They Reminisce Over You
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.
Pete Rock looped a Tom Scott saxophone line, and CL Smooth's eulogy for a lost friend still aches.
Jones's sitar made it the first number one to feature the instrument, and Decca added the comma by mistake.
Prince wrote it for a side project that went nowhere; O'Connor's tears in the video were real, and unplanned.

Wordless humming answered by a pocketknife slide, an 1792 hymn tune NASA put on the Voyager Golden Record.

Seventeen days between the Life photographs from Kent State and four voices cutting it live in a Los Angeles room.

A 1907 hymn rewritten into a mother's funeral, with A.P. Carter tightening the grief and Maybelle's guitar holding it.
A wordless chorus half of indie rock then copied, and Bowie sang it onstage with the band in 2005.

Fred Rose wrote it in the forties; Nelson's Texas version had Columbia's boss asking why he'd sent a demo.
Kunkel's brushes, Carole King's piano, and three verses that hold a death, an addiction and a band's collapse.

Hynde cut it weeks after Honeyman-Scott's death, with Rockpile's Bremner on guitar and a Sam Cooke chant behind her.

Cantrell wrote it for the Singles soundtrack while grieving Andrew Wood; Starr's bass line and two voices doing the mourning.

Every instrument distorted at Schneider's Denver studio, and Mangum turns an elegy for Anne Frank into pure forward momentum.
Two minutes on addiction, taped live at UCLA's Royce Hall in January 1971 and placed unchanged on Harvest.
Recut after Eazy-E's death, the elegy spent eight weeks at number one and won the group a Grammy.

Four guitar chords never change while Stevens sings a Bible study, a friend's death, and a question for God.

Three days to finish the music in Cuccurullo's home studio, and an elegy for a dead friend became their comeback.

Will Jennings helped finish a lyric Clapton wrote after his four-year-old son died; three Grammys followed in 1993.

McCready's riff was a Ten outtake, and Vedder improvised a lyric he has been rewriting onstage ever since.

Pimp C built it on an Isley Brothers loop, Ronnie Spencer sings the hook, and Texas rap found its elegy.

Gill started it for Keith Whitley in 1989 and finished it after his half-brother died, Patty Loveless singing harmony.

Armstrong's father died in September 1982; by his account the words he said that day waited twenty years.
Taupin rewrote his Marilyn Monroe lyric for Diana, George Martin added strings hours after the funeral, and 33 million sold.
An uncleared Police sample handed Sting the royalties; Faith Evans and 112 turned mourning into eleven weeks at number one.

Nathan Morris had written nearly the same song for his late road manager, Carey said; sixteen weeks at number one.

Monahan woke from a dream of his late mother, and Paul Buckmaster's strings carry the whole ache.
Steinman wrote it out of Wuthering Heights for Pandora's Box in 1989, and Dion made it enormous.

Puth turned a dance production into a piano ballad for Paul Walker; it spent twelve weeks atop the Hot 100.

Trombino set it as a 6/8 waltz for two sisters who ran Weezer's fan club; never a single, sung everywhere.

Kimberly Perry wrote it alone, and banjo, fiddle and mandolin carry her meditation on mortality across fifty-three Hot 100 weeks.

Lee and Moody wrote it at fifteen; the album kept her raw demo vocal, radio got Campbell's grieving strings.

George Teren and Rivers Rutherford wrote it; Dolly Parton's harmony carries a song about grief and the afterlife.

Scott Litt produced it at NRG, and Boyd wrote the lyric amid two deaths and a collapsing relationship.

Seven weeks atop the country chart in 2002, and a bartender's story Jim Collins and Craig Wiseman wrote.

Rutherford and B.A. Robertson had both just lost their fathers; Carrack, who lost his young, sang it.

Herbie Crichlow and Max Martin wrote it; the video's dedication to Denniz Pop turns the harmonies into mourning.

Kamin wrote it after a funeral, imagining the widower left behind; it then held Adult Top 40 for twenty-three weeks.