Browse by time · year

1992

Showing 156 works across all media from 1992

Unforgiven

Directed by Clint Eastwood
1992

Eastwood spent thirty years building the myth this film takes apart: no western has been harder on the pleasure of violence, or on the men who deal it out.

★ 8.7
NightswimmingR.E.M.

Nightswimming

1992 · From Automatic for the People

Mills cut the piano at Criteria on the instrument heard on "Layla," and John Paul Jones arranged the strings.

★ 7.2

Malcolm X

Directed by Spike Lee
1992

Denzel Washington disappears so completely that people forget they are watching a performance: Lee fought the studio for the length, the budget and the ending he wanted.

★ 6.9
Everybody HurtsR.E.M.

Everybody Hurts

1992 · From Automatic for the People

Berry wrote most of it over a drum machine, John Paul Jones scored the strings, and the words target teenagers.

★ 6.9

Would

1992 · From Dirt

Cantrell wrote it for the Singles soundtrack while grieving Andrew Wood; Starr's bass line and two voices doing the mourning.

★ 6.9

Harvest Moon

1992 · From Harvest Moon

Tinnitus from the Ragged Glory tour pushed Young back to acoustic guitars, and Ronstadt shadows him line for line.

★ 6.8

All the Pretty Horses

1992 · 302 pages

Sixteen years old and landless, John Grady Cole rides into Mexico in 1949 and finds work breaking horses on a great hacienda. McCarthy writes horses and hard country better than any American novelist.

★ 6.8

Glengarry Glen Ross

Directed by James Foley
1992

The best-acted film about work ever made: Mamet's salesmen speak in a rhythm nobody actually uses, and an ensemble of stars took deep pay cuts for the chance to say the lines.

★ 6.7
Jump AroundHouse of Pain

Jump Around

1992

Cypress Hill could not write to Muggs's beat and Ice Cube passed on it; it reached number three anyway.

★ 6.6

The Last of the Mohicans

Directed by Michael Mann
1992

Michael Mann's most romantic film ends with twelve near-wordless minutes carried entirely by the score: Daniel Day-Lewis learned to live off the land for it, and the frontier looks genuinely unmapped.

★ 6.4

The Secret History

1992 · 557 pages

At a Vermont college a transfer student joins five classics majors and their charismatic tutor, then learns their rite to Dionysus left a farmer dead. Dark academia has been rewriting it since.

★ 6.4

So What'cha Want

1992 · From Check Your Head

Vocals barked through a karaoke microphone, Money Mark's organ underneath, the Beasties back on their own instruments at G-Son.

★ 6.3

Aladdin

Directed by Ron Clements and John Musker
1992

Robin Williams improvised for hours and the animators drew to whatever he gave them: the Genie is still the fastest thing in any Disney film, and every animated star cast since owes him.

★ 6.3

Halcyon and On and On

1992

Named for the tranquilizer the Hartnolls' mother took, with Kirsty Hawkshaw's vocal reversed and stretched across nine minutes.

★ 6.2

Rooster

1992 · From Dirt

Cantrell's song for his father, a Vietnam veteran nicknamed Rooster who appears in Pellington's video; number seven on Mainstream Rock.

★ 6.1

The Emigrants

1992 · 240 pages

Sebald follows four émigré lives quietly undone by the twentieth century, each coming apart decades after the danger had passed. Unlabeled photographs surface throughout the prose and you read them as evidence.

★ 5.8
Drive (REM)R.E.M.

Drive (REM)

1992 · From Automatic for the People

John Paul Jones scored the strings, Scott Litt named Queen as the model, and the lyric hands kids the wheel.

★ 5.7

I Have Nothing

1992 · From The Bodyguard (soundtrack)

Cut at Encore Studios in 1991, a year before the film, Houston riding a modulation most singers would refuse.

★ 5.5