
Beloved
Sethe escaped slavery years ago and cannot escape the daughter she lost, who comes back to the house as a young woman. Morrison writes American history's worst chapter with unbearable tenderness.

Sethe escaped slavery years ago and cannot escape the daughter she lost, who comes back to the house as a young woman. Morrison writes American history's worst chapter with unbearable tenderness.

It was meant to be a triple album and the label refused. Some of it is sung by a sped-up alter ego called Camille.

It sold almost nothing for a year until MTV agreed to play Welcome to the Jungle once, at four in the morning. Then it never stopped.

Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.

Where the Streets Have No Name took so long to record that Brian Eno considered wiping the tape to force them to start again.

Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.

Eno reckoned half the album's sessions went into it and nearly wiped the tape; the Edge's delay does the rest.

The first half is the most quoted boot camp ever filmed: Kubrick found a real Marine drill instructor, let him write half his own material, and made basic training terrifying.
The Edge was sent a prototype Infinite Guitar by Michael Brook, and U2 had their first American number one.

At a London crossing in 1933 a physicist grasps how a chain reaction could work. Rhodes follows the idea to Los Alamos and Hiroshima, making the physics clear and the human cost unbearable.

Written in a rental van home from San Francisco, and the final two minutes simply double the tempo.

Smith traced it to a day at Beachy Head with Mary Poole; Williams sped the tempo, adding the opening fill.

Prince was supposed to sing the title track with Jackson and turned it down. Five singles from it went to number one anyway.

Two years in the making, with MacColl finally singing the woman's part, and it still stalled at number two.

First released on the Less Than Zero soundtrack, it opens with Malcolm X and never stops arguing rap's case.

Jackson took the chorus line from a CPR dummy named Annie, and the anti-gravity lean later earned a patent.

A jam demoed under the title The Weather Girls became a gospel hymn about doubt, and U2's second American number one.