
Tutti-Frutti
A nonsense holler cleaned up just enough to press, and the moment rock and roll stopped asking permission.

A nonsense holler cleaned up just enough to press, and the moment rock and roll stopped asking permission.

Dre built G-funk on a Leon Haywood sample, handed Snoop the mic, and gangsta rap reached number two.

Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.
Waters answered Bo Diddley's answer to his own song in 1955, holding one chord and a stop-time riff throughout.

King wrote the melody and the string arrangement, and a girl group topped the Hot 100 for the first time.
One of Brown's first dates with the new J.B.s, Bootsy Collins on bass at eighteen, Bobby Byrd answering every line.
Timbaland's beat under a hook Elliott had reversed, a Run-DMC sample, and ten weeks parked at number two.

Gaye programmed the TR-808 himself in a Belgian studio, and it finally won him the first Grammys of his career.

Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.

Recorded at Compass Point in Nassau with Mutt Lange, Johnson's first single, and a riff that swings rather than pounds.

Perry built the riff at a Honolulu soundcheck; Tyler wrote the words on a Record Plant stairwell wall.

Rubin had to talk Run-DMC into it; Tyler smashed through the video's wall and Aerosmith got a career back.

Cut at Muscle Shoals days before Altamont, Bobby Keys on tenor, and a lyric Jagger later said he would censor.

Gabriel wanted real brass, hired the Memphis Horns' Wayne Jackson, then knocked his old band Genesis off number one.
Mannie Fresh's violin line over a bounce beat, Lil Wayne's chant at the close, and New Orleans bounce gone national.

Detail's beat was called "Drunk" before Beyoncé heard it; she and Jay-Z freestyled their verses in Manhattan.

Timberlake sang it in a distorted low register borrowed from Prince, and it held number one for seven weeks.
A loop of the Jackson 5's "ABC," Melvin Bliss drums, and an acronym that carried the group to number six.

The Temptations sang backup, and the bass line James dismissed as silly later won him a Grammy through Hammer's sample.