
The Godfather
The summit of the American crime film: Coppola turned an immigrant family's rise and rot into the country's own epic, and made damnation look like a coronation.

The summit of the American crime film: Coppola turned an immigrant family's rise and rot into the country's own epic, and made damnation look like a coronation.

Herzog shot it for almost nothing on a real Amazon river with a lead actor he fought with constantly: Kinski's stare and a shrinking raft do everything.

The outdoors has never felt this hostile on film: Boorman shot in sequence and made his actors run the whitewater themselves, and a weekend canoe trip turns into something much older.

Pauline Kael called the premiere a landmark comparable to the Rite of Spring, and the reputation has since collapsed: Maria Schneider was nineteen and was not told the scene had been changed.

Laurence Olivier and Michael Caine were both up for Best Actor, which has happened only a handful of times: a mystery writer invites his wife's lover to a country house full of games.