
Like a Rolling Stone
A snare crack, a sneer, and Kooper's uninvited organ swirling through the song that split rock open.

A snare crack, a sneer, and Kooper's uninvited organ swirling through the song that split rock open.
Keith dreamt the fuzz riff, taped it half-asleep, and woke up holding the sound of teenage frustration.

Al Kooper was not the organ player and sat down at it anyway, which is the sound everybody remembers from Like a Rolling Stone.

McCartney dreamt the melody, called it "Scrambled Eggs" for weeks, then let a string quartet make it immortal.

A folk flop until a producer secretly overdubbed electric guitars, and the duo heard their number one on the radio.

Norwegian Wood has the first sitar on a pop record. The stretched cover photograph happened when a slide slipped during the projection.

The record where the beat moved to the one and funk quietly began. James Brown never looked back.

Lennon's first draft listed bus stops in Liverpool; Martin's piano solo, taped at half speed, sounds baroque.

One side plugged in, one side not. A few months later Dylan took the electric half to Newport and the folk crowd turned on him.

Brown recycled a flop he'd cut on Yvonne Fair, added Maceo Parker's alto, and landed his highest-charting single.
Entwistle's bass solo needed a Fender after his Danelectro strings snapped, and Daltrey stuttered his way into history.

Garrison's four notes, then Coltrane overdubbing the chant nineteen times, one December day at Van Gelder's.

Session men cut the track and McGuinn's twelve-string Rickenbacker rang over one Dylan verse; folk rock started there.

Malcolm X was a Michigan boy, then a Harlem hustler, then a convict copying the dictionary, then a speaker no one in America could ignore. He was still changing when he was murdered.

Tarplin brought the guitar figure first, Robinson and Moore wrote words to it, and Motown got its saddest smile.
Mayfield turned the gospel train of the spirituals into a civil rights hymn, and King used it to steady marchers.

Harrison's sitar, widely reckoned the first on a rock record, and Lennon smuggling an affair past everyone.

Simone had trained to be a classical pianist and was turned down by the conservatory. You can hear the Bach in her left hand throughout.

Holland-Dozier-Holland pitched Stubbs at the very top of his range, and Paul Riser opened it with piccolo and flute.