
Stan
The 45 King looped Dido under four letters, and Eminem's fan character ended up in the Oxford dictionary.

The 45 King looped Dido under four letters, and Eminem's fan character ended up in the Oxford dictionary.

Sting woke at Fleming's Goldeneye with the melody; Summers cut that arpeggio in one take and made surveillance sound tender.

Albini recorded it at Pachyderm in a Minnesota winter, and Scott Litt later remixed it to lift Cobain's vocal.
Dennis and Davis wrote it in three and a half hours, and Minogue committed after twenty seconds of the demo.

It missed the UK top forty, all Fairlight sequencing except Hook's bass, and now every indie disco needs it.
Ray Davies's publisher wanted to sue the Doors over the riff; Davies declined, and the snarl outlived the argument.

Intended as a blues ballad until the producer brought wine; Hawkins said he never remembered recording it.

A Willie Dixon lyric about craving, drawn loosely from a 1929 Charley Patton side, and Wolf looming over one chord.

Nearly seven minutes, Rory Dodd's voice answering Tyler on the refrain, and Steinman's vampire love song became number one.

Two chords, one piano, and Keys writing and producing her own debut single straight to Song of the Year.

Too weird for radio, not clubby enough for clubs, by the duo's own reckoning; Sam Smith's falsetto settled it.

Rhodes had the backing track in mind before reaching the studio; the Sri Lanka video carried it to number three.
Snow chains rattling for percussion, Jamerson's bass shoving it along, and Reeves sounding genuinely cornered by the arrangement.
Harry turned a 1973 stalker into a chase song, and Nigel Harrison's riff supplies the relentless forward motion.
Dozier had three Bernadettes in mind, and Levi Stubbs shouts the name at the false ending like a man drowning.

The riff arrived in the back of a U-Haul, and DeLeo's ragtime chords carried grunge to a Grammy.

Chaka Khan's label blocked her from the duet, so Palmer sang it alone over Tony Thompson's drum intro.

Seventeen weeks climbing to a UK number one, the first for Stock Aitken Waterman, and Burns devours it.

Cut at Paisley Park with David Z, the snare a drumhead struck with a wooden ruler under Gift's falsetto.

Guitarist Greg Brown wrote it, McCrea narrates deadpan over trumpet, and the driver keeps racing long after everyone left.