
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.

Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.

Jackson wrote it himself and steered the session; a whisper, a water-bottle rattle, then Louis Johnson's bass takes over.

Rod Temperton offered it to Karen Carpenter first; Quincy Jones and Jackson took it to number one.

Jackson took the chorus line from a CPR dummy named Annie, and the anti-gravity lean later earned a patent.

Scorsese shot eighteen minutes in a Brooklyn subway station, and the brass hits point straight back at James Brown.

Garrett and Ballard's demo won Quincy Jones over within hours, and the Andraé Crouch Choir carries Jackson home.

Steve Porcaro's demo reached Quincy Jones only because a cassette auto-reversed, and it took Carousel's place on Thriller.

Cut at Westlake with Quincy Jones, a shuffle Jackson wrote himself, and Bad's third straight Hot 100 number one.

Teddy Riley's new jack swing under a nostalgia lyric, with John Singleton staging the video in ancient Egypt.

Bill Bottrell played the riff everyone credits to Slash, then rapped the verse himself after eight months of searching.