
A Hard Day's Night
Starr's slip of the tongue supplied the title, and the opening chord is still argued over by musicologists.

Starr's slip of the tongue supplied the title, and the opening chord is still argued over by musicologists.

Taupin borrowed the title from a Pearls Before Swine song, and Hentschel's ARP put the loneliness in orbit.

Webb sent it over unfinished, one verse short, and Campbell cut the loneliest three minutes in country music.

Fogerty came out of the National Guard and wrote it in two days, Beethoven's Fifth hiding in the intro.
Edwin Birdsong's Cola Bottle Baby, found in a record bin, vocoded into a mantra Kanye West later borrowed wholesale.

Parton played the typewriter part on her acrylic fingernails, credited on the album, then took it to number one.
Cochran overdubbed his own bass voice for the boss and the senator, Earl Palmer drumming behind the great teenage complaint.

Knopfler borrowed a pen in a New York appliance store to copy down a delivery man's complaints about MTV.

Marr's melody came from a New York hotel room, the title from Sandie Shaw, and misery never sounded so cheerful.

Mitchell wrote it for David Geffen after a Paris trip, then set his escape to Jose Feliciano's guitar.

Michael programmed the LinnDrum in an evening, wrote the vocal next morning, and turned marital dread into a groove.

Dean found an empty beach midweek and wondered where everyone was; Reno turned waiting for the weekend into working.

Sonny Digital and Metro Boomin built the beat, Drake jumped on the remix, and a weeknight became an occasion.

Brown and Rollins wrote it, Stegall cut it, and Buffett collected the first major award of his thirty-year career.

Two Shepherd's Bush friends hiding behind the initials J and T, falsetto stacked over a warehouse full of dancers.
Okeh sent an Avalon sharecropper home after modest sales, leaving behind a fingerpicked John Henry that refuses the hammer.

Stipe found the word on a New York apartment door and gave the night shift its lullaby, post-Berry R.E.M.

Benny Blanco and Stargate on the beat, and Marco Rubio calling Khalifa a modern poet during a Senate filibuster.

Florrie Palmer wrote it, Britain sent it to number three, and America renamed it to dodge Dolly Parton's hit.

Frank Rogers built it on mandolin, and Billboard named it 2012's top country song despite it never reaching number one.

A Slim Thug track turned inside out over Rick tha Rular's beat, with a skeptical Seth Rogen questioning Samberg.