the outro.
★ 8.8
Aja
1977
Becker and Fagen ran seven guitarists through the solo on Peg before they kept one, and worked the rest of the record the same way.
★ 8.7
Never Mind the Bollocks, Here's the Sex Pistols
1977
Sid Vicious barely plays on it, and a record shop was taken to court over the word bollocks and won.
★ 8.5
Go Your Own Way
1977 · From Rumours
Buckingham aimed Mick Fleetwood at the Street Fighting Man groove, then sang a breakup line Nicks demanded he cut.
★ 8.5
Song of Solomon
1977 · 337 pages
Hunting gold in the South, a rich man's bored son finds his family's history instead, hidden in a song children sing. Morrison turns it into myth: an African ancestor who flew home.
★ 8.4
God Save the QueenThe Sex Pistols
God Save the Queen
1977 · From Never Mind the Bollocks, Here's the Sex Pistols
Written as "No Future," banned by the BBC, and stuck at number two amid loud suspicion of chart rigging.
★ 8.3
One LoveBob Marley and the Wailers
One Love
1977 · From Exodus
A 1965 Studio One ska tune rebuilt for Exodus, with Mayfield credited to keep the borrowing legal.
★ 8.3
We Will Rock You
1977 · From Greatest Hits
May came home from a Stafford gig where the crowd sang back, and built a chorus from stomps and claps.
★ 8.1
Trans Europa Express
1977
Kraftwerk's rhythm rode a train across Europe, name-checked Bowie and Iggy Pop, then turned up inside Afrika Bambaataa's Planet Rock.
★ 8.1
Marquee Moon
1977
The two guitars never play the same part, and the singer, Tom Verlaine, refused to double-track anything, so you hear what happened in the room.
★ 8.1
Close Encounters of the Third Kind
Directed by Steven Spielberg
1977
Spielberg made the rare first-contact film that treats the aliens as something to hope for: an ordinary man starts building a mountain in his living room and cannot say why.
★ 8.0
Star Wars Episode IV: A New Hope · 1977
We are the Champions
1977 · From Greatest Hits
Mercury wrote it with audience participation in mind, and a 2011 study named it the catchiest song in pop.
★ 7.7
The ChainFleetwood Mac
The Chain
1977 · From Rumours
Razor-blade tape splices turned rejected scraps into the one Rumours song credited to all five, McVie's bass ending it.
★ 7.7
Sir Duke
1977 · From Songs in the Key of Life
Wonder built it for Ellington after his death in 1974, then handed the melody to horns playing in unison.
★ 7.7
Lust for Life
1977
Bowie found the beat in an Armed Forces Network call sign; Hunt Sales hammered it out in Berlin.
★ 7.7
Exodus
1977
Marley made it in London after being shot at home in Jamaica, and side two is nothing but songs people still sing at weddings.
★ 7.6
American Girl
1977 · From Tom Petty and the Heartbreakers
Petty cut it on the Fourth of July, 1976, and Roger McGuinn heard the Byrds so clearly he covered it.
★ 7.6
Psycho Killer
1977 · From Talking Heads: 77
A ballad first, written at art school, until Weymouth's French bridge and bassline turned it feral.
★ 7.6
Marquee Moon
1977 · From Marquee Moon
Ten minutes captured in one take; Ficca thought it was a rehearsal and Verlaine refused Andy Johns another go.
★ 7.5
The PassengerIggy Pop
The Passenger
1977
Gardiner found the riff wandering under apple blossom, and Bowie sings behind Iggy at Hansa by the Wall.
★ 7.5
Flash LightParliament
Flash Light
1977
Bootsy passed on the bass part, so Worrell chained three Minimoogs together and gave Parliament its first R&B number one.
★ 7.5
Three Little BirdsBob Marley and the Wailers
Three Little Birds
1977 · From Exodus
Reportedly inspired by canaries at his Hope Road windowsill, cut in London, and the gentlest reassurance in reggae.
★ 7.4
Mr. Blue Sky
1977
Two weeks of Alpine fog broke, and Lynne wrote this and thirteen more songs, closing it with a vocoder.
★ 7.3
Alison
1977 · From My Aim is True
Costello glimpsed a supermarket checkout girl, Clover backed him before the Attractions existed, and one line titled his debut.
★ 7.2
On Photography
1977 · 224 pages
Taking a picture is a form of acquisition, close to aggression, Sontag argues, and a world drowning in images loses the power to feel them. You will not photograph casually again.
★ 7.1
A Time of Gifts
1977 · 321 pages
At eighteen in 1933 Fermor set off on foot from Holland for Constantinople, sleeping in barns one night and in castles the next, and caught central Europe in its last clear light.
★ 7.1
Lovely Day
1977
Withers holds the last note for eighteen seconds, Ray Parker Jr. plays guitar, and morning suddenly looks survivable.
★ 7.0
Like a HurricaneNeil Young
Like a Hurricane
1977 · From American Stars 'n Bars
Young wrote it on doctor-ordered voice rest, whistling the melody, then chased Sampedro's Stringman chords for eight electric minutes.
★ 7.0